Speech by a Turkish archaeologist, ship's investigator
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The city below Thessaloniki
The "City under the City" has a myriad of small and big secrets and amazing stories. If they come to light, attract and delight people.
1.000 from the 10.000 subway findings make their way to the Archaeological Museum of Thessaloniki and the Museum of Byzantine Culture
This will be done next year in Thessaloniki as well, where the ancient neighborhoods excavated during the metro works will "speak".
The best witnesses when people are gone are, most, the works of their hands, movable and immovable. Some, the second ones, they will go to the Pavlos Melas camp, regardless of what eventually happens with the byzantine crossroads at Venizelos station. The mobiles, which exceed one hundred thousand, they will have their place in some building of the camp, where visitable archaeological warehouses will operate.
This plan takes time to materialize. The competent prehistoric bureaus – classical and Byzantine antiquities, which have been digging for so many years along the entire length of the metro axis, prepare in the 2014 a long periodical exhibition with two strands. One will be hosted at the Archaeological Museum of Thessaloniki and the other at the Museum of Byzantine Culture.
From the cemeteries
The Archaeological Museum of Thessaloniki will present the rich findings from the excavations of the IST’ Ephorate of Prehistoric and Classical Antiquities. Emphasis will be placed on the findings found in two cemeteries ? the western one at the New Railway Station and the Democracy Square Station, the east at the Fountain.
Currency, vessels, lamps, jewelry, figurines, tools, clay vessels, spice jars will be on display. Among them the golden wreaths that had been placed as gifts. Findings from residential and building remains found at the Agia Sofia stations will be placed with them, University, Euclid.
More than 1.000 archaeological findings of the Byzantine period, which reconstruct parts of the history of Thessaloniki from the 4th century to the present, will be presented in the section of the exhibition organized by the 9th Ephorate of Byzantine Antiquities at the Museum of Byzantine Culture.
The protagonist here will be the main road axis of the city, large parts of which were exposed under today's Egnatia. The decumanus of the Romans, the Middle Street or Avenue of the Byzantines, with the laboratories, the residences, community service projects, it remained almost the same for centuries and testifies to the "secular" face of the city.
Of the approx 100.000 findings of the period, will be exposed 1.000. Among them: coins of different denominations, vessels, lamps, glass vials, women's and men's jewelry of all kinds and materials (pectoral crosses, glass and copper bracelets, gold, copper and silver rings), utility items from shops – laboratories – houses, as well as all kinds of grave goods.
"REASON FOR STUDY"
"It's a very good occasion to show the public what the city was hiding in its bowels", says the general secretary of Culture Lina Mendoni. “How important her past is. But also to give him something in return for the suffering he suffered because of the works."
The general secretary reminds that something similar was done with great success in Athens, where the exhibition "The city under the city" presented at the Museum of Cycladic Art was a great success.
He even emphasizes that this large periodical exhibition, which will last one year, it will provide motivation and occasion for the scientific study of the findings.
THE TWO TEMPLES
Off the main road, the exhibition on Byzantine Thessaloniki will highlight both early Christian churches found within the two cemeteries, east and west from the city center: a 7th century temple and a three-aisled early Christian basilica.
Source : ethnos.gr
The Culture of the Crisis
In Greece of recession and unemployment, the area of art and creation employs more than 100.000 people
Bird people 8.000 years
Representations of the Mother – Goddess, games, symbolic objects of communication or experimentation of Neolithic people in their attempt to explore the human body;
To save the good book, its price must be reduced
Eleven bibliophile blogs in joint letter to publishers asking them to reduce book prices. They recognize , of course, that lately most publishers have reduced the prices of older books by making very tempting offers.
But the problem of modern books remains, whose price ranges between 15-20 euro, which in the days of crisis they consider to be prohibitive.
In addition, these bibliophile bloggers point out that publishers are in danger of falling into the "publish what sells" logic, which in the long run will destroy literature.
The signatories of the letter point out that they understand "the various difficulties, from obligations to employees, the cost of paper, rights burdens, of translations and so on within the particularities of the Greek market with its linguistic limitations and the small population" , but they emphasize that "again the book, precisely in the present crisis, we must spread it as a good and not as a luxury of the few".
They therefore suggest to the publishers to take "a courageous step: reduction in the price of new securities, so as not to stop the creative expression of all of them, among whom, always, there are talents that should not be wasted, because he will have qualified out of sheer necessity, the ephemeral and the salable".
The letter of the eleven blogs
“Ladies and gentlemen editors,
requested, both for you and for us bibliophile bloggers, is to increase readability in a Greece, who reads less and less.
The main problem in recent years is the crisis. An acute and multi-layered crisis. Your business has been invaded, but in a stratified manner it is now reflected in the largest part of Greek society and affects it, respectively proportionately and nevertheless dramatically, the lives of all of us. When unemployment and plummeting incomes have soared to their highest rates in decades, the main priority of course can only be the defense of Dignity in everyday life with all that it must include in conditions of Democracy: Health, Roof, Food, Education, Freedom.
For the bibliophiles of this country, which in the majority of them is not a privileged part, that lives outside of common economic reality, the book is a very important asset included in the above, which cannot and should not be included in their list, which will be reduced or cut completely, because precision often makes it unapproachable.
If with the offers, the bazaars, turning to the old titles and going back to the libraries seems like a good solution, what will happen with the new titles?;
They will concern fewer and fewer; And if this is consolidated as a forced condition in the crisis, we will go from publishing flood to publishing ebb, whose required characteristics will be described with the phrase we issue the,what can be depreciated;
Objections to the price of the book had been heard in the past, both by readers and by experts in the field, journalists and critics. When an average book costs €15-20, most people will prefer to watch a movie at the cinema, which costs much less than €10 or the same money to spend on another kind (entertaining) outlet.
The same is unfortunately true for the e-book. Where the price should be much lower, since the issuance costs are lower, slight differences are observed compared to the printed book. The reader would be logical, which has the corresponding device, to be motivated to buy intangibles, while he who has not, to find motivation to follow the development.
Before we get to the sad and fundamentally anti-civilization point, that is, to completely annihilate the number of readers, let you try, the publishing houses, as this obligation primarily falls to you, a brave step: reduction in the price of new securities, so as not to stop the creative expression of all of them, among whom, always, there are talents that should not be wasted, because he will have qualified out of sheer necessity, the ephemeral and the salable.
The book, today, it is expensive and prevents its purchase. This is the reality, which however, you, you can change.
As readers, bloggers and citizens, we ask you for the biggest possible reduction and, if you do, us first, we will support her.
We understand the various difficulties, from your obligations to employees, the cost of paper, rights burdens, of translations and so on within the particularities of the Greek market with its linguistic limitations and the small population, but then again the book, precisely in the present crisis, we must spread it as a good and not as a luxury of the few.
Our blogs, always welcoming and without any kind of exchange, we worked and we are working, of course, as… book advertisers! Especially those that transcend the ephemeral…
We can continue serving Literature together with you (and any other kind of reason) and contributing to its survival, if you also want to go ahead with it, which we now urgently ask of you: low prices on everything and especially on new books, without changing their aesthetics and quality.
Sincerely
bookworm, Book cafe, Reading, Vaults, Anagnostria, Thalis' blog, Read-for-a-Life, Desperado, Kangaroo, Degas Reading Club, Spring Agreement".
Source : tovima.gr
Manhattan Medea by Dea Loer at Apo Michanis Theatre
The new performance of the Theater Company Co-Epi (+,X) Dea Loer's Manhattan Medea will premiere at Apo Michanis Theater on 4 Of March 2013. The direction is by Efi Theodorou and the actors: Pantelis Dentakis, Andreas Kontopoulos and Ioanna Pappa.
For 25 only performances.
The modern version of Medea, written it 1999, by German author Dea Loher takes place in Manhattan. Medea and Jason are no longer children of kings or descendants of gods living in Corinth but illegal immigrants who have been forced to flee Europe. They have left behind their homeland in flames, in search of the New World, expecting to build their lives there from scratch. And they will do anything to survive and claim a better life. Their dreams are shattered in the melting pot of the American metropolis, and Jason abandons Medea for the daughter of a wealthy businessman, the young and rich Claire. On the eve of the wedding, Medea appears, determined to bring him back to her home on 5th Avenue at any cost and nothing will ever be the same.
Dea Loher's very interesting venture with elaborate language, poetic and deeply human, it wonderfully combines the ancient with the modern, speaking in today's language about all that the ancient myth deals with: the passion for life, the diversity, xenophobia, the struggle of the sexes, the passion, the oath, greed, the injustice, love, the betrayal.
Translated by George Depastas
Directed by Efi Theodorou
Scenery Nikos Anagnostopoulos
Costumes Ioanna Tsami
Lighting by Sakis Birbilis
Performed by the actors Pantelis Dentakis, Andreas Kontopoulos, Ioanna Pappa
Photos
Stamatis Abatis
A few words about the author
Dea Loher (Dea Loer)
Dea Lauer is one of the most important German voices in the field of playwriting. Her plays have been translated and performed in many countries around the world: Australia, Switzerland, France, England, Hellas, Finland, Denmark, Poland, Czech Republic and Latin America. Born in 1964 in Bavaria. After finishing studies in German literature and philosophy in Munich, lived for some time in Brazil. He returned to Berlin, where he worked in radio and studied playwriting at the Hochschule der Künste under Heiner Müller and Yaak Karsunke.
He has written the plays: “At the Black Lake” (By Lake Schwarzer See, 2012), thieves (Thieves, 2010), The last fire (The Final Fire, 2008), “Life on Praça Roosevelt” (Life on the Praça Roosevelt, 2004),
“innocence” (Innocence, 2003), “Magazine of Happiness” (in seven parts, 2001), “The third sector” (2001), “Klara's circumstances” (2000), “Manhattan Medea” (1999), “Adam Spirit” (1998), “Blaubart – Hope of women” (1997), “Strange house” (1995), “Leviathan” (1993), “tattoo” (1992),”Olga Raum”, (1992).
She has won numerous awards for her various works.
Source : culturenow.gr
Oscar 2013: It doesn't get more boring
Daniel Day-Lewis writes History, "Life of Pi" wins the most awards and two Austrians are the European winners. But the 85th Oscar ceremony was sluggish and uninteresting. Good thing Tarantino was there too!




