The car that is driven without a license is available.

 Η Aixam (Εξάμ) είναι μία γαλλική μάρκα που δραστηριοποιείται στην ελληνική αγορά με διάφορα μοντέλα αυτοκινήτων και επαγγελματικών οχημάτων. Στη χώρα μας βρίσκεται από το 2004 και μέχρι σήμερα έχει διαθέσει, μέσω της εισαγωγικής εταιρείας, almost 130 cars.
Features
Πλέον ξεκίνησε η διάθεση ενός νέου μοντέλου με την ονομασία City, το οποίο μπορούν να οδηγήσουν ακόμα και αυτοί που δεν διαθέτουν δίπλωμα αυτοκινήτου, αλλά δίπλωμα για μοτοποδήλατο. Το νέο αυτό μοντέλο είναι εφοδιασμένο με κινητήρα diesel δικύλινδρο υδρόψυκτο 400 ml, προερχόμενο από την ιαπωνική Kubota. Ο συγκεκριμένος κινητήρας αποδίδει 5,5 ίππους και μπορεί να αναπτύξει ταχύτητα μέχρι τα 45 km / h, με κύριο χαρακτηριστικό τη χαμηλή κατανάλωση καυσίμου, που κυμαίνεται, according to the company, στα 2,97 liters per 100 kilometers. Το βάρος του Aixam City είναι 350 κιλά και μπορεί να μεταφέρει δύο επιβάτες και τις αποσκευές τους (όπως το Smart).
Κόστος και εκδόσεις
Τα έξοδα για τον ιδιοκτήτη του γαλλικού μοντέλου είναι περιορισμένα από πλευράς κατανάλωσης, τελών κυκλοφορίας (15 euro) και κόστους χρήσης. Σύμφωνα με την ελληνική εισαγωγική εταιρεία, το service, το οποίο κοστίζει 100 euro, γίνεται κάθε 5.000 χιλιόμετρα και περιλαμβάνει λάδια, φίλτρο αέρος, φίλτρο λαδιού και φίλτρο πετρελαίου. Additional, each 15.000 γίνεται έλεγχος ιμάντα και αλλάζεται, μόνο εάν χρειάζεται. Το Aixam κυκλοφορεί σε τρεις εκδόσεις, City, City S και GTO (φωτογραφία), και εισάγεται από την εταιρεία «Σαραντόπουλος» με τιμές πάνω από 11.000 euro.
Source : zougla.gr

Ballet of the Kyiv Opera - Nutcracker: Magical Christmas at the Badminton Theatre

The famous Ballet of the Kyiv Opera after the 13 sold out performances of Cinderella at the Athens Concert Hall in 2009, is coming to Athens again, at the Badminton Theater, to enchant young and old alike with the most beautiful Christmas tale, the NUTCRACKER!
Hoffman's fairy tale "The Nutcracker and the Mouse King", it was adapted 1816 by Alexander Dumas, who with great sensitivity turned the story of The Nutcracker into a tender children's tale that is read to this day.
The 1891, Marius Petipa, choreographer of the Imperial Ballet of St. Petersburg, decided to choreograph Alexandre Dumas' arrangement and commissioned Pyotr Ilyich Tchaikovsky to compose the music. The solemn premiere of the ballet took place on 18 of December 1892. In Western Europe, presented for the first time in London, at 30 January of 1934 while in America it was presented for the first time only in 1944 in the city of San Francisco.
Since then the ballet has been choreographed by many choreographers, such as Georges Balanchine, Rudolf Nureyev, Michael Barysnikov et al. Although the Nutcracker has been presented from time to time with different stage approaches and choreographies, Tchaikovsky's genius music remains unchanged over time and is, generally speaking, one of the most wonderful and recognizable pieces of music ever written, bringing together most recordings of the classical repertoire.
The Nutcracker is presented every year in all the capitals of the world because it is the best gift for children on Christmas days.
THE TALE OF THE NUTCRACKER
FIRST ACT
Clara celebrates Christmas Eve with her parents like every year, her brother and her friends. Exchange gifts, they dance, they play and decorate the tree.
Clara's godfather, Drosselmeier, a strange magician and maker of magic games, is entertaining the children with various toys when suddenly a doll appears, a Nutcracker.
No kid wants him except Clara who starts dancing with him. Clara's brother, Fritz, fighting with her, takes the doll and throws it away. The party ends and all the kids go to sleep.
It's midnight. Clara can't sleep, gets up, she goes to the tree holding her beloved Nutcracker and falls asleep there. The Christmas tree grows and grows and everything loses its proportions. Clara is dreaming…
Suddenly the room transforms and an army of mice pops out of the walls scaring Clara. All the Nutcracker-led games come to life and start a mouse fight.
At the moment when everything seems to indicate that the Mouse King has defeated the Nutcracker, Clara throws her slipper at the King and saves the Nutcracker.
This act of Clara's, moves Drosselmeyer and transforms the Nutcracker into a Prince.
SECOND ACT
The Prince asks Clara to take her to his palace. So, begins a magical journey to the land of Fantasy. During the trip, they pass through various strange places, from the land of the Snow Queen, from the land of Sweets, they meet the Sugar Fairy and reach the land of Flowers. There, lovely flakes swirl to the rhythm of the waltz.
The snowflakes help Clara and the Prince get through a storm with their light until they reach the Prince's Magical Land where a beautiful palace full of toys awaits them.
In their honor, a festival of dances from all countries of the world begins, Arabia, India, China, Russia…
But the night passes quickly and it is dawn.
Clara wakes up under the tree, without her new friends, holding the Nutcracker doll in her arms and thinking of the wonderful memories of that magical Christmas.
Kyiv Opera Ballet
The ballet of the Kyiv National Opera in Ukraine was founded in 1860 and very quickly established itself internationally as one of the famous dance groups of the whole world. One of the first successes of the Ensemble was the premiere of Tchaikovsky's Oprichnik ballet presented in 1874, in the presence of the composer himself who congratulated them on their excellent performance.
In fact, Tchaikovsky insisted that all his operas and ballets be performed at the Ukrainian National Opera in Kiev, as he considered this theater to be similar and equal to that of Moscow and Saint Petersburg.
Today the Group has 24 complete ballets in his repertoire, which makes it the group with the richest repertoire in classical dance. With this rich heritage he has toured most countries of the world and has been enjoyed by more than 40 millions of viewers, who have been enchanted by the artistic and technical excellence of his dancers who are among the best in the world.
It should be noted that famous names of the dance art of the 20th century, such as Vaslav Nijinsky and Serge Lifar, were born in Kyiv. After the 1950 the Kyiv Opera and its ballet experienced a new heyday, as he was surrounded by young and talented artists. The 1964 the Kyiv Ballet participated in the International Festival of Classical Dance in Paris and several of its soloists received great honors. Great dance stars have collaborated with him: Serge Lifar, Maya Plisetskaya, Anna Pavlova, Marina Timofeeva, Irina Kolpakova et al. as did the great dancer Vladimir Malakhov.
Pyotr Ilyich Tchaikovsky-The Nutcracker-Kiev Opera Ballet
Six unique performances at the Badminton Theatre
Premiere
Christmas 25 December on 20:00
Other shows
Monday 26 December on 16:00
Monday 26 December on 20:00
Tuesday 27 December on 20:00
Wednesday 28 December on 20:00
Thursday 29 December on 20:00
Source : culturenow.gr

Ballet of the Kyiv Opera - Nutcracker: Magical Christmas at the Badminton Theatre

The famous Ballet of the Kyiv Opera after the 13 sold out performances of Cinderella at the Athens Concert Hall in 2009, is coming to Athens again, at the Badminton Theater, to enchant young and old alike with the most beautiful Christmas tale, the NUTCRACKER!
Hoffman's fairy tale "The Nutcracker and the Mouse King", it was adapted 1816 by Alexander Dumas, who with great sensitivity turned the story of The Nutcracker into a tender children's tale that is read to this day.
The 1891, Marius Petipa, choreographer of the Imperial Ballet of St. Petersburg, decided to choreograph Alexandre Dumas' arrangement and commissioned Pyotr Ilyich Tchaikovsky to compose the music. The solemn premiere of the ballet took place on 18 of December 1892. In Western Europe, presented for the first time in London, at 30 January of 1934 while in America it was presented for the first time only in 1944 in the city of San Francisco.
Since then the ballet has been choreographed by many choreographers, such as Georges Balanchine, Rudolf Nureyev, Michael Barysnikov et al. Although the Nutcracker has been presented from time to time with different stage approaches and choreographies, Tchaikovsky's genius music remains unchanged over time and is, generally speaking, one of the most wonderful and recognizable pieces of music ever written, bringing together most recordings of the classical repertoire.
The Nutcracker is presented every year in all the capitals of the world because it is the best gift for children on Christmas days.
THE TALE OF THE NUTCRACKER
FIRST ACT
Clara celebrates Christmas Eve with her parents like every year, her brother and her friends. Exchange gifts, they dance, they play and decorate the tree.
Clara's godfather, Drosselmeier, a strange magician and maker of magic games, is entertaining the children with various toys when suddenly a doll appears, a Nutcracker.
No kid wants him except Clara who starts dancing with him. Clara's brother, Fritz, fighting with her, takes the doll and throws it away. The party ends and all the kids go to sleep.
It's midnight. Clara can't sleep, gets up, she goes to the tree holding her beloved Nutcracker and falls asleep there. The Christmas tree grows and grows and everything loses its proportions. Clara is dreaming…
Suddenly the room transforms and an army of mice pops out of the walls scaring Clara. All the Nutcracker-led games come to life and start a mouse fight.
At the moment when everything seems to indicate that the Mouse King has defeated the Nutcracker, Clara throws her slipper at the King and saves the Nutcracker.
This act of Clara's, moves Drosselmeyer and transforms the Nutcracker into a Prince.
SECOND ACT
The Prince asks Clara to take her to his palace. So, begins a magical journey to the land of Fantasy. During the trip, they pass through various strange places, from the land of the Snow Queen, from the land of Sweets, they meet the Sugar Fairy and reach the land of Flowers. There, lovely flakes swirl to the rhythm of the waltz.
The snowflakes help Clara and the Prince get through a storm with their light until they reach the Prince's Magical Land where a beautiful palace full of toys awaits them.
In their honor, a festival of dances from all countries of the world begins, Arabia, India, China, Russia…
But the night passes quickly and it is dawn.
Clara wakes up under the tree, without her new friends, holding the Nutcracker doll in her arms and thinking of the wonderful memories of that magical Christmas.
Kyiv Opera Ballet
The ballet of the Kyiv National Opera in Ukraine was founded in 1860 and very quickly established itself internationally as one of the famous dance groups of the whole world. One of the first successes of the Ensemble was the premiere of Tchaikovsky's Oprichnik ballet presented in 1874, in the presence of the composer himself who congratulated them on their excellent performance.
In fact, Tchaikovsky insisted that all his operas and ballets be performed at the Ukrainian National Opera in Kiev, as he considered this theater to be similar and equal to that of Moscow and Saint Petersburg.
Today the Group has 24 complete ballets in his repertoire, which makes it the group with the richest repertoire in classical dance. With this rich heritage he has toured most countries of the world and has been enjoyed by more than 40 millions of viewers, who have been enchanted by the artistic and technical excellence of his dancers who are among the best in the world.
It should be noted that famous names of the dance art of the 20th century, such as Vaslav Nijinsky and Serge Lifar, were born in Kyiv. After the 1950 the Kyiv Opera and its ballet experienced a new heyday, as he was surrounded by young and talented artists. The 1964 the Kyiv Ballet participated in the International Festival of Classical Dance in Paris and several of its soloists received great honors. Great dance stars have collaborated with him: Serge Lifar, Maya Plisetskaya, Anna Pavlova, Marina Timofeeva, Irina Kolpakova et al. as did the great dancer Vladimir Malakhov.
Pyotr Ilyich Tchaikovsky-The Nutcracker-Kiev Opera Ballet
Six unique performances at the Badminton Theatre
Premiere
Christmas 25 December on 20:00
Other shows
Monday 26 December on 16:00
Monday 26 December on 20:00
Tuesday 27 December on 20:00
Wednesday 28 December on 20:00
Thursday 29 December on 20:00
Source : culturenow.gr

KARAKATSANIS : "The curtain has fallen for me"

For his decision to leave his great love, the theater, Thymios Karakatsanis spoke.
Our leading actor, speaking to "Espresso" he declares that he is disgusted and bitter about what is happening around us, but also in the theater, resulting in him making the final decision to close a huge chapter of his life.
– You will be performing somewhere this theater season;
I will appear on Monday! I have already retired…
– I don't think what you say is true. You served the theater with passion…
I can't anymore, I can't…he says tiredly and withdraws into himself.
– Why are you staying away?;
Because I don't like it!
– Don't tell me you're retiring;
What should I retire?, since I have already retired…
– How did you make that decision?;
All this worthlessness has disgusted me.
– You feel the need to detox;
Ε, Yes. Rather…
– You have generously offered laughter to the audience. Now why this denial;
I'm crying now…
– If you were given a space right now, what project would you upload that would reflect today's situation;
"The Kouluvachata", the work that life itself writes.
– A kind of satire;
I wouldn't say satire. It's kind of a tragedy…
– They say that a great comic actor can play an ancient tragedy just as well. Why didn't you dare?;
Once, when I was in the Art Theatre, Kun put me up, since I begged him, in a tragedy. And with the first sentence I said, they all burst out laughing. Then I realized that my tragedy is laughable…
– You suddenly became tight-lipped…
What can I say; What is there to say;
– How do you view the theater from a distance?;
May I be absent from the public. My absence, however, does not mean anything. There must be many missing !
– Are you saying that today there are people in the theater who have nothing to do with it?;
I believe that the absence would be good for many and above all for the theater itself and our culture.
– You don't even want to play Aristophanes in the summer;
In my dreams, Yes. Think of…
– What else are you thinking?;
That's the way things are, that as time goes by you think that I have been working for so many years and finally what did I do; All you hear is a bitter review. And even for things that were not your fault.
– I don't think the public has ever rewarded you with that kind of criticism.
Yes, Okay. But there are also those tubercles of the horn. I don't know what else they will write, but I don't care either. All I care about is how this place is going to get back on its feet. I have everything else written down!
– The situation we are all experiencing, how you comment on it;
Very nice! THE,what do you need to start cursing!
– How do you deal with this crisis?;
With judgment.
– Do you think the country will get out of the impasse?;
The country was never out. I don't know if it will come out. If you see the things that define our lives politically, culturally, socially, it's banging your head against the wall.
– Do you think we have a new possession;
We are not even under occupation.
– What situation are we in?;
Completely unprotected.
– You, deeply politicized artist, of the great personalities of the modern Greek theater, what do you think should be done to see a white day in this place;
Let's be in the "Wealth" of Aristophanes. More expensive in everything.
– How do you feel when the foreign press makes headlines for our country?;
It seems they understood what we are.
– All these unbearable taxes you pay or resist and disobey;
No matter how disobedient you are, the tax office comes and fucks you.
– What hurts you the most the way things have turned out?;
What hurts me is that everyone makes a fight after the fight is over.
– You could go out into a square and urge your fellow citizens to revolt;
I could do it by addressing theater people. Nevertheless, if there is no ticket, you can't make a revolution. Everything about the ticket is done.
– You remember some other such difficult time;
I don't remember a difficult time for the country, because there was no easy one.
– How are you financially?; Many fellow craftsmen tell you that they are having a hard time, let alone you who are not working now…
We'll see… We are always housewives.
– You also have your axe, which has all the good stuff.
Yes! You must be a householder so as not to disturb society.
– You fear for your children's future;
I fear for the future of all the children. My children do not live outside society and neither can one protect one's children. All you can do is teach them. And unfortunately, the teaching is to make them loathe the world.

KARAKATSANIS : "The curtain has fallen for me"

For his decision to leave his great love, the theater, Thymios Karakatsanis spoke.
Our leading actor, speaking to "Espresso" he declares that he is disgusted and bitter about what is happening around us, but also in the theater, resulting in him making the final decision to close a huge chapter of his life.
– You will be performing somewhere this theater season;
I will appear on Monday! I have already retired…
– I don't think what you say is true. You served the theater with passion…
I can't anymore, I can't…he says tiredly and withdraws into himself.
– Why are you staying away?;
Because I don't like it!
– Don't tell me you're retiring;
What should I retire?, since I have already retired…
– How did you make that decision?;
All this worthlessness has disgusted me.
– You feel the need to detox;
Ε, Yes. Rather…
– You have generously offered laughter to the audience. Now why this denial;
I'm crying now…
– If you were given a space right now, what project would you upload that would reflect today's situation;
"The Kouluvachata", the work that life itself writes.
– A kind of satire;
I wouldn't say satire. It's kind of a tragedy…
– They say that a great comic actor can play an ancient tragedy just as well. Why didn't you dare?;
Once, when I was in the Art Theatre, Kun put me up, since I begged him, in a tragedy. And with the first sentence I said, they all burst out laughing. Then I realized that my tragedy is laughable…
– You suddenly became tight-lipped…
What can I say; What is there to say;
– How do you view the theater from a distance?;
May I be absent from the public. My absence, however, does not mean anything. There must be many missing !
– Are you saying that today there are people in the theater who have nothing to do with it?;
I believe that the absence would be good for many and above all for the theater itself and our culture.
– You don't even want to play Aristophanes in the summer;
In my dreams, Yes. Think of…
– What else are you thinking?;
That's the way things are, that as time goes by you think that I have been working for so many years and finally what did I do; All you hear is a bitter review. And even for things that were not your fault.
– I don't think the public has ever rewarded you with that kind of criticism.
Yes, Okay. But there are also those tubercles of the horn. I don't know what else they will write, but I don't care either. All I care about is how this place is going to get back on its feet. I have everything else written down!
– The situation we are all experiencing, how you comment on it;
Very nice! THE,what do you need to start cursing!
– How do you deal with this crisis?;
With judgment.
– Do you think the country will get out of the impasse?;
The country was never out. I don't know if it will come out. If you see the things that define our lives politically, culturally, socially, it's banging your head against the wall.
– Do you think we have a new possession;
We are not even under occupation.
– What situation are we in?;
Completely unprotected.
– You, deeply politicized artist, of the great personalities of the modern Greek theater, what do you think should be done to see a white day in this place;
Let's be in the "Wealth" of Aristophanes. More expensive in everything.
– How do you feel when the foreign press makes headlines for our country?;
It seems they understood what we are.
– All these unbearable taxes you pay or resist and disobey;
No matter how disobedient you are, the tax office comes and fucks you.
– What hurts you the most the way things have turned out?;
What hurts me is that everyone makes a fight after the fight is over.
– You could go out into a square and urge your fellow citizens to revolt;
I could do it by addressing theater people. Nevertheless, if there is no ticket, you can't make a revolution. Everything about the ticket is done.
– You remember some other such difficult time;
I don't remember a difficult time for the country, because there was no easy one.
– How are you financially?; Many fellow craftsmen tell you that they are having a hard time, let alone you who are not working now…
We'll see… We are always housewives.
– You also have your axe, which has all the good stuff.
Yes! You must be a householder so as not to disturb society.
– You fear for your children's future;
I fear for the future of all the children. My children do not live outside society and neither can one protect one's children. All you can do is teach them. And unfortunately, the teaching is to make them loathe the world.

Hamilton: Red Bull will be faster…

The Briton, who set the fastest time of the day yesterday in free practice at the final race of the year in Interlagos, Brazil, remains cautious about the rest of the weekend.
Hamilton won the previous race in Abu Dhabi and is in good shape, which was evident from his pace yesterday: "The car was very good. In the second round with the soft rubber I went well and the set-up changes were successful. Plus my pace with a fuel load was competitive. But you also want to know what Red Bull are doing, you always have the feeling that they are faster by a second. You hope they have less fuel of course but I think they will be faster at race pace. Of course, it can be a surprise that our car looks competitive with or without a fuel load. If it doesn't rain I think I will be able to claim the victory. But the Red Bulls will be very fast while the Ferraris also look competitive. Since it will rain eventually I don't know what to expect, I'm just trying to set up my car to suit the mixed conditions we'll face on Sunday" concluded the 26-year-old Briton.
 On the same wavelength and Alonso who had an engine failure yesterday. The Spaniard believes he will start 5th and in the race he will be able to claim a podium. But if it rains, he emphasizes that all possibilities are open.
For his part, Button has not found the right set-up on a track that is not comfortable as it has been seen in the past.
Hamilton shows off the specially designed Brazilian flag helmet he will wear in tomorrow's race.

Nikos Portokaloglou in Thessaloniki

He welcomes his friends to a different musical performance
This is not another unplugged, nor for forced cuts due to crisis. In the Mill of Thessaloniki, at 2 December, Nikos Portokaloglou welcomes his friends to a different musical performance that aims to act as an antidote to the pessimistic climate of the time.
After a ride of almost 30 years, we know very well that every new step of the songwriter is the result of his "hidden, of endless thirst", of his restless spirit that is not comfortable with the acquired. So in this year's show we are invited to a game where the songs are stripped bare and transformed to rediscover their soul and their origin..
Songs that in the first performances leave, due to electrical instrumentation, just a hint of oriental root, here with oud and fiddle, they will clearly show where they come from. Also lyrical songs that often did not find their place in the big concerts here with strings and guitars will be highlighted again.
Portokaloglou declares in a song of his latest album "oriental rock" but so far the former has probably prevailed over the latter. Remix is ​​a chance for revenge!

our breath, Your review