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BOOK : Frida Kahlo. The life of an indomitable woman: Linde Zalber

The biography of the great and famous painter Frida Kahlo written by Linde Zalber titled Frida Kahlo – The life of an indomitable woman, published by Melani publications.
"I'm not sick. I'm broken. But I'm happy as long as I can paint"
"Like a ribbon wrapped around a bomb". This is how Andre Breton described Frida Kahlo's art. The characterization, however, could refer to the fancy painter herself, her colorful Mexican dresses over a mutilated body, full of pain, but also wild lust for life. Others called her the "Saint of female art". Others know mainly about her stormy love life, her passion for the love of her life, the Mexican painter Diego Rivera, whom she married twice, but also her many lovers, men and women, among whom was Leon Trotsky, then exiled in Mexico. But mainly, Frida Kahlo is one of the greatest painters of the 20th century, the first maybe, who dared to break the male rules that defined art until then and one of the few women of her time who managed to live with such freedom and intensity overcoming pain and illness and completely revealing herself through her work.
Neither does Derain, neither do you, me neither, none of us can make a head like Frida's.
Pablo Picasso
Her art is certainly not the perfect method of discovering oneself and, regardless of external appearance to make him more beautiful. It is something much more. An approach to ourselves, in what can be done, to "not yet" – nothing is considered final, everything adds up – a search of the form which, when found, responds to Yeats's aesthetic: "everything is transformed, they change completely. A hideous beauty ensues.”
Carlos Fuentes, Illustrated calendar, 1995
THE AUTHOR
Linde Zalber PhD in Psychology and psychotherapist was born in 1944 in Tydz, Pomerania and works at the University of Cologne. Her specialty is the relationship between an artist's life and work. From the 1983 he paints. Author of monographs: Anais Nin (1992) and Marlene Dietrich (2001) and the biography One Thousand and One Women, the story of Anais Nin. Lou Andreas Salome's book, the biography of a femme fatale, (2005)  published by Melani publications.
Source : culturenow.gr

Dinos Christianopoulos: "Your awards are too sweet"

In advance (for decades…) the attempt to "honor" the Thessalonian poet by the state ended in fiasco
How "honorable" it is to be awarded by the current Greek state, humiliatingly brought to its knees by politics, financial and moral bankruptcy; And how willing one is"twisted man"– as the Thessaloniki poet Dinos Christianopoulos describes himself – to become an occasional media exhibit; Even if our faded European province flourished culturally from Gavdos to Prespes, again, Christianopoulos would playfully stick out his tongue at every award. His prize is his 60-year relationship with readers and art lovers.. However, he already owned it, long before the recipients of the Grand Prize of Letters of the Ministry of Culture sought him out in the Upper Town – and according to the popular saying "eat the door"...
"What can I tell them now?; Why did you reward me?; You didn't know I wouldn't accept; They knew it, but they messed up. They thought I might accept" commented the 82-year-old writer after the announcement (for decades) last Monday's fiasco. In his own words, paraphrased, "What shall I do with your prizes?, they are too sugary, fit for chocolate kids…”and so on, also known with the music of Dionysis Savvopoulos.
By the way, Christianopoulos doesn't like this music. They generally discredit the setting of poems. And he does not stop blasting those contemporaries who are not to his taste. Many lifted up the cursed stone. Who is criticizing Elytis?, Seferis (both Nobel laureates – random;), Richos, Vasilikos, Greek poetry after the 70th anniversary; they say. They don't notice that it weighs the whole of a project: "Ritsos, with all the cheapness he has in his writings, he has written the most amazing verse I have read by a poet and he says: “Heaven begins with bread”».

The cats, Cavafy and Tsitsanis
Child of the Catechist until he sinned by publishing his first poetry collection, herSeason of skinny cows(1950), former librarian at the Municipal Library of Thessaloniki until 1965, meticulous editor of publications, cultural traffic policeman of the city with the magazine "Diagonios" as the 1983 and the "Small Gallery" ("for 25 years I was a slave to painters"), Christianopoulos has dropped anchor on land, almost untraveled. In Cinari, next to the castle, in the company of his cats, on the one hand, loving, the other unacceptable.
Ascetic life, little income, an unequivocal "no" years ago to the suggestion that he do the paperwork to get a "literary pension". And continuous exposure: events, speeches, hundreds of interviews keep him balanced on the wave of publicity.
Pioneer of gay poetry – he himself would simply say "erotic" -, younger declared himself a student of Cavafy: "He was a follower of pleasure, I am a follower of Christian agony".Two large photographs of Alexandrinos and Vassilis Tsitsanis are held firmly by the nails in his house.. Christianopoulos even got on the rebetiko stage to sing, contrasting his genuine inner need with his disturbingly thin interpretation.
The 1979 opposed those who gunpowder him with the coding manifesto "Against": the grants, the state, the newspapers, the cliques, the cultists, ideologies, individual aspirations. And, certainly, the awards:"Getting a prize means admitting spiritual masters – and someday we'll have to kick the bosses out of our lives".
From the 1998 the solitary creator does not publish poems. And he claims"don't want me as their face, just because m’ they love".
Naive or vain;
Just 21 years old was the 1981 Nikos Davvetas, chairman of the state committee that made the risky decision to award Christianopoulos, when he published his first poems. Where; In the magazine "Diagonios"! You say he didn't know the views of the editor of the magazine; Had he not realized the trajectory of the "Against" catapult text that had been unleashed on the public just two years earlier; So what is the old-fashioned obsession for?;
There are two answers to the reasonable question. Either the awardees are bona fide but also amazingly naive, thoughtless, sloppy fans, either they consciously decided to roll the dice: to "remain in History" as the people who "convinced Christianopoulos in his old age" to... be awarded. If the former happens, he is fine – fandom is blinding in the field and literary stands. But if the second happens, the laureates raised a small worthless mound of vanity whose soils quickly overwhelmed them with a related wave in the communication land of the Lotus Eaters.
Perhaps the members of the previous state committee had foreseen something more, as the poet himself now revealed: "And last year, with Mastrodimitris as president, they offered to reward me, but the man understood when I explained to him and did not proceed."They may not have been jealous of the controversial credit of those who allegedly would do it – for a short moon – the Christianopoulos current currency, Neo-Hellenistic "talk of the town".

Cracks in public discourse
* "Since '98 I have been writing poems, I have the impression that God took them and left me like this. And I can't complain. He wanted to cut off my inspiration; Cut it off for me, come on brother!».
* "Thessaloniki was a nightmare. Let's not forget that. But Athens too - sit tight - was Albanian. What we call Hellenism was built on foreign peoples".
* “I live on less than 600 euros without wanting luxuries, cars and houses. And with a few parades I can live".
* "Homosexuality is a pathology that cannot be cured by doctors, is cured by self-awareness".
* "Cavafi had flown 180 poems, which while he considered them rubbish, the philologists came – the great scourge of modern Greek literature –, they found them very great and added them with the good ones".
Source : tovima.gr

"Madame Soussou", from the State Theater of Northern Greece

Premiere on Friday 10 February
The State Theater of Northern Greece presents the play "Madame Sousou" by Dimitris Psathas, directed by Giorgos Armenis. The unsurpassed comedy of Dimitris Psathas, will be performed at the Royal Theatre, with Fotini Baxevanis in the leading role. The premiere of the show will be given on Friday 10 February.

This is an extremely rare theatrical adaptation made by the author himself for Mrs. Katerina's troupe, (with Emilios Veakis in the role of Panagiotakis) the 1942, and has not reappeared since.

Source : newsbeast.gr

Alkinoos Ioannidis returns to live appearances

For three Fridays
03.02.2012 to 18.02.2012
THEAlkinoos Ioannidis begins at 3 February a small series of six concerts with new sound, orchestral and visual approach, In "Theater", of the Culture Center “Greek world”.

The singer returns to live appearances After the release of the double Live CD entitled “Glass” and of the collection “Harvest”, containing all of his personal disks from the 1997 up to the present day, together with prints of works from their covers.
In this new program he presents songs from his personal discography as well as choices by songs by other creators, enough of them for the first time.
Source : elculture.gr

Global SOS for monuments

IN A’ ATHENS CEMETERY
The Cemetery is on the list of monuments at risk for the 2012, as it faces huge problems, even statics for some of his tombstones.
The homeland sleeps deeper than "Sleeping" by Giannoulis Halepas when it comes to its monuments. Not the ancient or Byzantine ones. Not even the abandoned ones. The A’ Cemetery of Athens is one of the most important "living" monuments of the country. However, is on the list of monuments in danger for the 2012.
The list is drawn up by the World Monuments Fund and the Cemetery was found there as it faces huge problems, even statically, for some of his tombstones. The application-proposal for inclusion was made by the Municipality of Athens itself, in order to garner both the spotlight and help.
As stated in the relevant text on the organization's website, the A’ Cemetery is the oldest in the capital. It was created 1830, shortly after the establishment of the new Greek state.
There rest many men and women who brightened our public life: politicians, heroes of the Revolution, artists etc. The old man of Moria is buried there, Melina Mercouri and Jules Dassin, George Seferis, Costas Varnalis, Manos Katrakis, Tasos Livaditis, Elli Lampeti and many more people from those who glorified the name of Greece.
Among his tombstones there are many important examples of neoclassicism from the 19th as well as the 20th century: huts and temples built on tombs as well as tombstones and other structures.
Many of them present enormous problems today, even static and must urgently receive first aid.
Also the surface of the marble architectural members and sculptures shows massive corrosion – the best-known statue that has been in danger for decades is the beautiful "Sleeping" of Halepa. As time passes, without measures being taken, these problems grow. Until at some point they will be impossible to deal with.
Greece's poor financial situation is currently a reality. But also before, in times when the finances of the state were better, no one showed any interest in this important monument.
No one took steps to encourage the preservation of the sculptural treasures that exist there. Even legal problems - since monuments have owners who sometimes do not consent to their removal or repair- are an inhibitory factor. The root cause, Nevertheless, it is the absence of any will on the part of the state.

Ephesus and Hagia Sophia
The monuments included in the list of the Organization for the 2012 it's a lot – from our country only this. From our neighboring Turkey Aphrodisias is an ancient city that often makes this list as does Ephesus (the second due to high traffic, without taking parallel measures).
also, for several years it was Hagia Sophia until openings in its roof were restored and rainwater stopped entering, which spoiled the famous Byzantine mosaics found under the whitewashed surfaces of the walls.
Being on the list is a step towards taking some action with help, even with financing, of the Global Fund. But the funding is not so high as to be able to solve the problem. For’ therefore additional and many measures are required. Let's hope the motherland wakes up in time.
  • In Cyprus
    From Cyprus to the list of the Organization for the 2012 the medieval city of Famagusta has been included.
 Source : ethnos.gr

Alkistis Protopsalti and Evanthia Reboutsika at the Thessaloniki Concert Hall

Alkistis Protopsalti and Evanthia Reboutsika travel their music and songs in Thessaloniki, at the Concert Hall, at 10 and 11 February.
They will present songs flooded with the light of Greece, with sounds that smell of the East but also wink at the West, a program that stirs with its passion and power filling our hearts with tenderness and sensitivity.
“Spice, cinnamon and celebration",  the title of the show, inspired by a song by the Citizen Kitchen to "exorcise" evil, still in a festive mood and many emotions!
Alkistis Protopsalti reports characteristics: "Evanthia's music transports you to something very familiar, in smells and perfumes, to something very familiar, like Sunday afternoon at mom's house where everything is musky. The way she plays her lovely violin encapsulates melancholy and joy in equal measure, it hits you right in the heart".
Evanthia Reboutsika adds: "Where I was looking to find the nightingale of the East outside of Greece, I found it in front of me chirping. I was moved by the colors and aromas of her voice and it inspired me to record new songs but also to unite musically on stage".
One voice, a violin and a special orchestra that emits fire, with each musician playing 2-3 instruments… canon, accordion, trumpet, cello, lute, metallophone, piano, kahon, upright bass, astride, crust, tambourines, guitar, mandolin.
Alkistis Protopsalti and Evanthia Reboutsika will fill our hearts, they will embrace our dreams and take us on a musical journey to Greece, Istanbul, Egypt, the Balkans, in a program that the public of Athens adored!
Source : culturenow.gr

Ancient Greek port next to Constantinople

It is dated to the 2nd BC. X. century and is located at a distance 20 kilometers from the city

A port from the Roman era and next to it an older one, which presents Greek elements and dates back to the 2nd BC. X. century have been brought to light by the excavations carried out in Constantinople at a distance 20 kilometers from the city, on a small peninsula of the Kyutsukcekmetse lake.

The first has already been identified as it is believed to be the city of Vathonea, some ruins of which are submerged in the waters of the lake. Bathonea came to light for the first time in 2007, after a dry spell, when the water level of the lake went down. Then it was discovered that the port was hiding a huge treasure of ancient artifacts, dating from the 4th to the 6th century AD. X., that is, the period, in which Constantinople was founded.

Harbor walls, well-built multi-storey buildings that may have belonged to a mansion or palace, a huge outdoor tank, a Byzantine temple of the 5th or 6th century that was built on the foundations of an ancient Greek temple, a cemetery of the same era as well as stone-built roads were brought to light by archaeologists during the last excavation period in the area of ​​the smaller port. Currency, pottery and other findings besides, suggest that the church was largely destroyed by an earthquake in 557 but remained in use until the 1037, when another earthquake completely demolished it.
As is obvious, the specific area had continuous habitation and activity since the ancient Greek era. As announced by the Turkish archaeologists who are carrying out the excavations, the settlement was very large since it seems to have extended at least to 7,8 square km. The harbor walls are also long, which reaches at least half the length of the walls of Constantinople.
The possibility that this was a resort of the time is something that is being investigated, however, the name Vathoneas is not certain either, as the reports about her, derived from ancient and Byzantine sources are unclear. In particular, Pliny the Elder speaks in his "Natural History" of a river called Bathynia, which flows into the lake.

While a Byzantine monk, Saint Theophanes the Confessor mentions a region in the 9th century, who calls her Vathyasos.

However, glass objects and ceramics dating back to the 14th century were found at the site, but also plinths with the inscription KONCTANS, of the 5th m. X. century. Other findings also show the city's commercial relations with distant regions such as Palestine and Syria. However, its relationship with Constantinople remains unclear although it could have served both merchant ships and the empire's fleet as a safe harbor outside the city walls.. As is well known, Constantinople had ports in the Horned Gulf and the Sea of ​​Marmara.
The discovery of a building structure at the bottom of the lake is also interesting, which probably belonged to a lighthouse. And if this is verified, it will be one of only three Roman lighthouses, which are known to have existed in the eastern Mediterranean, next to those of Alexandria and Patara (ancient city and port of Lycia in Asia Minor).
Source : tovima.gr