"I was completely alone with the baby"

Peggy Zina is a traditional mom

Peggy Zina was a guest on Eleni Menegalis' show and of course she talked about the biggest and best gift of her life, her daughter, Electra.

The singer spoke on the show "Elene" about the birth of her daughter and the changes it brought to her and her husband's life, George Lyra. She is a traditional mother, as he mentioned, and at first he wanted to be with the little girl all the time. "With the baby I was completely alone, they had no one to help me. A midwife who taught me helped me a lot, stay with me some nights", said the singer characteristically.

Source : newsbeast.gr

VW Golf GTI «Concept White»

This is another special edition of evergreen Golf GTI of Volkswagen, but is limited to cosmetic changes rather than mechanical.
So after the VW Polo R WRC Street & Race, German company introduced a more "special" version of the famous GTI, the report Wörthersee 2012, made in Austria.

The car is in concept form, not announced availability or price, However, according to preliminary figures are simply cosmetic changes, rather than mechanical. So the VW Golf GTI «Concept White», as it's called, They painted in Oryx White matte color on the outside of, while the interior is dominated by two-tone black / red. In items such as seats, The steering wheel, handbrake and door trims, find Nappa leather with red stitching, and there GTI signals inside of the side sills. Finally the front grill grille, also uses matte white and aluminum colorations

 Source : autotriti.gr

THEATER : Greece never dies by Petros Zoulias on summer tour

The Theater Route presents for the summer season 2012 in all the major festivals of Greece the musical theater work of Petros Zoulias "GREECE NEVER DIES!.…», directed by Petros Zoulias, starring Pavlos Haikali, Renia Louizidou, Dimitris Mavropoulos, Joyce Eveidi and Ersi Malikenzou, who embody the central characters.

"GREECE NEVER DIES!….» is a modular project that presents, in a retrospective manner the history of modern Greece from the foundation of the Greek state to the present day, within two hours. The background of Greek history, just as it takes place behind the scenes of a show, is the main axis of the project.

The play stars the extra actors who play the Greek people. So, during the project, we never see the true protagonists of the story. On the contrary, we watch all these everyday people who believed, they fought, they split up, were identified, they lived and died for the great Greek leaders, the visions and the long-suffering homeland.

Laughter alternates with emotion, the song with the prose, yesterday and today, heroes and anti-heroes, the protagonists with the anonymous accomplices-devotees of the ideas. The background succeeds the foreground of the story in a stage stunt game, which aims at national self-awareness, in consciousness, but also in patriotic self-mockery, because “in order to go forward, he must also look back a little".

The performance runs through the history of Greek song from elementary to modern times.

COEFFICIENTS
Direction: Petros Zulias
Scenery – Costumes: Anastasia Arseni
Music: Maro Theodorakis
Choreographer: Fotis Diamantopoulos

THEY ARE PLAYING: Pavlos Haikalis, Renia Louizidou, Dimitris Mavropoulos, Joyce Eveidi, Ersi Malikenzou, Panos Stathakopoulos, Alina Kotsovoulou, Georgia Mavrogeorgis, Tasos Alatzas, Stavros Karagiannis, Thodoris Antoniadis, Vassilis Ketsilis, Andreas Konstantinidis, Pavlos Sahpekidis, Vicky Panou, Evelina Nikoliza, Georgia Mitropoulou

Source : culturenow.gr

THEATER : Greece never dies by Petros Zoulias on summer tour

The Theater Route presents for the summer season 2012 in all the major festivals of Greece the musical theater work of Petros Zoulias "GREECE NEVER DIES!.…», directed by Petros Zoulias, starring Pavlos Haikali, Renia Louizidou, Dimitris Mavropoulos, Joyce Eveidi and Ersi Malikenzou, who embody the central characters.

"GREECE NEVER DIES!….» is a modular project that presents, in a retrospective manner the history of modern Greece from the foundation of the Greek state to the present day, within two hours. The background of Greek history, just as it takes place behind the scenes of a show, is the main axis of the project.

The play stars the extra actors who play the Greek people. So, during the project, we never see the true protagonists of the story. On the contrary, we watch all these everyday people who believed, they fought, they split up, were identified, they lived and died for the great Greek leaders, the visions and the long-suffering homeland.

Laughter alternates with emotion, the song with the prose, yesterday and today, heroes and anti-heroes, the protagonists with the anonymous accomplices-devotees of the ideas. The background succeeds the foreground of the story in a stage stunt game, which aims at national self-awareness, in consciousness, but also in patriotic self-mockery, because “in order to go forward, he must also look back a little".

The performance runs through the history of Greek song from elementary to modern times.

COEFFICIENTS
Direction: Petros Zulias
Scenery – Costumes: Anastasia Arseni
Music: Maro Theodorakis
Choreographer: Fotis Diamantopoulos

THEY ARE PLAYING: Pavlos Haikalis, Renia Louizidou, Dimitris Mavropoulos, Joyce Eveidi, Ersi Malikenzou, Panos Stathakopoulos, Alina Kotsovoulou, Georgia Mavrogeorgis, Tasos Alatzas, Stavros Karagiannis, Thodoris Antoniadis, Vassilis Ketsilis, Andreas Konstantinidis, Pavlos Sahpekidis, Vicky Panou, Evelina Nikoliza, Georgia Mitropoulou

Source : culturenow.gr

Anna Vissi : Dalaras and the things he regretted

He gave a revealing interview to the Cypriot magazine Omikron and Stavros Christodoulou the Anna Vissi.

For her family and her parents:
"I grew up in a matriarchal family, but with the tolerance of the patriarch. Because, my dad was a very dynamic man, very man, but not at all violent. He was a very sweet dad, but let my mother be what she is, because she liked him and because he admired her ".

For business moments that he would not want to repeat:
"I can not play a role on stage. To make it clear, in the “Fabulous Show”, I did not like the introduction I was coming out. It was not me. It's one of the things I wonder why I did. Maybe not to do it again… (…) I did not have a good time at Eurovision. Not even in two – three collaborations I have done with some people who can be amazing at what they do, but did not match my music quests. (…) I'm not stupid either, nor do I like the "yards". Now I wonder how I allowed that to happen, because I paid for it. And at the cost that sometimes an image of mine came out, which did not correspond to reality ". ».

For her age and the years that pass:
"I'm as old as I am and I go out and say it. I'm not afraid. Everyone tells me "because you look like that". Ε, and; That is how I look; And I have wrinkles, and my skin is not firm and I have begun to come to terms with all this. For’ that and you do not see me with incredible plastics. Fortunately, I am not terrified of these things. Sometimes my friends see me and tell me "below your eyes are a bit tired". “Ε, So what;”, I say. I find myself charming and so on. Me m’ like women who are calm with themselves and who grow up beautiful. (…) I know very well that my voice does not have the freshness it had when I was twenty years old. The songs I sang in the '80s, I say them a tone down. If I put two and three tones down, then I will start to worry ".

For George Dalaras and the attacks he received recently during his concerts:
"I met him at a very young age and for many years I chose to be a closed chapter for me. I can not distance myself and answer you objectively for’ what happened".

She received respect from the people of her area;
"Yes, but I also received a lot of hostility. I understand it and I do not fight it. What to fight after all; Is a waste of time. You just have to move on ".

For the love in her life:
"In love I have been slapped but I have already given. This was because I protruded my cheeks very easily. Maybe again it was his fault that I did not take him very seriously. It did not bother me much or it was not such a great part of my life, I'm afraid to finally confess…».

Source : yupi.gr

The S.Jobs had designed the iCar;

O co-founder of Apple Company, Steve Jobs, can be "left" in October 2011, but the ideas and dreams continue to impress us.

Recently, one of many ideas left behind by Steve Jobs was the iTV will upset the world of private television, but his great mind was making plans for a car, which will be called the iCar. Incumbent CEO Mickey Drexler specifically stated in an interview that the automaker America is in bad state, so Steve Jobs before his death he had planned to build a ... iCar. but rumors indicate that Steve Jobs had not planned and had just left the idea of ​​a miniature car with the latest technology equipped.

Source : autotriti.gr

Observer: To return to the Greeks the Sculptures of the Parthenon

Appeal of columnist H. Porter on the occasion of the touching of the Olympic flame

"The Greeks gave us the Olympic Games. Let's give them back the Parthenon Sculptures". With this title the "Observer" columnist Henry Porter, on the occasion of the Olympic flame lighting ceremony for the London Olympic Games, supports the return of the famous Sculptors, demolishing all the arguments that have been used to the contrary.

“Don't get me wrong, I don't want to attack the British Museum, which is a fact that it represents high levels of culture and has an amazing manager, Neil McGregor. But we should be honest with ourselves about the presence of so many Parthenon Sculptures in Britain.

»There are other sections of them in other European museums, but the greater part of this unique work has been here since it was forcibly removed by the Scottish lord Elgin two centuries ago.", the columnist clarifies.

Henry Porter then mentions that other works of art have not been acquired in the most "pure" way, however, the Parthenon Sculptures differ as they represent the highest level reached by man in the 5th century. B.C. and for approx 2.000 years since then.

"They represent the core of Greek culture and the heart of modern Greek identity. also, equally important, represent half of the edifice built between 447 and 432 e.g., marking the defeat of the Persians in Athens", Porter points out.

The columnist of the "Observer" also says that it is impressive that in the last five years fewer and fewer visitors support the stay of the works in Britain, mainly for reasons of patriotic occupation and less for love of art.

“And speaking of possession, they usually forget that the Sculptures ”they stood up” from the Parthenon when the Turks ruled the Greeks, who could not defend the emblems of their glorious past", states the columnist, paralleling them – in terms of misappropriation – to the looted works of art by the Nazis, but which were returned to their rightful owners.

Henry Porter also mentions journalist Christopher Hitchens, who died last December and had campaigned hard for the return of the Sculptures – and in an article in Vanity Fair three years ago he stressed that all arguments about their destruction by pollution and weathering no longer hold, due to the existence of the new Acropolis Museum.

Porter also dismisses the argument that their return would set a bad precedent. "Few works in the world come under the category of the Parthenon Sculptures, which inspire deep feelings of national loss and longing", completes.

And he suggests that everyone should ask themselves whether this behavior of Elgin would be acceptable today.

"Of course not", he answers, “nor shall we expect this effect of plunder to be maintained. So why do we keep these ill-gotten sculptures today;».

He states that with the economic impasse the country is facing today, maybe the time is not right for their return. But it supports the following: "In light of what Western civilization owes to Greece - democratic ideas, olympic games, science, art and architecture –, we have to face a simple truth: The Parthenon Sculptures are not ours to keep".

Source :tovima.gr

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