Delphi opened after 37 years of silence

"Here, Greek children, liberate your country" sounded Aeschylus' "Persians".

"Here, Greek children, free your country" said Yiannis Vogiatzis, performing passages from Aeschylus' Persians and as the reverberation of his voice shook the theater at Delphi the audience burst into applause. July 21st is a day that will be etched in everyone's memory, since the ancient theater of Delphi opened after 37 years of silence, for a one and only show with favorite artists, under the auspices of the Athens Festival and the Ministry of Education and Culture.
At the "doors" of the theater, as Vassilis Papavasiliou called the theatrical and musical event, Yiannis Vogiatzis interpreted passages of ancient drama from Aeschylus' Persians, Nikos Karathanos, who is also the director of the show, by Euripides' raging Hercules, Helen Kokkidou from Sophocles' Antigone, Lydia Koniordou performed Iphigenia's Monologue and the introduction from Medea, Olia Lazaridou recited Orphic hymns, Vassilis Papavasiliou read excerpts from the work Bread and Wine, Reni Pittaki performed excerpts from Ornithes and Marissa Triantafyllidou from the dance of Aeschylus' Agamemnon.
The opening of the show was made by the New Greek Quartet, composed of Giorgos Demertzis (first violin), Dimitris Xandrakis (second violin), David Bogorad (viola) and Angelos Liakakis (cello), and presented Maurice Ravel's "Five Greek Melodies"., with the participation of soprano Lenia Zafeiropoulou and Mozart's "Quinteto for Clarinet", with the participation of Dionysis Grammenos Zafeiropoulos, who performed pieces from "36 Greek Dances" by Nikos Skalkotas.
The performance organized following the initiative of former minister Tatianna Karapanagiotis, in order to highlight one of the most important monuments of antiquity, watched approx 800 spectators, since the theater was full, except where there were no safe seats.
"At first I had a doubt, it seemed to me that the motive was pre-election, but when I went to the theater the space defeated me" said the president and artistic director of the Athens Festival George Loukos at the press conference for the presentation of the event.
The ancient theater of Delphi is among the ancient Greek theaters that are preserved in good condition. It is located inside the sanctuary of Apollo, specifically in its northwest corner, in contact with the precincts of the mosque.
The 1927 Angelos Sikelianos and Eva Palmer-Sikelianou revived the Delphic Festivals, in the context of which Prometheus Bound was taught, the first since ancient times, performance in the ancient theater of Delphi.
The 1930, at the second and last Delphic Festivals Prometheus Bound was presented again, together with the Iketides of Aeschylus. A limited number of performances were then given, from the National Theatre, the Art Theater and other troupes.
The budget of the project of the restoration of the theater of Delphi which is to be included in the NSRP of the Region of Central Greece, is 1,3 million. euros and should be completed by the middle of it 2015.
Source : tovima.gr

Delphi opened after 37 years of silence

"Here, Greek children, liberate your country" sounded Aeschylus' "Persians".

"Here, Greek children, free your country" said Yiannis Vogiatzis, performing passages from Aeschylus' Persians and as the reverberation of his voice shook the theater at Delphi the audience burst into applause. July 21st is a day that will be etched in everyone's memory, since the ancient theater of Delphi opened after 37 years of silence, for a one and only show with favorite artists, under the auspices of the Athens Festival and the Ministry of Education and Culture.
At the "doors" of the theater, as Vassilis Papavasiliou called the theatrical and musical event, Yiannis Vogiatzis interpreted passages of ancient drama from Aeschylus' Persians, Nikos Karathanos, who is also the director of the show, by Euripides' raging Hercules, Helen Kokkidou from Sophocles' Antigone, Lydia Koniordou performed Iphigenia's Monologue and the introduction from Medea, Olia Lazaridou recited Orphic hymns, Vassilis Papavasiliou read excerpts from the work Bread and Wine, Reni Pittaki performed excerpts from Ornithes and Marissa Triantafyllidou from the dance of Aeschylus' Agamemnon.
The opening of the show was made by the New Greek Quartet, composed of Giorgos Demertzis (first violin), Dimitris Xandrakis (second violin), David Bogorad (viola) and Angelos Liakakis (cello), and presented Maurice Ravel's "Five Greek Melodies"., with the participation of soprano Lenia Zafeiropoulou and Mozart's "Quinteto for Clarinet", with the participation of Dionysis Grammenos Zafeiropoulos, who performed pieces from "36 Greek Dances" by Nikos Skalkotas.
The performance organized following the initiative of former minister Tatianna Karapanagiotis, in order to highlight one of the most important monuments of antiquity, watched approx 800 spectators, since the theater was full, except where there were no safe seats.
"At first I had a doubt, it seemed to me that the motive was pre-election, but when I went to the theater the space defeated me" said the president and artistic director of the Athens Festival George Loukos at the press conference for the presentation of the event.
The ancient theater of Delphi is among the ancient Greek theaters that are preserved in good condition. It is located inside the sanctuary of Apollo, specifically in its northwest corner, in contact with the precincts of the mosque.
The 1927 Angelos Sikelianos and Eva Palmer-Sikelianou revived the Delphic Festivals, in the context of which Prometheus Bound was taught, the first since ancient times, performance in the ancient theater of Delphi.
The 1930, at the second and last Delphic Festivals Prometheus Bound was presented again, together with the Iketides of Aeschylus. A limited number of performances were then given, from the National Theatre, the Art Theater and other troupes.
The budget of the project of the restoration of the theater of Delphi which is to be included in the NSRP of the Region of Central Greece, is 1,3 million. euros and should be completed by the middle of it 2015.
Source : tovima.gr

Churchwomen of Aristophanes, in the Ancient Theater of Epidaurus

The Athens Festival presents in the Ancient Theater of Epidaurus the play of Aristophanes entitled "Church women», produced by the New World Theater and directed by Vangelis Theodoropoulosthe two days 27-28 July.

A few words about the project:
If Aristophanes lived, would once again entrust the management of the state to women; As he did then, στα 392 e.g., when defeated Athens was in decline. Loyal to tradition, able to handle money, the Athenians, in Churchmen - a more philosophical than political comedy- declare joint ownership. The comedian's response to the Platonic State;

The Theater of the New World, in a modern reading of the comedy by Vangelis Theodoropoulos, explores female power and is fascinated by the theatricality of changing roles between the two sexes.

Source : culturenow.gr

MARINA ASLANOGLOU : Our generation pays for the brokenness of others

Angry at the situation that prevails in all sectors at the moment in Greece, Marina Aslanoglou appeared and spoke about the impasses that her own generation is experiencing.

“Our generation is unfortunate as we pay for the brokenness of others.


We're trying to spread our wings and essentially them “they eat”.

We fear for tomorrow.

I am an optimistic person and I try not to be influenced, believing that the best is yet to come”, he pointed out to Teletheatis.

Source : radar.gr

Churchwomen of Aristophanes, in the Ancient Theater of Epidaurus

The Athens Festival presents in the Ancient Theater of Epidaurus the play of Aristophanes entitled "Church women», produced by the New World Theater and directed by Vangelis Theodoropoulos the two days 27-28 July.

A few words about the project:
If Aristophanes lived, would once again entrust the management of the state to women; As he did then, στα 392 e.g., when defeated Athens was in decline. Loyal to tradition, able to handle money, the Athenians, in Churchmen - a more philosophical than political comedy- declare joint ownership. The comedian's response to the Platonic State;

The Theater of the New World, in a modern reading of the comedy by Vangelis Theodoropoulos, explores female power and is fascinated by the theatricality of changing roles between the two sexes.

Source : culturenow.gr

On which big Greek island does Lady Gaga build a house

The eccentric singer Lady Gaga visited Crete last summer and of course was so enchanted by the beautiful landscapes that... she decided to build a house on our island.

Lady Gaga has already bought the plot of land which is located one step before the sea and she intends to soon build her country house which is expected to cost her approx. 14 million. euro (!) since he wishes to build a church in addition to the house, a tennis court and two swimming pools.

Source: fimes.gr

"I dream and I dare"

The life of Despina Miro in Los Angeles

We met her in the past from TV series but also from her roles in movies, for which he has collaborated with important Greek and foreign directors.

In recent years he has been coming and going in Los Angeles where he has successfully started a theatrical show with the theme of a… female vampire!

Despina Moirou talked about her life in the USA and what her daily program includes

"It simply came to our notice then, but because I love this art so much and I do not like the term work, The,what I do around it only gives me pleasure. Maybe some sweet fatigue. Nouns, I deal with castings, that is, my hearings. The demands there are great, but I have a lot of passion and enthusiasm. If it is to go there for an audition and have doubts… let it be. Go for coffee better! My weapon is improvisation and that I study the role obsessively.

I dream and I dare! The point is not to do what we like, but to like what we do. In auditions I mean, where you may be asked for something crazy, unexpected! I have meetings with nice people, almost all over the place. I continue to practice acting with teachers such as John Strasberg and Hiller.
I talk to my agent for hours.

It is my shadow, but we also quarrel a little, because in the end I will always do what I want. And I do not quit smoking and I will eat everything,what I like. This obsession with the perfect causes discomfort. If it is for a role, Yes, to make the sacrifice. Besides, I am thin and I want my curves too. But also on a personal level I am always attracted to people who have some flaws. "They have their charm," the actress stressed to Espresso.

Source : newsbeast.gr

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