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Athens Festival 2012: Ali and Hedi Thabet – Rayahzone in Piraeus 260

Brothers Ali and Hedi Thabet invite us on a political journey into the world of desires and the Holy, with the show "Rayahzone”,which will be presented in Piraeus 260 (THE), at 14, 15 and 16 June, in the context of the Athens Festival.

Ali and Hedi Thabet were born in Belgium, from a Tunisian father and a Belgian mother. From a young age they were involved in the circus and soon dance was added to their interests, the theater, writing and photography. Even when Hedy Tabet was hit with age 18 years of bone cancer and two years later he lost his leg, his love for the stage remained years later, created together with his brother the show we will enjoy.

“Rayahzone” is a journey (Rayah in Arabic), where we are invited to participate in order to disturb our arcane and tormenting inner anxieties in order to seek balance. On this trip, the bodies, the voice and percussion are the protagonists.

For the performance, the two brothers collaborated with the dancer Nicolas Vladyslav and the musicologist Sofyann Ben Youssef who, with five Sufi musicians, gave the music a leading role, thus making an indirect political statement, as Sufi music in Tunisia was banned at various times in history. In the show, the music does not complement the steps and movements of the dancers, but it is done – with her breath and voice as tools – vehicle that leads viewers to the Divine. As God created man by breathing into him his Spirit, man breathes out the voice of God and touches the Divine, through the song.

Finally the "Rayahzone", that we will watch at this year's Athens Festival is not just an absolutely perfect artistic performance but a journey of self-awareness. And the purpose of the Thabet brothers is to bring into confrontation and to transcend in space and time the three different dimensions of existence: the death, reason and madness, which are personified on stage by the three dancers and to connect their viewers with the little god that we all hide inside.

Choreography
Ali Thabet, Heidi Thabet

Music direction
Sofyann Ben Youssef
They interpret
Lionel About, Ali Thabet, Heidi Thabet
Live music
Mehdi Ayachi, Sofyann Ben Youssef, Mourad Brahim, Walid Sultan, Nidhal Yahyaoui

Info

Τοποθεσία Πειραιώς 260, Building H
Date 14 – 16 June, 21:00. Duration: 1:15’ without a break
Πληροφορίες www.greekfestival.gr
Τιμές εισιτηρίων Κανονικό 25€, Student ticket - disabled €15

Source : culturenow.gr

SNOW AND THE HUNTER

Case : Years ago, the dazzling Queen Ravenna killed the King on their first wedding night. Now she needs a pure heart to manage to maintain her beauty, but also her power. And the only one that exists is her heart, imprisoned in the castle for years, daughter of the king. The young girl manages to escape and seeks refuge in the Dark Forest, which is full of dangerous plants and poisonous animals. The Queen sends after her the only human who can survive in the Forest: a sad Hunter. Having long ago given up all hope of life, the Hunter accepts. But when he finds her, he hesitates… He will kill the beautiful girl; Or he will train her to be the best warrior the Kingdom has ever seen;

EXTRA!

A THRILLING ENTERTAINMENT OF THE LEGENDARY HISTORY
Get ready for a new one, deconstructed reading – adaptation of the famous fairy tale by the Brothers Grimm, of Snow White, according to which… the hunter (Thor Chris Hemsworth) not only does he refuse to meekly obey Snow White's extermination orders (starring Twilight star Kristen Stewart), but he also takes on the role of her protector and mentor, while, at the same time, the two try to escape from the evil witch (starring Charlize Theron) who pursues them…

Official Site:

http://www.snowwhiteandthehuntsman.com/

Watch the movie trailer

Looking for Atticus – Summer 2012: Tour

The musical show "Looking for Atticus", is touring Greece! After the great success and the sold out shows with more than...
60.000 viewers in Athens and Thessaloniki, the show of the year loved by audiences and critics, summer tour begins.

JUNE
25 & 26 Patras
29 & 30 Papagou

JULY
4 & 5 Petersburg
6 Sparta
8 & 9 Veakio
10 Larissa
11 Janina
12 & 13 Philippi
15 Alexandroupoli
16, 17 & 18 Thessalonica
20 Serres
21 Dion
22 & 23 Marble
25 & 26 Chania
28 & 29 Heraklion

AUGUST
1 Chios
2 Mytilene
4 Severus
6 Delphi
8 Nemea
26 Florina

A few words about the show

A great musical theater production, VAT to ATTIC, father of all modern Greek troubadours.
A 20-member troupe of elite actors, singers, musicians and dancers "looking for ATTIC", the style and ethos of an entire era, through memories and senses, texts and songs that sealed our sensibility.

A throwback without a "retro" mood, but with a lot of humor, sarcasm, tenderness and emotion. At the heart of it is a hearty selection of the most beloved songs of Atticus and other leading composers of the time.

The show follows the "life saga" of Cleon Triantaphyllos-Atticus (1885-1944) and his generation. It starts from Alexandria and his Athens 1900, with the walks in Zappeion, the carols and musical evenings at the mansion of the Triantaphyllos family. It takes place in Belle Epoque Paris, with the famous Mistenge pacing at the Follies Bergères and the young Cleon at the Conservatory, musical theaters and cabarets to begin his career as "Attic" – songwriter. We follow him on his adventurous tours around the world, from America to the Russia of the Bolshevik revolution!

To end up in the Athens of the Interwar period, with "variety shows" and the famous "Mantra"! "Mantra" was Attic's temple of art and functioned for a whole decade (1930-1940), combining in a unique way elements from the Parisian boutique, the Athenian inspection, it's boring, the tavern and the music-philology gallery! It was the nursery of many great artists, as well as some of the most important lyricists and entertainers.

Music research - texts: Lampros Liavas
Direction - choreography: Sophia Spyratou
Lyrical interludes: Yannis Xanthoulis
Orchestration – musical direction: Theodore Kotepanos
Stages - costumes: Lili Pezanou
Lighting Design: George Tellos
Sound Design: Simon Honywill
Production: Michalis Adam

They star in the 20-member troupe (in alphabetical order):

Nina Lotsari, Evangelia Moumouri, Alexandros Bourdoumis, Angelos Papadimitriou, Akis Sakellariou
The presence of Zozos Sapundzakis was particularly honorable

With them live orchestra and ballet.

Info

Τοποθεσία Περιοδεία στην Ελλάδα
Ημερομηνία Καλοκαίρι 2012
Ticket sales 210 88 40 600 | abcd.gr | viva.gr 13855
Shops: public, forthnet

Source : culturenow.gr

When tourism persists culturally

The romantic coloring of the English traveler artist Edward Lear reveals – in an exhibition at the Asian Art Museum of Corfu – the virgin landscapes of the Ionian Islands of the 19th century, freed from the archeology of his time

"Around 3 in the morning we anchored in the beautiful paradise of Corfu and looked out over the calmest of seas, with the ridges of the hills covered with cypress trees and dotted with country houses all the way to the sea…», he wrote in his diary on 19 April 1848 the English traveler Edward Lear.
It is one of the notes of admiration of the English illustrator and poet of the Victorian era. Who in the spirit of 19th century travelers traveled to Greece, he was fascinated by the Ionian Sea and settled in Corfu painting watercolors, oil paintings, creating drawings and engravings.
As meticulous by nature and impressed by the beauty of the place, Lear detailed the corners of his works and the pages of his diary, and it is no exaggeration to think that if he were alive today he would be a successful social media user..
Two hundred years since his birth, the relationship of the philanthropic English artist with the Ionian Islands and especially with Corfu is reflected in the large exhibition that opened at the Museum of Asian Art under the roof of the Palaces of Archangelos Michael and Agios Georgios in Corfu.
Culture and tourism: the new product that Corfu has added to the choices of its visitors. Lear, with endless horizons, rocks bathed in evening light, seas framed by the dawn breeze, offers his share.
In the middle of the 19th century he traveled on foot or on horseback in unexplored Greece. The virgin landscapes that met his gaze he rendered in paintings. “More and more I'm getting the impression that eventually I'll mostly be known as “The Painter of Greece”», he declared himself as soon as he settled in Corfu, the 1856.
The exhibition "Edward Lear and the Ionian Islands" captures moments from his travels in the Ionian. Its significance lies in the fact that "in the vaguely melancholic landscapes from the Ionian Islands that Lear renders with romantic descriptiveness, his compatriots remotely collect the first information about the area", points out the curator of the exhibition and director of the Asian Art Museum Despina Zerniotis.
Twentieth of twenty-one children in the family of stockbroker Jeremiah Lear and his wife Ann, he was known in his homeland for poems and writings with paradoxologies (nonsense) and works with zoological illustrations. However, with the landscapes from his excursions in the Mediterranean he secured his living.
"The entirety of his Greek production constitutes a unique treasury of visual evidence for the natural environment of Greece in the 19th century. For the image of the landscape before the neo-Greek deformation and development interventions", Fani-Maria Chigaku points out, painting curator at the Benaki Museum.
Lear's humor prompted him to capture even snapshots of the daily lives of the inhabitants: villagers in local costumes of the Ionian Islands chat in front of huts or churches, they pose next to goats, while in his sketches he captured details from weddings and local festivals.
Source : tanea.gr

BETWEEN CORFU AND PAXON : Poseidon found three wrecks

They are the deepest in the Mediterranean and were identified by archaeologists on the Greek gas pipeline route – Italy

Ancient and historical wrecks were found in the archaeological check on the route followed by the underwater gas pipeline ? Italy "Poseidon", In the maritime area between the island of Corfu and Paxos. The archaeological control carried out by the Ephorate of Underground Antiquities and the Hellenic Center for Marine Research was carried out throughout the pipeline within the Greek continental shelf, covering an area of ​​approximately 200 T. km. and up to maximum depth 1400 μ. and up to the limits of the Greek exclusive economic zone with Italy. Three wrecks were found, which are the deepest localized ancient wrecks of the Mediterranean to date. The first named 'Poseidon 1' and found in depth 1.180 μ. This is a Roman wreck, According to a first estimate of the 3rd century. A.D.
Two orifice of African amphorae were lifted from this shipwreck, different types, as well as a marble vessel 30 from. Since the wrecking of the wreck they look amphorae, kitchenware, at least two anchors, part of ship bald.
The second wreck, 'Poseidon 2', as it was called, was found in depth 1375 μ. and it is probably a ship's shipwreck of the same period as the previous. The shipwreck are preserved amphorae, tables, kitchenware, as well as various metal objects, part of the ballast and possibly the ship's carpenter.
Shipwreck did not lift objects due to their difficulty detaching them from the muddy bottom.
The third shipwreck, "Poseidon 3", was found in depth 1260 μ. And this is a ship of younger times, Probably 17th-18th AI. From the ship saves the carpenter of, the iron anchors, cooking and storage utensils and vessels (oochoi with nightmares, dishes, tables, Casts etc.).




This first deep water research, conducted in the marine area of ​​northern Ionian, demonstrates the high frequency of ships from the area, Already since antiquity. The survey was conducted with the support of the "Aegean" O/C and the use of sound scanning and underwater remote control vehicles.
This research also identified in these depths of traces of sliding networks, who often cause disasters in unbearable wrecks and on the other hand rejected the theory that ancient merchant ships were sailing very close to the coasts.
The on -site address of the research on the ESA's side had the diving archaeologist Dr.. Curcumemel. The contribution and cooperation of the crew of the O/C Aegean and the ELKETHE scientific groups was important in the whole research.. The total expenditure of the survey was covered by the project body, Poseidon YAFA.

Source : ethnos.gr

4the Ibero-American Book Festival – LEA 2012 at the Cervantes Institute

For the fourth consecutive year, the LEA Festival, which has now become an institution will open its doors welcoming us to the welcoming
and impressive space of the Cervantes Institute and inviting us to get to know the magical diversity of the Spanish, of Portuguese as well as Latin American culture for two consecutive exciting weeks!

As in the previous events, this festival of unity and brotherhood among the peoples of the Iberian Peninsula, of Latin America and Greece, it gives Athens access to distant voices and the ability to approach cultures, to whom the music, the image and above all the reason, they play a unifying and solidarity role.

The 4th Ibero-American Festival "Literature in Athens" organized by the Cervantes Institute, the cultural magazine Sol Latino and the Maria Tsakos Foundation, this year it will last two weeks from 11 until 24 June.

Specifically, the first week is devoted to cinema based on literature, while at the same time there will be an exhibition and cartooning workshops organized by www.educartoon.gr with the theme "Gender solidarity and equality", in the Exhibition Hall of the Cervantes Institute.

The second week, will be dedicated to the literary circle that includes meetings with writers and a poetry evening. Our guests are distinguished writers who have made a mark on Spanish and Portuguese literature, while parallel to the literary circle, in the Exhibition Hall of the Cervantes Institute, an Exhibition of books and objects of folk art will be held.

World Spanish Day

Alongside, The Cervantes Institute of Athens, key contributor to this Festival and the main body promoting the Spanish language and Spanish-speaking culture in general in our country, will be the organizer of the World Spanish Day. A fiesta filled with intense Spanish color with theater workshops and films for children, with prize-winning literature and flamenco! The World Spanish Day will open the curtain on 23 June 2012, within the framework of the Festival. (see. attached file)

Day of Greece

As part of the LEA Festival, on Sunday 24 June 2012 the Day of Greece will take place, with book presentation, historical photographs and a Tribute to Nikiforos Vrettakos at the Foundation “Maria Tsakos”.

The detailed program can be found on the page www.lea-festival.com& www.solatino.gr

In collaboration with the embassies: Argentinian, Brazil, Spain, Bucket, Spain, of Mexico, Uruguay Peru, Portugal and Chile, the Consulate of Ecuador, the Directorate of Culture and Letters of the Republic of Uruguay, the Union of Greek Hispanists and the Department of Spanish Language and Literature of the University of Athens, the Association of Spanish Language Teachers (ASP) and the Directorate of Letters of the Hellenic Ministry of Culture and Tourism.

Exclusive transport sponsor: IBERIA

Info

Location Cervantes Institute of Athens, Metropolis 23, Constitution (tel.: 210.3634117) KAI "Maria Tsakos" Foundation, "Macedonia" Mansion, L. Composer 367, Old Faliro (tel.: 210.9480700-9)
Date 11 to 24 June 2012
http information://www.solatino.gr
http://www.lea-festival.com
Ticket prices Free entry


Source : culturenow.gr

Archaeologists with revolvers

One hundred years of archaeological research in Thassos, in a scrapbook full of archival material, compiled by many generations of scientists and artists


Four hats and a revolver. The young French archaeologist coming of age 1920 in Thassos, bringing the customs of the time to the island that was liberated only a few years ago, except for his hats (the cork, the straw, the canvas and the trajaska) he had thought fit to have a gun with him. In his notebook the member of the French Archaeological School does not explain the reasons for this need, but the conditions that prevailed on the poor island might even have frightened him.
A few years ago, April of 1911, excavations had begun in Thassos thanks to the Turkish firman secured by the French Archaeological School at a time when masterful "diplomatic" actions were required. Because it had to be negotiated simultaneously with the Egyptian Khedive for the Egyptian properties, to request permission from the monasteries of Athos that had estates on the island and to make contracts with the owners, something the excavators seem to have initially ignored.
Today, a century after those difficult but fruitful days, the revelation of the great ancient city of the North is complete. The route, however, is a valuable archaeological site, cultural and historical record, which is now included in the album "100 years of French excavations in Thassos, 1911-2011», a joint publication of the French School of Athens and Olkos publications.
A puzzle whose pieces – letters, designs, rare and often anecdotal photographs of the excavations and the amazing finds, 230 in total – composed by authors Arthur and Dominic Miller through this anniversary album, which coincides with the 100 years since the integration of Thassos into the Greek territory. In the same spirit was the exhibition that preceded it at the Archaeological Museum of Thessaloniki 2011 with the same title.

The findings
In fact the investigations of the French Archaeological School had begun the 1856 – ten years after its establishment -, but not systematically. At that time only by chance were the finds of sculptures and inscriptions that enriched the collections of the Egyptian governor Toussoun Bey or M. Bulgaridis, consul of France in Kavala, or even adorned the salons of the port governor, when they weren't being cut up to be used in construction or when they weren't feeding the lime kilns.
A’ World War had tragic consequences for archeology as well, after the excavations in Thassos were abruptly stopped, while three of the four first excavators of the island (Adolphe Joseph Reinach, Gustave Blum and Charles Avezou) they died. Once it 1916 a new mission was attempted, the archaeologists, however, "had to leave, after a short excavation period, due to practical difficulties, of the dangers of aerial bombardment and of General Sarrail's official warning".

The colossus
But the most important event immediately after the war was, the 1920, the de-walling of an archaic colossal statue that had been found in fragments in the city's fortifications. They were painstakingly brought down from the slopes of the Acropolis in oxcarts and the whole was finally restored in 1923. With his decade 1920 after all, a new era for the excavations in Thassos is beginning. And par’ that conditions continued to be difficult – or even strange ones, if one calculates that in the diet of the archaeologists, tuna alternated as the only food, the pate(!), the sardines, mackerel and herrings -, excavations and discoveries continued.
Today archaeologists know that Thassos, a Parian colony of 670 e.g., it had one of the most important mints in the Greek world, rich trade, mainly wine, and enjoyed the goods of her prosperity for centuries. For’ this and the book is not an art publication, but of presenting archival material collected by generations of archaeologists, photographers, architects and designers.

A city full of sanctuaries
There are few aspects of the life of the ancient city of Thassos that have not been studied in 100 years of research by the French Archaeological School, whether it is about its urban context and periphery or about its political and religious institutions or its economic and artistic life. Excavations have revealed the theater and market, with a set of sanctuaries in its central square. At the top of the Acropolis dominate the sanctuaries of Pythian Apollo and Athena, while the sanctuary of Dionysus is still located in the city, the sanctuary of Hercules, Institutionalization, but also the sanctuary of Artemis, the excavation of which brought to light numerous votive offerings, like figurines, ceramics, objects of gold, ivory, copper or orea crystal.
Built entirely of marble in the early 5th century BC. was the wall of this city, with a network of towers that ensured surveillance of the territory. It is no wonder then that Thassos became a city so powerful that it clashed with the interests of even Athens in the region.

When & where
The edition "100 years of French excavations in Thassos, 1911-2011» is released within the week by Olkos publications and the French School of Athens.

Source : tovima.gr