All posts by litt le mac

Manhattan Medea by Dea Loer at Apo Michanis Theatre

The new performance of the Theater Company Co-Epi (+,X) Dea Loer's Manhattan Medea will premiere at Apo Michanis Theater on 4 Of March 2013. The direction is by Efi Theodorou and the actors: Pantelis Dentakis, Andreas Kontopoulos and Ioanna Pappa.

For 25 only performances.

The modern version of Medea, written it 1999, by German author Dea Loher takes place in Manhattan. Medea and Jason are no longer children of kings or descendants of gods living in Corinth but illegal immigrants who have been forced to flee Europe. They have left behind their homeland in flames, in search of the New World, expecting to build their lives there from scratch. And they will do anything to survive and claim a better life. Their dreams are shattered in the melting pot of the American metropolis, and Jason abandons Medea for the daughter of a wealthy businessman, the young and rich Claire. On the eve of the wedding, Medea appears, determined to bring him back to her home on 5th Avenue at any cost and nothing will ever be the same.
Dea Loher's very interesting venture with elaborate language, poetic and deeply human, it wonderfully combines the ancient with the modern, speaking in today's language about all that the ancient myth deals with: the passion for life, the diversity, xenophobia, the struggle of the sexes, the passion, the oath, greed, the injustice, love, the betrayal.

Translated by George Depastas
Directed by Efi Theodorou
Scenery Nikos Anagnostopoulos
Costumes Ioanna Tsami
Lighting by Sakis Birbilis
Performed by the actors Pantelis Dentakis, Andreas Kontopoulos, Ioanna Pappa

Photos
Stamatis Abatis

A few words about the author
Dea Loher (Dea Loer)

Dea Lauer is one of the most important German voices in the field of playwriting. Her plays have been translated and performed in many countries around the world: Australia, Switzerland, France, England, Hellas, Finland, Denmark, Poland, Czech Republic and Latin America. Born in 1964 in Bavaria. After finishing studies in German literature and philosophy in Munich, lived for some time in Brazil. He returned to Berlin, where he worked in radio and studied playwriting at the Hochschule der Künste under Heiner Müller and Yaak Karsunke.

He has written the plays: “At the Black Lake” (By Lake Schwarzer See, 2012), thieves (Thieves, 2010), The last fire (The Final Fire, 2008), “Life on Praça Roosevelt” (Life on the Praça Roosevelt, 2004),
“innocence” (Innocence, 2003), “Magazine of Happiness” (in seven parts, 2001), “The third sector” (2001), “Klara's circumstances” (2000), “Manhattan Medea” (1999), “Adam Spirit” (1998), “Blaubart – Hope of women” (1997), “Strange house” (1995), “Leviathan” (1993), “tattoo” (1992),”Olga Raum”, (1992).
She has won numerous awards for her various works.

Source : culturenow.gr

Oscar 2013: It doesn't get more boring

Daniel Day-Lewis writes History, "Life of Pi" wins the most awards and two Austrians are the European winners. But the 85th Oscar ceremony was sluggish and uninteresting. Good thing Tarantino was there too!

With the third Oscar of his career that he received for "Lincoln" by Steven Spielberg, Daniel Day-Lewis wrote his own chapter in the history of the Academy of Motion Picture Arts and Sciences on Sunday 24 February. The Irish actor is the first actor in the 85 years of the institution that manages to win three awards in the category of the first male role (ahead of his awards for My Left Foot and Blood Will Be Spilled).
"It was actually me playing Margaret Thatcher while Meryl Streep was Steven Spielberg's first choice for Lincoln," said Day-Lewis, prompted by the fact that another acting legend Meryl Streep, last year's winner for "Iron Lady" announced his name and presented him with the award.
Too bad this historic moment for those who are at least interested in the history of these awards, coincided with one of the most unpleasant, boring and tired ceremonies we have seen in recent years. Poor humor, many public relations (the thank you speeches were a non-stop copy paste in which the names were simply changed), few surprises and a new presenter, Seth MacFarlane, who quite simply could not communicate with the public.
The big favorite in the category of the best film was "Operation: Argo” by Ben Affleck and this movie, finally (as we all expected) he won. The moment was also special for the History of the Oscars because the envelope was opened at the White House by the First Lady of the USA Michelle Obama who appeared on the giant screen of the Dolby Hall having taken the floor from the actor Jack Nicholson who had gone up on stage.
Ben Affleck, whose name was absent from the category of Oscar nominees for best director, took the stage to accept his award and was joined not only by Grant Hesloff and George Clooney as co-producers of "The Operation :Argo" but also all the actors of the film who were in the room. Among them Alan Arkin (candidate for the second male role) and music composer Alexandre Desplaiss (Oscar nominee for music)
The Oscars were shared again this year. With the exception of "Mythical Creatures of the South" who won nowhere, all of the other eight films in contention for the Best Picture Oscar won an award. Quantitatively speaking, "Life of Pi" by Ang Lee is the one that won the most, that is, four: Direction, visual effects, music (Michael Dana) and photography (Claudio Miranda). Ang Lee who may be one of the kindest people in world cinema spoke with sincerity and warmth thanking all the actors of his film as well as his homeland, Taiwan, which as he said "contributed significantly to the creation of this film."
 
One place down, in the three awards, tie "Argo" which, in addition to best film, also won the adapted screenplay award (Chris Terio) and editing and Tom Hooper's Les Miserables musical won Best Supporting Actress (Anne Hathaway – the favourite), makeup and sound mixing.
However, this year's award is also a great moment for Austria, since two Austrian artists picked up a gilded statuette each for different films: director Michael Haneke picked up the Oscar for best foreign language film for "Love" and his compatriot, Christoph Waltz as supporting actor for Quentin Tarantino's Django Unchained. It is the second to win after "Insolent Bastards", also a film by K. Tarantino.
Tarantino himself gave by far the best thank you when he took the stage to accept Charlize Theron and Dustin Hoffman's second career original screenplay Oscar for 'Django the Punisher' (the first was for "Pulp fiction"). You really felt like something was finally happening. Explosive and passionate as the dialogues he writes on paper and the images he creates on the screen, Tarantino raised his hand and made the victory sign (V) declared that it is the year of writers. "If we will remember "Django the Punisher" after 20 years this will be due to his heroes" said Tarantino far from modestly but yes, he was right.
An award was even given to "Zero dark thirty" by Kathryn Bigelow who actually shared the sound editing with "Skyfall"_ something that has happened for years at the Oscars. "Skyfall" won another Oscar for best song, exactly as expected. The live performance of "Skyfall" by Adele, it was one of the most beautiful moments of the evening.
Regarding David O.'s "Optimism Guide". Russell counted eight nominations but ultimately won only in one category* of the award's strongest: First female role for her 22 chroni Jennifer Lawrence, who on her way to the stage almost fell to the floor because of the huge off-white dress she was wearing and which definitely didn't fit her.  The Academy of Motion Picture Arts and Sciences knows how to support new acting powers, and there's no doubt that Lawrence (nominated once again in the same category for "Heart of Winter" belongs to these forces.
Regarding award show host Seth MacFarlane, his humor did not seem to touch the audience in the hall judging by the minimal laughter and applause. The evil was evident from the start when in his attempt to make fun of himself as the worst host of the Oscars, MacFarlane pulled it off. Captain Kirk appeared on the hall's giant screen (William Shatner) of the legendary TV series "Star Trek" who appeared to scold him and tell him that he ruined the award. No one was laughing. Like nobody laughed when MacFarlane threw a small bottle of whiskey at George Clooney sitting in the front row.
As if that wasn't enough, Mac Farlane brought the Ted doll to the stage from the film of the same name he wrote and directed a few years ago with Mark Wahlberg as a man who is "chased" by a teddy bear. But the bear's jokes on the Oscars stage with Mark Wahlberg again belonged to another event, even if the one about the Jews of the Oscars made any sense.
On the occasion of 50 years of life of the cinematic James Bond, Shirley Bassey came on stage and sang the legendary "Goldfinger" with playback, causing rather embarrassment, something that was not done with the appearance of Barbra Streisand who to honor her friend, music composer Marvin Hamlis (he died last year) sang "The way we were" live and blew the room away.
Another shot that "sat" well at the ceremony (from the few) was the appearance of the entire cast of Les Misérables singing on stage. Because of this film, the musical had its honor at the Oscars this year with Catherine Zeta-Jones again singing "All that jazz" from "Chicago" ,a film for which he won the Oscar for Best Supporting Actor. And this one with playback though…
A snapshot with real meaning, which could really make you drool was 15-year-old Inocente's appearance on stage, of an immigrant who had lived for nine whole years homeless in America before she managed to escape her demons through paint and canvas. Her life became the short documentary "Inocente" by the couple Sean Fine and Andrea Nix Fine and this documentary won the Oscar yesterday. Innocente's appearance on stage with her directors made me feel for the first time the real world inside this year's Oscars.
All the awards
Best Movie
Business: Argo
First Male Role
Daniel Day Lewis (Lincoln)
First Female Role
Jennifer Lores (Guide to optimism)
Second Male Role
Christoph Waltz (Django the Punisher)
Second Female Role
Anne Hathaway (The Wretched)
Direction
Ang Lee (The Life of Pi)
Adapted script
Business :Argo
Script written straight for the screen
Django, the punisher
Cartoon
Brave
Best foreign language movie
Love
Photo address
Life of Pi
Montage
Business: Argo
Scenography
Lincoln
Suits
Anna Karenina
Makeup
The miserable ones
Music
Life of Pi (Michael Dana)
Song
"Skyfall" by Adele, Paul Epworth for the film of the same name
Audio mixing
The miserable ones
Sound editing
Heavy rain
Zero Dark Thirty
Visual effects
Life of Pi
Documentary
Searching for Sugar Man
Short length
«Curfew»
Short animations
«Paperman»
Short documentary
"Innocent"
Source : tovima.gr

William Boyd is preparing a new James Bond novel

It will be released in UK bookshops in September

A new adventure starring James Bond will be in bookstores in September 2013 announced the Ian Fleming Foundation, which manages the estate and copyright of the work of the British author-father of the legendary spy. The title and the plot of the new novel are still being kept secret, however, the Foundation revealed that “we will have a return to the era of classic Bond, starring a 45-year-old 007, in 1969".
Sixty years have passed this year since the publication of the first story starring James Bond. British Ian Fleming (1908-1964), journalist, officer and writer, he was already mature when the first novel in the series first came out, the Casino Royal the 1953. Until his death 11 years later, had written in total 12 novels and two collections of short stories starring the secret agent James Bond.
The success of the novels was extraordinary and the film industry took full advantage of it. The first film starring Sean Connery as James Bond, "Doctor No", it was filmed 1962. Since then the publishing and film versions of the hero march together, reinforcing each other. "Skyfall", the last film in the series, met with unprecedented critical and box office success. Critics called it the best James Bond film while some theorists called it a cinematic essay on dystopia. Something of a subversive story, something the masterful direction of Sam Mendes, something we're used to the blond Daniel Craig in the role, κάτι η εμπνευσμένη επιλογή του υπόλοιπου καστ… η ταινία σημείωσε παγκόσμιες εισπράξεις που υπερέβησαν το ένα δισεκατομμύριο δολάρια καταλήγοντας η πιο επικερδής ταινία «Τζέιμς Μποντ» όλων των εποχών.
From his side, το Ίδρυμα Ίαν Φλέμινγκ έχει κάθε συμφέρον να διατηρεί ζωντανό το ενδιαφέρον για τις περιπέτειες του Τζέιμς Μποντ, που έχουν πουλήσει περισσότερα από 100 εκατομμύρια αντίτυπα παγκοσμίως. Μετά τον θάνατο του συγγραφέα του, ο Μποντ έχει αναστηθεί αρκετές φορές από την πένα άλλων συγγραφέων α λα μανιέρ ντε Ίαν Φλέμινγκ, όμως το εγχείρημα δεν είναι πάντοτε επιτυχημένο. Συγγραφείς χωρίς μεγάλη εμπειρία και προσωπικό ύφος μιμούνται πιο πρόθυμα τον Φλέμινγκ, αλλά αν είναι ατάλαντοι το αποτέλεσμα είναι άνευρο και πλαδαρό. Ικανοί συγγραφείς με αρκετούς δικούς τους τίτλους εγγυώνται καλύτερα κείμενα, όμως δύσκολα αποφεύγουν τον πειρασμό να πειραματιστούν με τον ήρωα του Φλέμινγκ δίνοντάς του προεκτάσεις που μπορεί να αιφνιδιάζουν δυσάρεστα το κοινό, όπως ο αμερικανός συγγραφέας θρίλερ Τζέφρι Ντίβερ που έγραψε την Carte Blanche (2011), την κατά σειρά 37η ιστορία του Τζέιμς Μποντ, μεταφέροντας τον ήρωα στον 21ο αιώνα.
Τη νέα περιπέτεια θα υπογράφει ο 61χρονος βρετανός Γουίλιαμ Μπόιντ, συγγραφέας καταξιωμένος που έχει δοκιμαστεί και στο αστυνομικό μυθιστόρημα. Στα ελληνικά κυκλοφορούν τρία μυθιστορήματά του, το ατμοσφαιρικό μυθιστόρημα εποχής Το γαλάζιο απόγευμα (Ωκεανίδα, 1997) και τα αστυνομικά Η απειλή (Ωκεανίδα, 2007) και Τοπικές καταιγίδες (Metaichmium, 2010). Βραβευμένος με τα βραβεία Whitbread και Somerset Maugham, είναι επίσης ασκημένος στο σενάριοιδιαίτερα σημαντικό προσόν στη συγκεκριμένη περίπτωση.
«Στρατολογημένοι» από το Ίδρυμα ήταν στο παρελθόν οι πεζογράφοι Κίνγκσλεϊ Έιμις, Κρίστοφερ Γουντ, Τζον Γκάρντνερ, Ρέιμοντ Μπένσον και ο Σεμπάστιαν Φοκς που έγραψε το -κατά γενική ομολογία επιτυχημένο- Devil May Care (2008) για τον εορτασμό της επετείου των 100 χρόνων από τη γέννηση του Φλέμινγκ.
Σχετικά με την ανάθεση της συγγραφής, ο Μπόιντ είχε δηλώσει τον Απρίλιο του 2012 ότι δέχτηκε αμέσως την πρόταση γιατί τη θεώρησε μια «φανταστική, συναρπαστική πρόκληση». He said, in fact, ότι ήταν εξοικειωμένος με τον Φλέμινγκ, μιας και τον είχε χρησιμοποιήσει ως χαρακτήρα στο δικό του μυθιστόρημα Any Human Heart (2002) που ήταν υποψήφιο για το βραβείο Booker.
Θα αποδειχτεί ο Μπόιντ διάδοχος του Φλέμινγκ καταλληλότερος από τους προηγούμενους; Η Κορίν Τέρνερ, διευθύντρια των Εκδόσεων Ίαν Φλέμινγκ, θεωρεί ότι ο Μπόιντ συνδυάζει, όπως ο Φλέμινγκ, τη λογοτεχνικότητα με την απήχηση σε ένα ευρύ κοινό και ότι γράφει το είδος των μυθιστορημάτων που θα έγραφε σήμερα ο Ίαν Φλέμινγκ, αν ζούσε.
Οι φανατικοί του μυθιστορηματικού Μποντ μπορούν να ελπίζουν σε έναν καλογραμμένο, περίπλοκο, πολυεπίπεδο ήρωα, πολύ πιο ενδιαφέροντα από τον «καρτουνίστικο χαρακτήρα» που παρουσιάζουν οι ταινίεςτουλάχιστον αυτό υποσχέθηκε ο Γουίλιαμ Μπόιντ.
Το μυθιστόρημα θα κυκλοφορήσει στα αγγλικά από τις εκδόσεις Jonathan Cape τον Σεπτέμβριο στη Βρετανία και από τις εκδόσεις HarperCollins τον Οκτώβριο στις ΗΠΑ.
Source : tovima.gr

Nikos Portokaloglou and Filippos Pliatsikas, for 4 passport appearances

Nikos Portokaloglou and Filippos Pliatsikas, are returning to Piraeus after their sold out performances in Athens and Thessaloniki, for four unique performances at Passport, every Saturday from 9 Of March 2013.

What do Fatme have in common with Pyx Lax;
Nea Smyrni with Agios Anargyros;
The generation of the 80s with the generation of the 90s;
Larissa with Volos;
Old loves with lies;
The prodigal son with Stilvi;
Thirst with goldfish;
Solitude with the sea;
They are two unrelated worlds, foreigners, opposed or co-paid;
In other words, a composition will emerge, combination or simply gluing;
There will be true co-optation, consent, coordination, co-movement;

It will show soon…

Source : culturenow.gr

A certain paradise 2, again at the Michalis Kakogiannis Foundation

Jean Genet's work entitled "Somebody's Paradise 2" returns to the Michalis Kakogiannis Foundation from Wednesday 20 February up to Sunday 3 March 2013.

A tough one, modern work, based on the life and work of Jean Genet.
The play unfolds in the prison where the inmate is incarcerated for the umpteenth time, Gene, trying to finish a book. The heroes spring from his imagination, they take on flesh and blood, they live their own lives on the sidelines, they hate and worship their creator. Reality and the writer's imagination are so intertwined, that you can't tell which is which. Genet's world – more relevant than ever today- it becomes the mirror of our world.

JEAN GENE takes us on a tour of the fringes of human society, to those that hurt us, they scare us, they attract and repel us at the same time, only help in our journey the human values ​​that will emerge, only shelter ourselves, only hope is the understanding that in the end everyone has the paradise they deserve.

There is justice in this world;
There is reward and punishment;
The bad are in prison and the good are vindicated;

COEFFICIENTS:
TEXT- DIRECTION: Vana Pefani
SCENERY: George Lyntzeris
COSTUME: Ioanna Zafeiropoulou
DESIGN OF LIGHTS: Katerina Maragoudaki
VIDEO: Nikos Giavropoulos
SONG MUSIC: Panagiotis Kalatzopoulos
LYRICS OF SONGS: Aris Davarakis
PERFORMANCE MUSIC AND SOUNDS: DNA LAB. Alexander Christaras – Michalis Nibolianitis
MOTION EDITION: Sophia Michael
PHOTOS: Yannis Bastardis- Nikos Stavropoulos
PRODUCTION DEPARTMENT: Loukia Simonoviki

THEY ARE PLAYING: 
Panagiotis Petrakis, Kyriakos Kosmidis, Hieronymos Kaletsanos, Nikos Ioannidis, George Striftaris, Vassilis Afentoulis, Vana Pefani, Nikolina Mouaimi, Dimitris Katsis, Stavroula Oikonomou, Margarita Papantoni

The show is inappropriate under 18 years.


Source : culturenow.gr

15the Thessaloniki documentary festival: New horizons in the market

Five hundred and twenty films will occupy this year's market, 15th Thessaloniki documentary festival- Images of the 21st century, which, worth noting, that according to the first data they will visit more than 55 foreign film industry professionals. Among the 530 these films included most of the Greek production, as well as a selection of the best films of the year that have been screened at many festivals abroad.

In this year's Docs in Progress section (documentary in progress) a prize will be awarded by audiovisual services company Authorwave, while successful purchase discussions continue (Market Talks), a practical guide for documentarians, στο πλαίσιο του οποίου διακεκριμένοι επαγγελματίες του κινηματογραφικού χώρου, θα δώσουν χρηστικές πληροφορίες στους δημιουργούς.

Σε ότι αφορά το καλλιτεχνικό μέρος του φεστιβάλ που θα πραγματοποιηθεί από την Παρασκευή 15 Μαρτίου ως την Κυριακή 24, ορισμένα από τα δυνατά χαρτιά του θα είναι η πανελλήνια πρεμιέρα της υποψήφιας για το Οσκαρ ντοκυμαντέρ ταινίας «Ο αόρατος πόλεμος» («Τhe invisible war») του Κέρμπι Ντικ, η «Salma» της Βρετανίδας Κιμ Λοντζινότο και το «Προσωπικό σύμπαν» («Private Universe») της Τσέχας Χελένα Τρεστίκοβα.

Ο «Αόρατος πόλεμος» έχει ήδη προκαλέσει σοκ γιατί φέρνει στο φως το καλά κρυμμένο μυστικό των βιασμών γυναικών εντός του αμερικανικού στρατού, η «Salma» αφηγείται την ιστορία μιας Ινδής η οποία αποδεσμεύτηκε από το σκληρό πεπρωμένο των γυναικών της χώρας της για να ακουστεί μέσα από την ποίηση και την πολιτική.

End, in the,τι αφορά το «Προσωπικό σύμπαν», η Τρεστίκοβα με τη διεισδυτική ματιά της παρακολουθεί την ζωή μιας οικογένειας κατά τη διάρκεια 37 years, εκθέτοντας τις κρυφές πτυχές της αλλά όσα διαμόρφωσαν το σύγχρονο πρόσωπο της Τσεχίας.      

Source : tovima.gr

I will get you to leave: Greece through the inspection at the Badminton Theater

The Badminton Theatre, honoring the Athenian Review, this great chapter of the Greek theater, presents a music and dance extravaganza that tells the story of Greece through the course of the Athenian revue.
The protagonist is herself "Madam Inspection", who returns to the stage to travel her comper-grandson back in time, in its most important moments.
A 35-member troupe of elite actors, singers, musicians and dancers bring the adventures to life, her suxes and loves.

The mythical protagonists parade on the board, the inimitable sayings, the great voices, the immortal songs, the worldly haunts and glamorous fashion of a golden age. And up close the current affairs, political and social changes, urbanization, the fate of Greece - always with humor and a satirical mood.

The Lady Inspection takes the viewer by the hand and, including, shows him around: at the Theater Mondial in the revue "Modern Girls", when Zaza Brillanti clashes with the Kaloutas sisters∙ in Athens in the 1940s, when Vembo changes the words to “Zehra” and sings “Children, of Greece's Children" at the Park Theater in the 60s, when Aliki Vougiouklakis replaces Dimitris Horn for a performance in "Street of Dreams". Yet, guides viewers through historical inspections "Yuppie Ya", "Women and Flowers", "The Athens of '64", "Tickling Tickles" and so many others∙ in the happiest for the spectators theatrical competition, when "Beautiful City" by Mikis Theodorakis was staged at the Park Theater and "Street of Dreams" by Manos Hadjidakis a few meters away, at the Metropolitan Theatre.

Through the journey of the Lady Inspection, Georgia Vasiliadou, Kostas Hatzichristos, Vassilis Avlonitis, and Mimis Fotopoulos return to comment on today's Greece, which has so much in common with the Greece of that time. Besides, the Lady Inspection, married in the show to a right-handed person but in love with a left-handed person, torn between the urban and the popular, humor and seriousness, it is the eternally divided Greece.

"I'LL TAKE YOU OUT"
DIRECTION-CHOREGRAPHY: FOKAS EVANGELINOS
TEXTS-RESEARCH: ANGELOS PYRIOCHOS
MUSIC DIRECTION: GIORGOS KATSAROS
SCENES-COSTUMES: EVA NATHENA
LIGHTING: LEFTERIS PAVLOPOULOS
PRODUCTION: MICHALIS ADAM
IN THE 35-MEMBER TREASURY THEY ARE THE LEADERS:
IN THE ROLE OF "MAIN INSPECTOR" ANTONIS LOUDAROS


THIN HOLE
BEGNIS MEMO
ELIZABETH MOUTAFI
MICHALIS MARINOS
GIORGOS CAPOUTZIDES IN THE ROLE OF KOBER

THE ORCHESTRA IS CONDUCTED BY MASTER GIORGOS KATSAROS

Source : culturenow.gr