All posts by litt le mac

BOOK : Eighty Days Yellow – Vina Jackson

It is known to all, that love literature, after several years of being on ice, she's taken over.
The beginning was made by Metaichmio publications, reissuing some of the masterpieces of the genre. Pataki publications followed, where with the “Fifty Shades Of Grey”, they made the success of the outgoing year, to complete the cycle the Tulipa editions and the trilogy “Crossfire”.

 And while all the other publishers are looking for the book that will be able to make a difference and stand out, to become the ultimate reading fetish, Livani publications come in turn to present us with the first book of the trilogy “Eighty Days”, the creation of two very famous so-called authors, who hide their identity and combined efforts, behind the stage name, Vina Jackson.

The story revolves around the life of Samer Zahova or to be more precise, around her sex life and identity, in an attempt to find out, who she really is and what she is looking for, to feel complete. Her relationship with Darren, it is by no means what is needed and so, she decides to leave him. But the one that never gives up, it is her violin and the music that comes out of it, something that brings her to the extent that she would like to lead her and a love relationship. That's when Dominic shows up, a charming man who has his own obsessions and needs, who is fascinated by Summer who becomes obsessed with him. When Summer's violin is destroyed, Dominic, offers to replace it in exchange, a concert just for him, which Summer accepts without thinking. That's when a dangerous game begins between them that can lead them both to the extremes as, enjoyment and satisfaction, they don't come without a cost in their ever-so-strange and peculiar relationship.

Before I say more, I should emphasize that the “Eighty Days”, it is not a read for everyone. Its aesthetics and philosophy, refer to that of the Marquis De Sade for’ this, those of you who have read him and were shocked by his writing, better choose something else. The same goes for over romantics who cannot accept the dark side of human sexual nature, they don't understand it and they don't understand it, not simply because it doesn't suit them but, because they refuse to accept that for some people, this is the truth of their daily life. Bad lies… the book talks about fetishism and the definition of submission and regardless of that, as far as the descriptive part is concerned, does not resort to provocative extremes, is able to shock a more conservative reader. For God's sake, I don't mean you have to be loose morals to like it but, however we do it, you must be what they say, open minded.

Summer and Dominic's relationship, it is anything but conventional. Besides, the purpose of the writers is not so much to explore their emotional motivations and stimuli but, the dark side of human nature and sexuality, of which they themselves are witnesses. Both of them, possessed by instincts that are above them seeking a form of pleasure that is inextricably linked to submission but also pain. But as for the game between them, their relationship, it's give and take, at least until the moment when they provoke each other by driving him to the extremes, he gradually directs them to the edge of the cliff. But in the focus is cat’ Summer par excellence, which is less self-aware than Dominic, more willing to go to extremes, risking even her very spirituality and mental balance. She reaches her limits and does not hesitate to even exceed them, in her attempt to understand who she really is and I finally wonder… this is due to her inability to control her passions or her boundless boldness which unconsciously leads her to try everything, in order to reject that which does not suit her;

While reading this particular book, I was trying to decide if after all, I liked it or not. Completing it, I came to the conclusion that yes, I really liked it, for very specific reasons. The psychological profile of the central characters although extreme, it is not unrealistic, no matter how much we want to believe that we live in an ideal world. There are people whose everyday life, it is the same as theirs and we cannot cancel them. On the other, the narration is done in such a way that we have the possibility, on a first-person narrative level to see, both Summer's own perspective, deeply understanding her feelings and the reasons behind her decisions, as well as a third-person level, which allows us to have a more global picture of the events, how the regional characters perceive the developments, Dominic himself and ordinary observers, seeing essentially the same situation, through different and multiple prisms, just like in real life.

The flow of the narrative is steadily upward, with climax and relaxation points, thus balancing the whole so as to maintain some elements of provocation, without, however, touching the limits of obscenity, challenging the limits of the reader, obviously respecting the fact that not everyone who falls into their hands will be equally open-minded. The authors' writing is distinguished by an undeniable dynamic, that fascinates and captivates you from the first, until the last line. The music-obsessed Summer and the way it takes over her and directs her deepest instincts, he is at least charming, as well as the way and means used to bring out the dark side of catalyzing passion and need sometimes, some people, to do morality, emotional and sexual transcendence, in order to reach the limits of pleasure, even if they risk acrobating on a very thin and ill-defined dividing line. If nothing else, a surprise novel.

By Yota Papadimakopoulou

Source : culturenow.gr

Balkan Wars 1912-1913 – The beginning of the Greek twentieth century: Exhibition at the Benaki Museum

The Benaki Museum presents the exhibition in the main building "Balkan Wars 1912-1913 – The beginning of the Greek twentieth century”. The exhibition will be presented by 12 December 2012 until 10 February 2013. The opening will take place on 10 December 2012.

More information:

The historical exhibition The beginning of the Greek twentieth century: Balkan Wars, 1912-1913 consists of rare photographs, relevant archival material and historical relics, which aim at projecting the war of the Greeks and Greece the 1912-1913, highlighting mainly the patriotic effort together with the anguish that it contained.

Through anecdotal material relating to the fallen volunteers of the wars 1912-1922, the sensitive concept of war offering and sacrifice is mapped. End, a special section of the exhibition presents the city of Thessaloniki during the Balkan Wars.

Theatrical "Mauthausen" signed by Campanelli – Theodorakis

The shocking chronicle of a personal experience on the Badminton scene

Mauthausen: The chronicle of a personal experience that captured one of the most shocking events in world history is brought to the stage. The most personal book of Iakovos Campanellis, there is also a performance from Thursday (6/12) comes to life at the Badminton Theatre.
"This is a chronicle, for a true story", points out Stelios Mainas who together with Katia Sperelakis and the director of the show Themis Moumoulidis, they sign the script. "It is not a theatrical text and Campanellis himself never wanted to change its form. He wanted to leave it as a testimony, as a document because that's the only way you can deal with it. We took the text with absolute respect and without changing it. This terrible river of events is not conveyed". That's why they kept it as a basic pattern, love as an event-cause. "And in particular the love of the hero, who is none other than Campanellis, for a Lithuanian woman. Imprisoned and condemned as they were, but they also found a place for feelings, for love, for life... And these “days and nights of love” as the creator himself notes, is what kept their humanity alive".  
The book, reminds Stelios Mainas, "starts from May 5th, day of liberation and returns with a flashback to all the events that preceded it. The prisoners are now freed and against their will to return to life, they realized how close they were to each other, where returning home seemed like an elusive dream" he continues. And it is completed by the actor who plays the role of the narrator-Cambanelli, who visits Mauthausen after years: "We attempt to present the emotional inner revival of a whole world which was then attempted to be crushed. But they didn't make it. The IS failed to bend human dignity".  
WHEN WHERE Badminton Ticket Prices : 10 – 16 – 22 – 28 – 38 Euro Performances: Thursday 6/12 as Sunday 9/12 at 20.30, Monday & Tuesday 10-11/12, at 19.00, Wednesday 12/12 at 20.00. Plus Saturday and Sunday, 8 & 9/12 at 17.00
The idea of ​​the show belongs to Themis Moumoulidis and the promise he made to his daughter Campanellis, Katerina. Mikis Theodorakis did not take long to say "yes" to his own music, and so things went their way. "Campanelli's speech is so theatrical, it is so penetrating that our work was complementary", emphasizes Stelios Mainas. "All the work has been done by the creator himself. We are just the managers" he adds.
As soon as the first six shows were announced the public responded to such an extent that the organizers added first one more show and then two more. In total, there will be nine performances at Badminton with two and a half thousand seats – from Thursday 6/12 as well as Wednesday 12/12.
The prescribed success seems to have an answer in the names of the two creators: of the author and the composer. «Brand names», characterizes, as a matter of course, Campanellis and Theodorakis Stelios Mainas. And he's right....
THE IDENTITY OF THE SHOW
"Mauthausen" by Iakovos Campanellis. Music by Gustav Malher – Mikis Theodorakis. Orchestra conducted by Miltos Logiadis, lyrics by Iakovos Kampanellis, screenplay by Stelios Mainas – Themis Moumoulidis – Katia Sperelaki, scenography by Panagiotas Kokorou, kinesiology Apostolia Papadamakis. They play: Stelios Mainas, George Pyrpasopoulos, Aris Lebesopoulos, Marianna Polychronidis, Vassilis Bispikis, Konstantinos Giannakopoulos, Kostas Velentzas, Anna Elena et al.
The songs of Mouthazuzen with music by Mikis Theodorakis and lyrics by Iakovos Campanellis, performed by Rita Antonopoulou. The orchestra is conducted by Miltos Logiadis.
Source : tovima.gr

CINEMA: Hotel for monsters

Sony Pictures Animation and Feelgood present in 3D the "Monster Hotel" which will premiere in cinemas on Thursday 6 December 2012.

Hotel for Monsters
Where monsters go to relax
or
If you are a Monster, go through!

Sony Pictures Animation opens the doors to the best hidden hotel of all time, where the terms of hospitality and tourism have been reversed and a common mortal is anything but welcome. "Hotel for Monsters" is run by Dracula, a true monster of politeness, who is trying tooth and nail (after all, he is gifted in both categories) to provide for Frankenstein, the Mummy, the Invisible Man, the Werewolf and other mythical monsters of the cinema precious moments of calm, away from the intolerable and dangerous human species.

This funny and original story is directed by one of the pioneering and promising minds in the field of animation, o Genndy Tartakovksy, who, just like the protagonist of his story, he proves to be an unforgettable host.  The imaginative direction, the exploitation of the characters through the impressive 3D, the well-crafted comedic details and the care not to lose a moment of the rhythm of the spartan dialogues offer besides an exciting 3D comedy for the whole family, a unique experience that will change our opinion of Dracula, their friends, but also for the possibilities of animation.

Summary
Welcome to “Monster Hotel”, Dracula's luxury resort, where monsters and their families can run free, away from unwanted human presence.  Dracula has invited some of the world's most famous monsters for a weekend, Frankenstein and his Bride, the Mummy, the Invisible Man, a family of werewolves and many others to celebrate Mavis' daughter's 118th birthday together. For Dracula, hosting all these legendary monsters is anything but a problem. Nevertheless, this ideal setting is in danger of collapsing due to the presence of a common mortal, who discovers the resort completely by accident and falls for Mavis.

Source : culturenow.gr

Culture starts at school- Program of the Ministry of Culture for young people

Applying the principle, that civilization begins from childhood and from the education that each person will receive is the program, drawn up by the Ministry of Culture.

Its aim is to strengthen and enrich the educational process as well as the training and aesthetic education of young people with material from the vast national, cultural reserve. Why, as she typically mentioned in her presentation at the ICOM Greek Working Group Conference – CZECH (ICOM International Council of Museums – Greek Department and Committee for Education and Cultural Action) the general secretary of Culture Mrs. Lina Mendoni "Can education and culture be interrelated concepts and that everyone considers, that they are governed by a relationship of mutual dependence, unfortunately, however, the theoretically self-evident is not necessarily identical with the practically given". After all, the country's shortcomings in this field are huge, so the actions really target the essence of the problem.

Here are the programs designed by the Museums Directorate, Exhibitions and Educational Programs of the General Secretariat of Culture, which are included in the Operational Program "Education and Lifelong Learning" of the National Strategic Reference Framework, 2007-2013. As mentioned by Mrs. Mendoni, the basic elements of the identity of the acts performed are summarized as follows:

 – "Updating and digitizing cultural educational material to enhance the educational process", which means the renewal of existing educational programs of the Regional and Special Regional Services of the General Directorate of Antiquities and Cultural Heritage, the design of new teaching tools based on modern concepts and specifications, the selection of encyclopedic and supervisory material, etc. a. In fact, all the material will be made available in digital format through a special online hub as well as optical discs, which will be sent to all schools in the territory.

 – "In the footsteps of the Bible: the history of writing and language in the Greek area", a program that aims to study and understand the genesis and evolution of language and writing over time.

 – "Design and production of pedagogical tools to highlight the importance of theater in ancient times and today" with the aim of consolidating knowledge and strengthening students' relationship with theater, this very special and unique creation of Greek culture.

 – "The theater as an institution of education and state education in antiquity and today". This action is linked to the previous one and aims at the design and implementation of an archaeological educational exhibition, as well as experiential workshops on ancient theater, its evolution and effect over time. The installation will include replicas of ancient artefacts related to theater and performances, such as musical instruments and mask molds, which will be combined and supplemented with special explanatory constructions and multimedia interactive applications and presentations.

 – "Design and production of educational tools for the modern urban environment and architectural heritage". The purpose is to offer cognitive tools and effective teaching methods, that will help students understand the built environment of the city they live in and examine their own possibilities of intervention to improve and enhance it

 – "City and cultural identity: Design and production of educational tools to highlight the cultural heritage of the eight Convergence Regions", which concerns the design and implementation of educational tools to strengthen the teaching of Primary and Secondary Education students in the Convergence Regions included in the Priority Axis 1 (Eastern Macedonia

– Thrace, Thessaly, Continent, Ionian Islands, Western Greece, Peloponnese, North Aegean, Crete).

Source : tovima.gr

Jacques Audiard: In the crisis, instinct prevails

The French director of the film "Body to Body", of a love story in a time of crisis, it talks about its contradictions and the golden ratio between quality and commercialism

"Don't call me an artist!» shouts Jacques Audiard. "It's a very difficult word and I can't define it. For’ that's why I prefer the term “creative”, word more tangible and specific. The creator constructs something, what exactly does the artist do?;». Writer Craig Ferguson and I sit in a room at the Carlton Hotel in Cannes a few days after the world premiere of Audiard's latest film Body to Body last May. There the wonderful Marion Cotillard plays a whale trainer who loses her legs after an accident but finds the will to live again after meeting a lonely sidewalk boxer (Matias Senerts), who circulates on the French Riviera with his minor son.
Although the term "artist" does not like Odyar, "Body to Body" is an artistic film. I point out to him that at the press conference the day before he had referred to cinema using the phrase "art form". "You're right," he replies immediately. "What should I do?, I am full of contradictions! But when I hear them call me a poet… what can i say; I'm not a poet. Rimbaud and Verlaine were poets, me not".
For "Body to Body" Odyar and Ferguson used many scattered ideas from the latter's collection of short stories. "I was interested in telling a love story in a crisis situation," says Jacques Audiard, whose previous film, "The Prophet", liked it a lot in Greece. "Crisis at all levels, not only the economic one. People who eat from the garbage, people who have lost their legs, children growing up without a family. In the novel “They kill the horses when they get old” of Horace McCoy, which refers to the period of the great crisis of '29, people had to dance themselves to the death in order to survive. Today they will have to fight until the end on the road. But they still kill the horses when they get old, it is not so; In a crisis man's only weapon is his physical strength. In a crisis instinct again prevails".
For Jacques Audiard cinema is a very democratic art but it still remains an industry. A film critic he holds in high esteem once told him that there are two doors you can walk through to enter the world of cinema: one big and pop and one small, better quality. "The ideal is to enter a little bit of both. You have to think about the audience when you write, not just yourself.  For me, fer’ they said, when you decide to end a tragic movie with a tragedy, you suffer from a lack of imagination".

When & where:
The movie "Body to Body" is shown in theaters from 29 November distributed by Seven Films.

Source : tovima.gr

Our big circus, at the Royal Theatre

The Royal Theater is preparing to host the show "Our Big Circus" presented by the State Theater of Northern Greece from Friday 14 December 2012.

 "Our Big Circus", presented by the State Theater of Northern Greece, in co-production with the Acropolis Theatre, continues its triumphant march. The emblematic work of Iakovos Campanellis returns in December to Thessaloniki where it was presented for only two performances, at the request of many viewers.

The show that was described as the "social phenomenon" of the summer, after 40 stops on a tour where they watched it 100.000 spectators, but also a series of highly successful performances in Athens at the Acropolis Theatre, plays at the Royal Theater from Friday 14 December 2012.

END OF SHOWS AKROPOL THEATER: 9/12/2012

"OUR BIG CIRCUS", of Iakovos Campanellis, in music and orchestra conducting on stage by Stavros Xarhakos. Direction: Sotiris Hatzakis. They star: Tasos Nousias, Marina Aslanoglou. Singer: Zacharias Karounis.