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Tribute to Ianis Xenakis

Today and tomorrow at the Concert Hall
A modern 3D restoration of the famous Pavillon Philips, of the pavilion designed by Ianis Xenakis 1958 is attempted today and tomorrow at the Concert Hall. The duration of the projection is 20 minutes and views are made from the 18:00 to 22:30
Scientific curation: Vincenzo Lombardo
Το Pavillon Philips, the pavilion set up at the Brussels International Exhibition the 1958 for the Philips company, designed by Xenakis who was then working for Le Corbusier, the pioneering Franco-Swiss architect who had a decisive influence on modern architecture. Its soundtrack was composed by Edgar Varese, while the composition of Ianis Xenakis was heard upon entering the pavilion area, Concrete PH.
Today at 19:00, in the context of the tribute to Ianis Xenakis,  or Vincenzo Lombardo, Professor at the University of Turin, will present the Virtual Electronic Poem Project, in hall MC3.
Entry is free with priority tickets .
Source : newsbeast.gr

Winter performances of Yiannis Angelakas

In Athens, Thessalonica, Patras and Volos
Yiannis Angelakas, with Dino Sadikis in the baglama, Stathis Arabatzis on guitar and Titos Kargiotakis on console and electronics, they continue their performances this winter and we will see them:

Monday 5 December 2011, Gold Star Hall, Tsalapata multipurpose hall, Marble
Friday 3 February 2012, Dymaia Coast, Patras
Saturday 4 February 2012, Fuzz Club, Athena
Sunday 5 February 2012, Fuzz Club, Athena
Saturday 11 February 2012, Block 33 Thessalonica

The trio where he appears leaves the best impressions and excites the audience. Always relaxed, but also always enthusiastic, they are touching, from the beginning to the end of each of their appearances.

Source : newsbeast.gr

BOOK : "The perils of borrowing",Plutarch

It is indeed wise to read "The Perils of Lending" today, work of Plutarch's mature period. This is a speech written earlier on 92 A.D. and was probably pronounced in Athens and other Greek cities in order to warn about the consequences of overindebtedness to foreigners mainly, Italians in the majority of lenders, at that time.
It is worth highlighting some quotes that are more relevant than ever in our day, to realize that mindless borrowing is a curse and brings peoples to despair and to the brink of destruction. Something our ancient ancestors knew years ago.
"Plato in the Laws forbids taking water from one's neighbor's land unless one has first failed to find water on one's own land, having dug until he encountered the so-called ceramitis, i.e. layer of clay, however, it mandates that those who cannot have their own share their neighbors' water, as the law requires, in distress, to provide assistance. So there shouldn't be a law for money either, which forbids men to borrow from others and resort to foreign sources, if they do not first examine their own fortune and their own capabilities, and do not single out and gather, drop, drop, that is useful and necessary for them;»
"For the lenders we can say: There is interest before interest, and there is another interest….Mostly, however, they lie, and even fraudulently, lenders in their accounts, when they write that they give so and so the debt amount, while they give him less, and the cause of their lies is greed, not the need nor the hardship, but greed, which at the end, while destroying their victims, to them it brings neither pleasure nor benefit".
“So are you, in poverty, which brings many evils with it, don't add the hassles of borrowing and debt, but also do not deprive her of the only thing in which she excels in wealth, carelessness. Because then the ridiculous situation of the proverb arises:
I can't carry the goat, load the ox on my shoulders".
"The perils of borrowing" (About the don't see borrowing), Plutarch. Nefeli Publications. October 2011.
Source : protagon.gr

Conference on translation from Turkish to Greek

Collaboration of the Study Society of Prof’ us of the East with the Kapodistrian
On the initiative of the Study Society of Prof’ us of the East, in collaboration with the Department of Turkish and Modern Asian Studies of the University of Athens, a conference on the subject is organized: "Translation from Turkish to Greek. Theoretical and Practical Issues".

The conference will be held on 30 November 2011 Is the motto of the 16th Spare Parts Bazaar 10:30 a.m. until 4:30 p.m. in the New Amphitheater, in the central building of the University of Athens (University 30) and is an attempt to promote Greek-Turkish relations.
Source : tovima.gr

Ballet of the Kyiv Opera - Nutcracker: Magical Christmas at the Badminton Theatre

The famous Ballet of the Kyiv Opera after the 13 sold out performances of Cinderella at the Athens Concert Hall in 2009, is coming to Athens again, at the Badminton Theater, to enchant young and old alike with the most beautiful Christmas tale, the NUTCRACKER!
Hoffman's fairy tale "The Nutcracker and the Mouse King", it was adapted 1816 by Alexander Dumas, who with great sensitivity turned the story of The Nutcracker into a tender children's tale that is read to this day.
The 1891, Marius Petipa, choreographer of the Imperial Ballet of St. Petersburg, decided to choreograph Alexandre Dumas' arrangement and commissioned Pyotr Ilyich Tchaikovsky to compose the music. The solemn premiere of the ballet took place on 18 of December 1892. In Western Europe, presented for the first time in London, at 30 January of 1934 while in America it was presented for the first time only in 1944 in the city of San Francisco.
Since then the ballet has been choreographed by many choreographers, such as Georges Balanchine, Rudolf Nureyev, Michael Barysnikov et al. Although the Nutcracker has been presented from time to time with different stage approaches and choreographies, Tchaikovsky's genius music remains unchanged over time and is, generally speaking, one of the most wonderful and recognizable pieces of music ever written, bringing together most recordings of the classical repertoire.
The Nutcracker is presented every year in all the capitals of the world because it is the best gift for children on Christmas days.
THE TALE OF THE NUTCRACKER
FIRST ACT
Clara celebrates Christmas Eve with her parents like every year, her brother and her friends. Exchange gifts, they dance, they play and decorate the tree.
Clara's godfather, Drosselmeier, a strange magician and maker of magic games, is entertaining the children with various toys when suddenly a doll appears, a Nutcracker.
No kid wants him except Clara who starts dancing with him. Clara's brother, Fritz, fighting with her, takes the doll and throws it away. The party ends and all the kids go to sleep.
It's midnight. Clara can't sleep, gets up, she goes to the tree holding her beloved Nutcracker and falls asleep there. The Christmas tree grows and grows and everything loses its proportions. Clara is dreaming…
Suddenly the room transforms and an army of mice pops out of the walls scaring Clara. All the Nutcracker-led games come to life and start a mouse fight.
At the moment when everything seems to indicate that the Mouse King has defeated the Nutcracker, Clara throws her slipper at the King and saves the Nutcracker.
This act of Clara's, moves Drosselmeyer and transforms the Nutcracker into a Prince.
SECOND ACT
The Prince asks Clara to take her to his palace. So, begins a magical journey to the land of Fantasy. During the trip, they pass through various strange places, from the land of the Snow Queen, from the land of Sweets, they meet the Sugar Fairy and reach the land of Flowers. There, lovely flakes swirl to the rhythm of the waltz.
The snowflakes help Clara and the Prince get through a storm with their light until they reach the Prince's Magical Land where a beautiful palace full of toys awaits them.
In their honor, a festival of dances from all countries of the world begins, Arabia, India, China, Russia…
But the night passes quickly and it is dawn.
Clara wakes up under the tree, without her new friends, holding the Nutcracker doll in her arms and thinking of the wonderful memories of that magical Christmas.
Kyiv Opera Ballet
The ballet of the Kyiv National Opera in Ukraine was founded in 1860 and very quickly established itself internationally as one of the famous dance groups of the whole world. One of the first successes of the Ensemble was the premiere of Tchaikovsky's Oprichnik ballet presented in 1874, in the presence of the composer himself who congratulated them on their excellent performance.
In fact, Tchaikovsky insisted that all his operas and ballets be performed at the Ukrainian National Opera in Kiev, as he considered this theater to be similar and equal to that of Moscow and Saint Petersburg.
Today the Group has 24 complete ballets in his repertoire, which makes it the group with the richest repertoire in classical dance. With this rich heritage he has toured most countries of the world and has been enjoyed by more than 40 millions of viewers, who have been enchanted by the artistic and technical excellence of his dancers who are among the best in the world.
It should be noted that famous names of the dance art of the 20th century, such as Vaslav Nijinsky and Serge Lifar, were born in Kyiv. After the 1950 the Kyiv Opera and its ballet experienced a new heyday, as he was surrounded by young and talented artists. The 1964 the Kyiv Ballet participated in the International Festival of Classical Dance in Paris and several of its soloists received great honors. Great dance stars have collaborated with him: Serge Lifar, Maya Plisetskaya, Anna Pavlova, Marina Timofeeva, Irina Kolpakova et al. as did the great dancer Vladimir Malakhov.
Pyotr Ilyich Tchaikovsky-The Nutcracker-Kiev Opera Ballet
Six unique performances at the Badminton Theatre
Premiere
Christmas 25 December on 20:00
Other shows
Monday 26 December on 16:00
Monday 26 December on 20:00
Tuesday 27 December on 20:00
Wednesday 28 December on 20:00
Thursday 29 December on 20:00
Source : culturenow.gr

KARAKATSANIS : "The curtain has fallen for me"

For his decision to leave his great love, the theater, Thymios Karakatsanis spoke.
Our leading actor, speaking to "Espresso" he declares that he is disgusted and bitter about what is happening around us, but also in the theater, resulting in him making the final decision to close a huge chapter of his life.
– You will be performing somewhere this theater season;
I will appear on Monday! I have already retired…
– I don't think what you say is true. You served the theater with passion…
I can't anymore, I can't…he says tiredly and withdraws into himself.
– Why are you staying away?;
Because I don't like it!
– Don't tell me you're retiring;
What should I retire?, since I have already retired…
– How did you make that decision?;
All this worthlessness has disgusted me.
– You feel the need to detox;
Ε, Yes. Rather…
– You have generously offered laughter to the audience. Now why this denial;
I'm crying now…
– If you were given a space right now, what project would you upload that would reflect today's situation;
"The Kouluvachata", the work that life itself writes.
– A kind of satire;
I wouldn't say satire. It's kind of a tragedy…
– They say that a great comic actor can play an ancient tragedy just as well. Why didn't you dare?;
Once, when I was in the Art Theatre, Kun put me up, since I begged him, in a tragedy. And with the first sentence I said, they all burst out laughing. Then I realized that my tragedy is laughable…
– You suddenly became tight-lipped…
What can I say; What is there to say;
– How do you view the theater from a distance?;
May I be absent from the public. My absence, however, does not mean anything. There must be many missing !
– Are you saying that today there are people in the theater who have nothing to do with it?;
I believe that the absence would be good for many and above all for the theater itself and our culture.
– You don't even want to play Aristophanes in the summer;
In my dreams, Yes. Think of…
– What else are you thinking?;
That's the way things are, that as time goes by you think that I have been working for so many years and finally what did I do; All you hear is a bitter review. And even for things that were not your fault.
– I don't think the public has ever rewarded you with that kind of criticism.
Yes, Okay. But there are also those tubercles of the horn. I don't know what else they will write, but I don't care either. All I care about is how this place is going to get back on its feet. I have everything else written down!
– The situation we are all experiencing, how you comment on it;
Very nice! THE,what do you need to start cursing!
– How do you deal with this crisis?;
With judgment.
– Do you think the country will get out of the impasse?;
The country was never out. I don't know if it will come out. If you see the things that define our lives politically, culturally, socially, it's banging your head against the wall.
– Do you think we have a new possession;
We are not even under occupation.
– What situation are we in?;
Completely unprotected.
– You, deeply politicized artist, of the great personalities of the modern Greek theater, what do you think should be done to see a white day in this place;
Let's be in the "Wealth" of Aristophanes. More expensive in everything.
– How do you feel when the foreign press makes headlines for our country?;
It seems they understood what we are.
– All these unbearable taxes you pay or resist and disobey;
No matter how disobedient you are, the tax office comes and fucks you.
– What hurts you the most the way things have turned out?;
What hurts me is that everyone makes a fight after the fight is over.
– You could go out into a square and urge your fellow citizens to revolt;
I could do it by addressing theater people. Nevertheless, if there is no ticket, you can't make a revolution. Everything about the ticket is done.
– You remember some other such difficult time;
I don't remember a difficult time for the country, because there was no easy one.
– How are you financially?; Many fellow craftsmen tell you that they are having a hard time, let alone you who are not working now…
We'll see… We are always housewives.
– You also have your axe, which has all the good stuff.
Yes! You must be a householder so as not to disturb society.
– You fear for your children's future;
I fear for the future of all the children. My children do not live outside society and neither can one protect one's children. All you can do is teach them. And unfortunately, the teaching is to make them loathe the world.

Nikos Portokaloglou in Thessaloniki

He welcomes his friends to a different musical performance
This is not another unplugged, nor for forced cuts due to crisis. In the Mill of Thessaloniki, at 2 December, Nikos Portokaloglou welcomes his friends to a different musical performance that aims to act as an antidote to the pessimistic climate of the time.
After a ride of almost 30 years, we know very well that every new step of the songwriter is the result of his "hidden, of endless thirst", of his restless spirit that is not comfortable with the acquired. So in this year's show we are invited to a game where the songs are stripped bare and transformed to rediscover their soul and their origin..
Songs that in the first performances leave, due to electrical instrumentation, just a hint of oriental root, here with oud and fiddle, they will clearly show where they come from. Also lyrical songs that often did not find their place in the big concerts here with strings and guitars will be highlighted again.
Portokaloglou declares in a song of his latest album "oriental rock" but so far the former has probably prevailed over the latter. Remix is ​​a chance for revenge!