The aim of the seminar is to present both the basic and specific theoretical principles of dramatic narrative starting with Aristotle and ending with the approaches of modern screenwriting gurus, such as, for example, Robert McKee .The ultimate goal is to examine how one moves from theory to practice, the same, that is, the writing. As an important part of the course is based on the analysis of the scripts of well-known and good films, participants learn, if nothing else, to "see" the films with a more demanding, almost professional, eye. The Seminar is aimed both at people who do not have the slightest familiarity with the cinematographic language, but they love cinema and aspire to acquire a more "experienced" look, as well as to young filmmakers who would like to delve into the secrets of screenwriting and dramatic storytelling.More....