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In life one must be useful

In life one must be useful

Stefanos Linaios and Elli Fotiou, with forty years of theatrical career, return to the stage with one of their greatest hits Interview with Iulis Eptakoilis

They are a rare couple. Together, fifty years in life and forty in the theater. With common aesthetics, goals and opinions. With unquenchable passion that overflows on stage, with that unique sense of debt that dictates you to constantly give something, The, what can you, and take a stand, regardless of cost. Unpretentiously simple and measured, righteous, sincere, real ones, fighters, with an excess of love for life, for the theater, for people. This year, Stefanos Linaios and Elli Fotiou decided to re-stage one of their big hits at the Alpha Theater, the, unfortunately, ever-present work by Dario Fo “I do not pay… I don't pay…», giving us the occasion for an ep’ discussion of all matters with two people who have left a bright mark on the life and art of the place.- How have you managed to stay together fifty years in life and forty in the theater?; What thread binds you?;Elli Fotiou: Stefanos and I are completely different characters. She is enthusiastic and outgoing, I am grounded and low-key. This opposition has brought us many times into conflict, but i love him very much. I have always loved him and I know that, what he does is out of his love? and the desire to fix the world, γι’ this sometimes seems evil to others.Stephanos Linnaeus: I don't want to fix the world. I just learned from my family from a young age that one should be useful in life. Both as a person and as a professional. Especially the spiritual man is not the office man, but the one who leans, is listened to, talks to the world. Some standards, from singers and footballers to politicians must also be role models in their private lives. Otherwise you create a despair p’ those who follow you. I have felt it with people I admired and when I met them in person I was disappointed. Because the majority of people are shaped by what they see, and, unfortunately, a very small percentage is formed with the substance, with what he reads.- The fact that the theater space, of the show in general, he is competitive and with large doses of ambition, it makes a relationship even more difficult;Ε. F.: Some say that two people who do the same profession cannot coexist. I don't believe it. We have the same quests, the same purposes, the same timetables and it is very natural to proceed along the same drawn line. All this, sure, they apply if you have found the right person. I found him. And I must confess that Stefanos helped me a lot both in life and in the theater. When I met him I was a child, completely inexperienced.St. L.: I pass Elli 12 years. I wanted a man to walk with. My role model was Laurence Olivier and Vivien Leigh. In two – three girls I had met, unfortunately, the outside had nothing to do with the inside! Until at some point a little girl comes 18 years, Elli, on the steps of the Moussouri theater and that was it: I was amused as soon as I saw it. Simply because I immediately understood that I could not play with Elli, I schooled her until I was sure she was my man.cont … trans.kathimerini.gr

Saab Case The beginning of a new chapter

Saab case

The beginning of a new chapter

Despite GM's strategic decisions to abandon Saab, the historic Swedish company managed to survive and now move into a new phase of its history, under the ownership of the Dutch company Spyker Cars NV. Described by Pavlos Efthymiou.

Saab Automobile AB is known to the general public today as a Swedish car manufacturer that belonged to the General Motors group until recently. But the history of the company begins long before its acquisition, the 1990, from GM, with the construction of aircraft for the Swedish Air Force the 1937. With the end of World War II, Saab began to expand into the automotive field and the 1944 started building its first passenger car, the two-year Project 92, which was presented the 1949 as a Saab 92. The 1955, the car was boosted, improved and renamed Saab 93, with the company's then-new model bringing (and to establish) the trapezoidal mask known to this day.

However, it was the need for a larger model that led to the creation of Saab 99. Its distinctive design 99, the work of Saab's only designer until then, by Sixten Sason, sealed the future external features of the Swedish company, from Saab 900 until relatively recently 9-3 of the previous generation. But it wasn't just the design that led to success and contributed to the creation of a loyal and passionate customer base around the world. It was the continuous orientation towards innovation, which makes Saab's contribution to motoring far more important than its small size

continuity…. trans.kathimerini.gr

Jazz musician James Moody has died


Jazz saxophonist James Moody, an improviser best known for his song "Moody's Mood for Love,died in San Diego after a ten-month battle with pancreatic cancer. It was 85 years.

Moody died Thursday (yesterday) at the Hospice of the San Diego Institute for Palliative Care, where it was introduced earlier this week, his wife said, Linda Moody, in a post on his website. Born in Georgia and raised in New Jersey, Moody became one of the greatest artists of American jazz. Played with Dizzy Gillespie, Lionel Hampton and BB King and was nominated for four Grammy Awards, the US music industry's highest honor. Moody began recording in his late twenties 1940, after serving in the army during B’ World War, and continued to compose and perform music well into his decade 2000. He played both types of saxophone as well as flute and is known for 'Moody's Mood for Love,» an improvised version of the popular song during his decade 1930, "I'm in the Mood for Love." However, Moody recorded more than 60 album. He later played music with the James Moody Quartet. The 2007, the Kennedy Center in Washington awarded Moody with its "Living Jazz Legend" award.kathimerini.gr with RES-EMP information

Memories of Roma from the city in Thessaloniki

Memories of Roma from the city in Thessaloniki

From Istanbul to Thessaloniki the exhibition "City, My nostalgia. The Romans of the City are remembered ". The memories 47 Romans, who at various times left or were forced to leave Istanbul, migrating to Athens and Thessaloniki, come to life through the exhibition "City, My nostalgia: Nostalgic refugees. The Romans of the City are remembered ", which after Constantinople and Athens is transferred to Thessaloniki. The exhibition will be hosted 11-18 December the "Evangelos Melissaris" Conference Center of the Municipality of Eleftherios-Kordelios (Monastery News 117), while its inauguration will take place next Saturday, at 6.00 in the afternoon. At the exhibition, organized by the Lausanne Exchanges Foundation and with the support of the Capital of Culture Organization ?Istanbul 2010, are presented through recorded and written material snapshots from life 47 Romans of the City, who were forced to leave their place and today live in Athens and Thessaloniki. Tragic events, such as the September ones, which stigmatized the political life of Turkey, forced most of the city's Romans to flee their homes., as reported by its organizers, is to contribute to the documentation of a historical reality, that is, of the spiritual, economic and social prosperity of a group of Roma, who left, and whom the City, in turn, The report is accompanied by a book of the same title which includes their answers 47 Constantinople to questions about their experiences in the city, the date and the reasons that forced them to leave, their studies, families and their ancestry, Based on the recorded interviews and the material gathered, a documentary entitled “City, My Nostalgia "directed by Thaksin Isbilen. This documentary clearly shows the nostalgia of the Romans they say: "The city is my homeland, I wish her everything ".www.kathimerini.gr with information from ΑΠΕ-ΜΠΕ

Leipzig: The "little Paris" of Saxony is experiencing its own economic miracle…

Goethe loved it as "little Paris". S’ αυτή μεγαλούργησαν ο Μπαχ και ο Μέντελσον, while it was the birthplace of great personalities from the field of Letters, of Arts and Sciences, with the most famous Wagner and Leibniz. From here it started, in the fall of 1989, the "peaceful revolution" of the citizens of the German Democratic Republic (GDR), who with the basic slogan "We are the people" flooded the streets of the country, claiming more "freedom", contributing, so, στην πτώση του «καθεστώτος».Η Λειψία -περί ης ο λόγος- it has always been a great commercial center, with a rich culture and a great tradition in the sciences. Despite the damages it suffered during B’ World War, but also its degradation during the period of existing socialism, take advantage, after the fall of the Wall, its comparative advantages and evolved -20 years after the unification of Germany- in a regional "capital" of the economy, of culture and letters. It is not accidental, after all, which Leipzig - has a population of just over half a million and is located in the federal state of Leipzig- recently received two highly honorable awards from equal numbers -internationally- recognized newspapers. On the one hand, the "Financial Times", who evaluated the city's economic development strategy as "excellent" and on the other hand by the "New York Times", which ranked it among the top ten cities internationally, which is worth a visit to watch its musical and artistic events. Last week, a group of Greek journalists from Thessaloniki was in Leipzig, on the initiative of the Consulate General of Germany in Thessaloniki, and had the opportunity to visit and talk with city officials and local media representatives about the city's economic "miracle", for the past, its present and future, as well as about the relations between Leipzig and Thessaloniki, which from the 1984 they are twinned. "With the fall of the Wall and the unification of Germany, Leipzig experienced the tragic consequences of deindustrialization. Within a short time there were barely any left 12.000 industry jobs from 115.000 that existed until then. Huge factories were closed and industrial units moved and settled in other areas. In his mid-teens 1990, the city's population declined noticeably, falling into 400.000 residents, a fact attributed to the migration of many city dwellers to urban centers in western Germany. Whole areas were turned into ghosts. Unemployment soared to 23%", said the deputy mayor of Leipzig, Andreas Miller.cont: …. www.kathimerini.gr

"Leap into Time" and "Lesson from Theotokopoulos"

George Tsatsos, "Summer Circle". Summer circle, 130×100, work 2009 (from the exhibition's bilingual catalog, design by Antonis Gounaros, edited by Artigraf).Elena's trust "Leap in Time", the clever title of Giorgos Tsatsos's second Athenian solo exhibition, which opens on Tuesday 23 November, time 8 Creation "regarding the modern administration and the European ones, and again at Eleni Kalliga's Skoufa Gallery, is "the key".continue:…news.kathimerini.gr