Almodovar's cinematic style, his scripts, his characters have evolved at the same time as his iconography. Bright colors are always there along with strong passions, but the language of his cinematography is no longer the pretentious kitsch of his early films. Let's say Volver and The Skin I Inhabit are two good examples of this. The first has images from the working class, from the city and the road the second from the upper urban, from the living room and the designer furniture. But both are elegant, his photography and art direction are now far from kitsch.
Such photos have been collected in the Taschen book The Pedro Almodóvar Archives and they are above 600, from the personal archive of the Spanish director. They start from 87, from the time of Women on the Verge of a Nervous Breakdown to now the 2011. The captions are also his.

Source : tovima.gr