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Andersen's first fairy tale found

The manuscript was located in the historical archives of Funen Island

Hans Christian Andersen's first fairy tale (1805-1875) they believe Danish experts discovered in a handwritten text, written in ink, which was found in a local file. Entitled "The Tallow Candle" (The tallow wax), the manuscript was located in the historical archives of Funen Island, where the Danish writer was born. It was in the back of an archive where it was unearthed last October by local historian Esben Brage.
Two months later the historians decided, that the manuscript, which consists of six pages was actually written by Andersen, they even dated its writing to the middle of his decade 1820, when the author was in his late teens. "I have no doubt that it was written by Andersen", Ejnar Stig Askgaard of the Odense City Museum also told the Danish newspaper "Politiken". The newspaper has even translated and published the text in English.
On the first page of the manuscript one can read: "To Mrs. Bunkeflod from the devoted H. C. Andersen». It is about the widow of a vicar, who lived across the street from Andersen's childhood home and historians know that he often visited her to borrow her books. And as Askgaard said “The fairy tale was a gift to a woman, whose home was very important to him".
Afterwards, however, the Bunkeflod family sent the manuscript to another, who was closely associated with the Andersens, the Plum family, in whose archives the tale was finally found. A dedication even written on the document later in blue ink states: "To P. Plum Bunkeflod by his friend". Here experts believe, that the text found, possibly a copy _ by the author himself of course _ of his original manuscript, which had been lost.
The fairy tale, however, talks about a neglected and dirty candle made of animal fat, which finds happiness when a wimp sees its inner beauty and the glow in its wick. Despite the fact that the story is not on the level of Andersen's later works, it is nevertheless considered the most important find from the decade 1920, when the author's memoirs were discovered in the Royal Library.
"This is a shocking discovery. On the one hand because it should be considered as Andersen's first fairy tale and on the other hand because it shows that he was interested in fairy tales from his youth, before establishing himself as a writer", Askgaard adds.
 
Andersen's first fairy tales were published in 1835 while overall he wrote about the 160 stories, which have been translated into more than 100 languages.
Source : tovima.gr

Festive events with an aroma of antiquity at the Acropolis Museum

Invitation for young and old during the holidays

The program is intensely festive and Christmassy
of the Acropolis Museum, which starts next weekend. Children's
laboratories, family archaeological games, 3D projections,
musical events and Christmas treats are some of them
surprises that await its visitors this year's festive season.

Children's workshop "Iresioni and the Carols"

The Museum invites its little friends to decorate Iresioni, a
olive branch, as they did in ancient times. That way they will know where it comes from
their favorite custom. They will also sing carols of almost the same age 3.000
years. (Program days: Sunday 23 December & Sunday 30 December.
Program hours: 11:00-11:45 a.m., 2:00-2:45 Creation "regarding the modern administration and the European ones, 3:00-3:45 Creation "regarding the modern administration and the European ones).

The workshop is aimed at children 7-12 years old and takes place in
second floor reading room (symbolic price of a special ticket 2 euro
for each child). Reservations will be made at the Information Desk 15
minutes before the start time (number of participants per group: 25
children).

Cold and Hot, Pomegranate Pomegranate you are here;

The Museum welcomes children with their parents to play with them
Archaeologists-Caretakers and to discover celebrations and gifts of antiquity
connecting them to today. A surprise awaits them at the end. (Days
program: Saturday 22 December, Sunday 23 December, Saturday 29 December
& Sunday 30 December. Program hours: 11:00-12:00 Creation "regarding the modern administration and the European ones, 12:00-1:00
Creation "regarding the modern administration and the European ones, 1:00-2:00 Creation "regarding the modern administration and the European ones, 2:00-3:00 Creation "regarding the modern administration and the European ones, 3:00-4:00 Creation "regarding the modern administration and the European ones, 4:00-5:00 Creation "regarding the modern administration and the European ones).

The program is aimed at children 8-12 years (token expert fee
ticket 2 euros for each child). Reservations will be made at the Office
Information 15 minutes before the start time (number of participants per
group: 15 children with their parents).

3D projections

The Museum welcomes visitors to the Virtual Reality Hall
with 3D projections in order to learn more about its monuments
Acropolis (Program days: Saturday 22 December, Sunday 23 December,
Saturday 29 December & Sunday 30 December).

also, the fifteen-minute film "The Acropolis in Antiquity" will be shown at
space 1.30 pm. to 5.00 pm. (symbolic price of a special ticket 1 euro
from the funds). The program is aimed at visitors aged over 13 years.

Musical walk through the exhibition grounds

On Sunday 23 December and Sunday 30 December, young and old will
they can enjoy the Museum's exhibits while listening to festive tunes:

  • at
    12:30 Creation "regarding the modern administration and the European ones: "Christmas musical stories from the kingdom of
    animals" and "New musical fairy tales" by the pianist and composer Marios
    Strofali on the balcony of the second floor overlooking the Hall of the Archaics
    Statues.
  • at
    5:00 Creation "regarding the modern administration and the European ones: Carols and Christmas songs by’ the whole world, with
    the Mixed and Children's Choir of the Kontali Conservatory on its ground floor
    Museum with a view of the pediment of Hekatombedos (Piano: Gerasimos Hoidas,
    Address: Michalis Patseas).
Family backpacks

The Museum invites families to get to know its collections through the
themed archaeological games available either at the Information Office as
free loaner backpacks or in the shops.

Christmas sweets

At 22, 23, 29 and 30 December, Is the motto of the 16th Spare Parts Bazaar 12:30 Creation "regarding the modern administration and the European ones, the restaurant will
offers delicious children's meals at the special price of 5 euro that will
include a children's burger with a patty, homemade chips and salad with
gherkin, chocolate stars and sorrel.

Gifts from the Acropolis Museum

His charm 2013 inspired by the wings of the little Eros that decorate it
clay jewelry case cover of the 4th c. e.g., faithful copies of exhibits
exclusive production of the Acropolis Museum workshops and many more
unique creations inspired by the Museum's exhibits are available at
sales offices.

Like every year, the Museum will remain closed 25 and 26 December and 1
January.

Source : tovima.gr

Miltos Paschalidis in Thessaloniki 20 & 27 December

MILTOS PASCHALIDIS
With him: MIRELA PACHOU
THURSDAY 6, 13, 20 & 27 DECEMBER 2012
LIVING BLACK HOLE (formerly Agathi), OILS

Every Thursday in December, Miltos Paschalidis goes up to Thessaloniki and sets up his most personal shows in Ladadika. Companion in these evenings, Mirela Pachou.

Getting dangerously close to 20 years in the discography, Miltos Paschalidis finds reasons for reckoning and remembers "unfair" songs from his live performances in recent years.

Mirela Pachou joins him in this game of memory, with the piano, the accordion and her voice.

The most special music scene in the heart of Thessaloniki, it will become the meeting place for friends and memories from all these years, for four Thursdays, in order to warm the cold December nights and remember songs and stories we have overlooked.

INFO
A Living Black Hole (Formerly Thorn),
Wow 5, Morihovou Square Ladadika
Attendance: 21:30
Tel. reservations: 6949950530, 2310 510081,
Show ticket: 8€
e-ticket: http://thessticket.eventbrite.com/

Source : rocking.gr

Who owns the Egyptian Queen Nefertiti?;

An exhibition focusing on her bust is hosted by the Neues Museum in Berlin

It is considered the ancient world's equivalent of the Mona Lisa of the Renaissance and these days attracts the attention of thousands of visitors in Berlin, as it is the central work of the exhibition at the Neues Museum, referring to the same.
It is, of course, the bust of the Egyptian queen Nefertiti, which was discovered exactly one hundred years ago in the ruins of the workshop of a great sculptor named Tuthmosis.
But if the bust is famous today around the world, the same is not the case with regard to the manner in which it was acquired. The name of its first owner was completely suppressed over time, because he was Jewish, while in the void they fall here and 90 years the demands of the Egyptian government for her return.
The German side did not even accept its loan, in order to be exposed to her hometown.
The Egyptians blame the Germans, that they tricked them and took it from Egypt reducing its value. Something, which if combined with other similar incidents, which happened then in countries where foreign archaeologists were active is likely to have happened.
On the other hand, Germany claims, that everything was legal, so there is no question of return.
Cat’ but first the story: The German archaeologist Ludwig Borchardt was the one who brought the age to light 3.400 years old Egyptian beauty – her name means “The beautiful one has arrived” – at the site of Tel el Amarna on the banks of the Nile, in the ruins of the capital Aketaton of the heretic Pharaoh Akhenaten (had introduced monotheism into religion). 
But behind the archaeologist was a rich financier, patron of the Arts and great philanthropist, James Simon, Prussian and Jew. According to the laws so, which were in force in Egypt at the time, Simon was entitled to half of the valuables, that came to light from the excavations, which were done with his own money.
Nefertiti belonged to them, although the Egyptians later accused the Germans of deceiving them by reducing its share value. Something, which if combined with other similar incidents, which happened then in countries where foreign archaeologists were active is likely to have happened.
In any case, Simon was the one who sent Nefertiti to Berlin, offering service to his country, let alone a few years later, in 1920, he gave it to the museums of the city.
The 1925 Nevertheless, Simon's cotton business, Simon Brothers, which in its heyday had a high turnover 50 million. marks with annual profits 6 million, faced serious problems and thus had to close it down, while he sold his luxurious villa and moved into a simple apartment.
But by then he had enriched all the Berlin museums with dozens of other Egyptian works of art, he had donated a quarter of his income to the Arts and had undertaken a number of charitable causes and social programmes.
His sponsorships began with the opening of the National Gallery in Berlin 1876, which, however, unlike those of Paris or London, had very few exhibits. Simon's donations, in the Gallery especially, they were countless (Rembrandt, Bellini, Mr. Mantenia. a.)
In the same year Egypt asked for the return of Nefertiti but the Germans refused, which angered Simon, who sent a letter to the Berlin Museum reminding him that the directors had promised to do so, in case such a request is made.
They of course refused and the matter temporarily stopped there. In fact, Simon, angered by Berlin's refusal, returned, in protest the invitation sent to him to attend the opening of the Pergamon Museum, the 1930, while he died alone and bitter two years later.
In the meantime the demand of Egypt which had always been in force was manifested, the 1935, that he will be justified, since the Germans showed their agreement to the return of the bust, only now Hitler himself intervened to thwart it once and for all.
New official request, this time borrowing, it was raised 2007 by the former director general of Antiquities of Egypt, Zahi Hawass, when the Cairo Archaeological Museum requested the bust to display at the opening of the new museum near the Giza pyramids.
But again the request was rejected, but this does not mean that the Egyptians have forgotten it.
On the other hand, Hitler's Germany had made sure to completely forget Simon and his name was erased from everywhere.
Something that today, 80 years since his death, that is about to change as a permanent tribute to its forgotten patron is planned in Berlin. Specifically a new gallery, which is now being manufactured, it will be called the James Simon Gallery.
Source : tovima.gr

The Readers' Award has been announced 2012

Awarded to Paschalis Lampardis and his novel "Vertical Exit"

To Paschalis Lampardi and his novel "Vertical exit" (Patakis) the Readers' Award is presented 2012, according to the results of the readers' vote.
The "Vertical Exit", the fifth novel of the Serrai prose writer, is a psychological adventure set against the background of the modern urban environment, which focuses on emotions, in thoughtful pursuits, in the excesses of man in everyday life, on the existential path to self-knowledge.
A total of over took part in this year's Readers' Award process 5.000 bibliophiles (from them 3.396 they voted by sms and the rest were members of 38 Reading Clubs who proposed the "short list").
The book "The Times of Memory" by Theodoris Papatheodoros was ranked second in the final score (A psycho) and third the book "Anna Sikelianou: love and dream" by K. Gourgouliani and N. K. Dominant (Kastaniotis).
The prize was awarded in the past to Isidoros Zourgos' Anemolia (2011), As I wanted to live by Eleni Priovolou (2010), the Imaret of Yiannis Kalpouzos (2009), I learned everything from you but I forgot a word by Dimitris Buradas (2008), Mr. Episkopakis by Andreas Mitsou (2007), the Amilita deep waters of Rhea Galanaki (2006) and The Method of Orleans by Eugenia Fakinou (2005).
The Readers' Prize competition is in its eighth year. Organized by the National Book Center (THERE) in collaboration with ERT. The award ceremony will take place within the framework of the 10th Thessaloniki International Book Fair.
Source : tovima.gr

BOOK : Eighty Days Yellow – Vina Jackson

It is known to all, that love literature, after several years of being on ice, she's taken over.
The beginning was made by Metaichmio publications, reissuing some of the masterpieces of the genre. Pataki publications followed, where with the “Fifty Shades Of Grey”, they made the success of the outgoing year, to complete the cycle the Tulipa editions and the trilogy “Crossfire”.

 And while all the other publishers are looking for the book that will be able to make a difference and stand out, to become the ultimate reading fetish, Livani publications come in turn to present us with the first book of the trilogy “Eighty Days”, the creation of two very famous so-called authors, who hide their identity and combined efforts, behind the stage name, Vina Jackson.

The story revolves around the life of Samer Zahova or to be more precise, around her sex life and identity, in an attempt to find out, who she really is and what she is looking for, to feel complete. Her relationship with Darren, it is by no means what is needed and so, she decides to leave him. But the one that never gives up, it is her violin and the music that comes out of it, something that brings her to the extent that she would like to lead her and a love relationship. That's when Dominic shows up, a charming man who has his own obsessions and needs, who is fascinated by Summer who becomes obsessed with him. When Summer's violin is destroyed, Dominic, offers to replace it in exchange, a concert just for him, which Summer accepts without thinking. That's when a dangerous game begins between them that can lead them both to the extremes as, enjoyment and satisfaction, they don't come without a cost in their ever-so-strange and peculiar relationship.

Before I say more, I should emphasize that the “Eighty Days”, it is not a read for everyone. Its aesthetics and philosophy, refer to that of the Marquis De Sade for’ this, those of you who have read him and were shocked by his writing, better choose something else. The same goes for over romantics who cannot accept the dark side of human sexual nature, they don't understand it and they don't understand it, not simply because it doesn't suit them but, because they refuse to accept that for some people, this is the truth of their daily life. Bad lies… the book talks about fetishism and the definition of submission and regardless of that, as far as the descriptive part is concerned, does not resort to provocative extremes, is able to shock a more conservative reader. For God's sake, I don't mean you have to be loose morals to like it but, however we do it, you must be what they say, open minded.

Summer and Dominic's relationship, it is anything but conventional. Besides, the purpose of the writers is not so much to explore their emotional motivations and stimuli but, the dark side of human nature and sexuality, of which they themselves are witnesses. Both of them, possessed by instincts that are above them seeking a form of pleasure that is inextricably linked to submission but also pain. But as for the game between them, their relationship, it's give and take, at least until the moment when they provoke each other by driving him to the extremes, he gradually directs them to the edge of the cliff. But in the focus is cat’ Summer par excellence, which is less self-aware than Dominic, more willing to go to extremes, risking even her very spirituality and mental balance. She reaches her limits and does not hesitate to even exceed them, in her attempt to understand who she really is and I finally wonder… this is due to her inability to control her passions or her boundless boldness which unconsciously leads her to try everything, in order to reject that which does not suit her;

While reading this particular book, I was trying to decide if after all, I liked it or not. Completing it, I came to the conclusion that yes, I really liked it, for very specific reasons. The psychological profile of the central characters although extreme, it is not unrealistic, no matter how much we want to believe that we live in an ideal world. There are people whose everyday life, it is the same as theirs and we cannot cancel them. On the other, the narration is done in such a way that we have the possibility, on a first-person narrative level to see, both Summer's own perspective, deeply understanding her feelings and the reasons behind her decisions, as well as a third-person level, which allows us to have a more global picture of the events, how the regional characters perceive the developments, Dominic himself and ordinary observers, seeing essentially the same situation, through different and multiple prisms, just like in real life.

The flow of the narrative is steadily upward, with climax and relaxation points, thus balancing the whole so as to maintain some elements of provocation, without, however, touching the limits of obscenity, challenging the limits of the reader, obviously respecting the fact that not everyone who falls into their hands will be equally open-minded. The authors' writing is distinguished by an undeniable dynamic, that fascinates and captivates you from the first, until the last line. The music-obsessed Summer and the way it takes over her and directs her deepest instincts, he is at least charming, as well as the way and means used to bring out the dark side of catalyzing passion and need sometimes, some people, to do morality, emotional and sexual transcendence, in order to reach the limits of pleasure, even if they risk acrobating on a very thin and ill-defined dividing line. If nothing else, a surprise novel.

By Yota Papadimakopoulou

Source : culturenow.gr

Balkan Wars 1912-1913 – The beginning of the Greek twentieth century: Exhibition at the Benaki Museum

The Benaki Museum presents the exhibition in the main building "Balkan Wars 1912-1913 – The beginning of the Greek twentieth century”. The exhibition will be presented by 12 December 2012 until 10 February 2013. The opening will take place on 10 December 2012.

More information:

The historical exhibition The beginning of the Greek twentieth century: Balkan Wars, 1912-1913 consists of rare photographs, relevant archival material and historical relics, which aim at projecting the war of the Greeks and Greece the 1912-1913, highlighting mainly the patriotic effort together with the anguish that it contained.

Through anecdotal material relating to the fallen volunteers of the wars 1912-1922, the sensitive concept of war offering and sacrifice is mapped. End, a special section of the exhibition presents the city of Thessaloniki during the Balkan Wars.