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Miltos Paschalidis in Thessaloniki 20 & 27 December

MILTOS PASCHALIDIS
With him: MIRELA PACHOU
THURSDAY 6, 13, 20 & 27 DECEMBER 2012
LIVING BLACK HOLE (formerly Agathi), OILS

Every Thursday in December, Miltos Paschalidis goes up to Thessaloniki and sets up his most personal shows in Ladadika. Companion in these evenings, Mirela Pachou.

Getting dangerously close to 20 years in the discography, Miltos Paschalidis finds reasons for reckoning and remembers "unfair" songs from his live performances in recent years.

Mirela Pachou joins him in this game of memory, with the piano, the accordion and her voice.

The most special music scene in the heart of Thessaloniki, it will become the meeting place for friends and memories from all these years, for four Thursdays, in order to warm the cold December nights and remember songs and stories we have overlooked.

INFO
A Living Black Hole (Formerly Thorn),
Wow 5, Morihovou Square Ladadika
Attendance: 21:30
Tel. reservations: 6949950530, 2310 510081,
Show ticket: 8€
e-ticket: http://thessticket.eventbrite.com/

Source : rocking.gr

Who owns the Egyptian Queen Nefertiti?;

An exhibition focusing on her bust is hosted by the Neues Museum in Berlin

It is considered the ancient world's equivalent of the Mona Lisa of the Renaissance and these days attracts the attention of thousands of visitors in Berlin, as it is the central work of the exhibition at the Neues Museum, referring to the same.
It is, of course, the bust of the Egyptian queen Nefertiti, which was discovered exactly one hundred years ago in the ruins of the workshop of a great sculptor named Tuthmosis.
But if the bust is famous today around the world, the same is not the case with regard to the manner in which it was acquired. The name of its first owner was completely suppressed over time, because he was Jewish, while in the void they fall here and 90 years the demands of the Egyptian government for her return.
The German side did not even accept its loan, in order to be exposed to her hometown.
The Egyptians blame the Germans, that they tricked them and took it from Egypt reducing its value. Something, which if combined with other similar incidents, which happened then in countries where foreign archaeologists were active is likely to have happened.
On the other hand, Germany claims, that everything was legal, so there is no question of return.
Cat’ but first the story: The German archaeologist Ludwig Borchardt was the one who brought the age to light 3.400 years old Egyptian beauty – her name means “The beautiful one has arrived” – at the site of Tel el Amarna on the banks of the Nile, in the ruins of the capital Aketaton of the heretic Pharaoh Akhenaten (had introduced monotheism into religion). 
But behind the archaeologist was a rich financier, patron of the Arts and great philanthropist, James Simon, Prussian and Jew. According to the laws so, which were in force in Egypt at the time, Simon was entitled to half of the valuables, that came to light from the excavations, which were done with his own money.
Nefertiti belonged to them, although the Egyptians later accused the Germans of deceiving them by reducing its share value. Something, which if combined with other similar incidents, which happened then in countries where foreign archaeologists were active is likely to have happened.
In any case, Simon was the one who sent Nefertiti to Berlin, offering service to his country, let alone a few years later, in 1920, he gave it to the museums of the city.
The 1925 Nevertheless, Simon's cotton business, Simon Brothers, which in its heyday had a high turnover 50 million. marks with annual profits 6 million, faced serious problems and thus had to close it down, while he sold his luxurious villa and moved into a simple apartment.
But by then he had enriched all the Berlin museums with dozens of other Egyptian works of art, he had donated a quarter of his income to the Arts and had undertaken a number of charitable causes and social programmes.
His sponsorships began with the opening of the National Gallery in Berlin 1876, which, however, unlike those of Paris or London, had very few exhibits. Simon's donations, in the Gallery especially, they were countless (Rembrandt, Bellini, Mr. Mantenia. a.)
In the same year Egypt asked for the return of Nefertiti but the Germans refused, which angered Simon, who sent a letter to the Berlin Museum reminding him that the directors had promised to do so, in case such a request is made.
They of course refused and the matter temporarily stopped there. In fact, Simon, angered by Berlin's refusal, returned, in protest the invitation sent to him to attend the opening of the Pergamon Museum, the 1930, while he died alone and bitter two years later.
In the meantime the demand of Egypt which had always been in force was manifested, the 1935, that he will be justified, since the Germans showed their agreement to the return of the bust, only now Hitler himself intervened to thwart it once and for all.
New official request, this time borrowing, it was raised 2007 by the former director general of Antiquities of Egypt, Zahi Hawass, when the Cairo Archaeological Museum requested the bust to display at the opening of the new museum near the Giza pyramids.
But again the request was rejected, but this does not mean that the Egyptians have forgotten it.
On the other hand, Hitler's Germany had made sure to completely forget Simon and his name was erased from everywhere.
Something that today, 80 years since his death, that is about to change as a permanent tribute to its forgotten patron is planned in Berlin. Specifically a new gallery, which is now being manufactured, it will be called the James Simon Gallery.
Source : tovima.gr

The Readers' Award has been announced 2012

Awarded to Paschalis Lampardis and his novel "Vertical Exit"

To Paschalis Lampardi and his novel "Vertical exit" (Patakis) the Readers' Award is presented 2012, according to the results of the readers' vote.
The "Vertical Exit", the fifth novel of the Serrai prose writer, is a psychological adventure set against the background of the modern urban environment, which focuses on emotions, in thoughtful pursuits, in the excesses of man in everyday life, on the existential path to self-knowledge.
A total of over took part in this year's Readers' Award process 5.000 bibliophiles (from them 3.396 they voted by sms and the rest were members of 38 Reading Clubs who proposed the "short list").
The book "The Times of Memory" by Theodoris Papatheodoros was ranked second in the final score (A psycho) and third the book "Anna Sikelianou: love and dream" by K. Gourgouliani and N. K. Dominant (Kastaniotis).
The prize was awarded in the past to Isidoros Zourgos' Anemolia (2011), As I wanted to live by Eleni Priovolou (2010), the Imaret of Yiannis Kalpouzos (2009), I learned everything from you but I forgot a word by Dimitris Buradas (2008), Mr. Episkopakis by Andreas Mitsou (2007), the Amilita deep waters of Rhea Galanaki (2006) and The Method of Orleans by Eugenia Fakinou (2005).
The Readers' Prize competition is in its eighth year. Organized by the National Book Center (THERE) in collaboration with ERT. The award ceremony will take place within the framework of the 10th Thessaloniki International Book Fair.
Source : tovima.gr

BOOK : Eighty Days Yellow – Vina Jackson

It is known to all, that love literature, after several years of being on ice, she's taken over.
The beginning was made by Metaichmio publications, reissuing some of the masterpieces of the genre. Pataki publications followed, where with the “Fifty Shades Of Grey”, they made the success of the outgoing year, to complete the cycle the Tulipa editions and the trilogy “Crossfire”.

 And while all the other publishers are looking for the book that will be able to make a difference and stand out, to become the ultimate reading fetish, Livani publications come in turn to present us with the first book of the trilogy “Eighty Days”, the creation of two very famous so-called authors, who hide their identity and combined efforts, behind the stage name, Vina Jackson.

The story revolves around the life of Samer Zahova or to be more precise, around her sex life and identity, in an attempt to find out, who she really is and what she is looking for, to feel complete. Her relationship with Darren, it is by no means what is needed and so, she decides to leave him. But the one that never gives up, it is her violin and the music that comes out of it, something that brings her to the extent that she would like to lead her and a love relationship. That's when Dominic shows up, a charming man who has his own obsessions and needs, who is fascinated by Summer who becomes obsessed with him. When Summer's violin is destroyed, Dominic, offers to replace it in exchange, a concert just for him, which Summer accepts without thinking. That's when a dangerous game begins between them that can lead them both to the extremes as, enjoyment and satisfaction, they don't come without a cost in their ever-so-strange and peculiar relationship.

Before I say more, I should emphasize that the “Eighty Days”, it is not a read for everyone. Its aesthetics and philosophy, refer to that of the Marquis De Sade for’ this, those of you who have read him and were shocked by his writing, better choose something else. The same goes for over romantics who cannot accept the dark side of human sexual nature, they don't understand it and they don't understand it, not simply because it doesn't suit them but, because they refuse to accept that for some people, this is the truth of their daily life. Bad lies… the book talks about fetishism and the definition of submission and regardless of that, as far as the descriptive part is concerned, does not resort to provocative extremes, is able to shock a more conservative reader. For God's sake, I don't mean you have to be loose morals to like it but, however we do it, you must be what they say, open minded.

Summer and Dominic's relationship, it is anything but conventional. Besides, the purpose of the writers is not so much to explore their emotional motivations and stimuli but, the dark side of human nature and sexuality, of which they themselves are witnesses. Both of them, possessed by instincts that are above them seeking a form of pleasure that is inextricably linked to submission but also pain. But as for the game between them, their relationship, it's give and take, at least until the moment when they provoke each other by driving him to the extremes, he gradually directs them to the edge of the cliff. But in the focus is cat’ Summer par excellence, which is less self-aware than Dominic, more willing to go to extremes, risking even her very spirituality and mental balance. She reaches her limits and does not hesitate to even exceed them, in her attempt to understand who she really is and I finally wonder… this is due to her inability to control her passions or her boundless boldness which unconsciously leads her to try everything, in order to reject that which does not suit her;

While reading this particular book, I was trying to decide if after all, I liked it or not. Completing it, I came to the conclusion that yes, I really liked it, for very specific reasons. The psychological profile of the central characters although extreme, it is not unrealistic, no matter how much we want to believe that we live in an ideal world. There are people whose everyday life, it is the same as theirs and we cannot cancel them. On the other, the narration is done in such a way that we have the possibility, on a first-person narrative level to see, both Summer's own perspective, deeply understanding her feelings and the reasons behind her decisions, as well as a third-person level, which allows us to have a more global picture of the events, how the regional characters perceive the developments, Dominic himself and ordinary observers, seeing essentially the same situation, through different and multiple prisms, just like in real life.

The flow of the narrative is steadily upward, with climax and relaxation points, thus balancing the whole so as to maintain some elements of provocation, without, however, touching the limits of obscenity, challenging the limits of the reader, obviously respecting the fact that not everyone who falls into their hands will be equally open-minded. The authors' writing is distinguished by an undeniable dynamic, that fascinates and captivates you from the first, until the last line. The music-obsessed Summer and the way it takes over her and directs her deepest instincts, he is at least charming, as well as the way and means used to bring out the dark side of catalyzing passion and need sometimes, some people, to do morality, emotional and sexual transcendence, in order to reach the limits of pleasure, even if they risk acrobating on a very thin and ill-defined dividing line. If nothing else, a surprise novel.

By Yota Papadimakopoulou

Source : culturenow.gr

Balkan Wars 1912-1913 – The beginning of the Greek twentieth century: Exhibition at the Benaki Museum

The Benaki Museum presents the exhibition in the main building "Balkan Wars 1912-1913 – The beginning of the Greek twentieth century”. The exhibition will be presented by 12 December 2012 until 10 February 2013. The opening will take place on 10 December 2012.

More information:

The historical exhibition The beginning of the Greek twentieth century: Balkan Wars, 1912-1913 consists of rare photographs, relevant archival material and historical relics, which aim at projecting the war of the Greeks and Greece the 1912-1913, highlighting mainly the patriotic effort together with the anguish that it contained.

Through anecdotal material relating to the fallen volunteers of the wars 1912-1922, the sensitive concept of war offering and sacrifice is mapped. End, a special section of the exhibition presents the city of Thessaloniki during the Balkan Wars.

Theatrical "Mauthausen" signed by Campanelli – Theodorakis

The shocking chronicle of a personal experience on the Badminton scene

Mauthausen: The chronicle of a personal experience that captured one of the most shocking events in world history is brought to the stage. The most personal book of Iakovos Campanellis, there is also a performance from Thursday (6/12) comes to life at the Badminton Theatre.
"This is a chronicle, for a true story", points out Stelios Mainas who together with Katia Sperelakis and the director of the show Themis Moumoulidis, they sign the script. "It is not a theatrical text and Campanellis himself never wanted to change its form. He wanted to leave it as a testimony, as a document because that's the only way you can deal with it. We took the text with absolute respect and without changing it. This terrible river of events is not conveyed". That's why they kept it as a basic pattern, love as an event-cause. "And in particular the love of the hero, who is none other than Campanellis, for a Lithuanian woman. Imprisoned and condemned as they were, but they also found a place for feelings, for love, for life... And these “days and nights of love” as the creator himself notes, is what kept their humanity alive".  
The book, reminds Stelios Mainas, "starts from May 5th, day of liberation and returns with a flashback to all the events that preceded it. The prisoners are now freed and against their will to return to life, they realized how close they were to each other, where returning home seemed like an elusive dream" he continues. And it is completed by the actor who plays the role of the narrator-Cambanelli, who visits Mauthausen after years: "We attempt to present the emotional inner revival of a whole world which was then attempted to be crushed. But they didn't make it. The IS failed to bend human dignity".  
WHEN WHERE Badminton Ticket Prices : 10 – 16 – 22 – 28 – 38 Euro Performances: Thursday 6/12 as Sunday 9/12 at 20.30, Monday & Tuesday 10-11/12, at 19.00, Wednesday 12/12 at 20.00. Plus Saturday and Sunday, 8 & 9/12 at 17.00
The idea of ​​the show belongs to Themis Moumoulidis and the promise he made to his daughter Campanellis, Katerina. Mikis Theodorakis did not take long to say "yes" to his own music, and so things went their way. "Campanelli's speech is so theatrical, it is so penetrating that our work was complementary", emphasizes Stelios Mainas. "All the work has been done by the creator himself. We are just the managers" he adds.
As soon as the first six shows were announced the public responded to such an extent that the organizers added first one more show and then two more. In total, there will be nine performances at Badminton with two and a half thousand seats – from Thursday 6/12 as well as Wednesday 12/12.
The prescribed success seems to have an answer in the names of the two creators: of the author and the composer. «Brand names», characterizes, as a matter of course, Campanellis and Theodorakis Stelios Mainas. And he's right....
THE IDENTITY OF THE SHOW
"Mauthausen" by Iakovos Campanellis. Music by Gustav Malher – Mikis Theodorakis. Orchestra conducted by Miltos Logiadis, lyrics by Iakovos Kampanellis, screenplay by Stelios Mainas – Themis Moumoulidis – Katia Sperelaki, scenography by Panagiotas Kokorou, kinesiology Apostolia Papadamakis. They play: Stelios Mainas, George Pyrpasopoulos, Aris Lebesopoulos, Marianna Polychronidis, Vassilis Bispikis, Konstantinos Giannakopoulos, Kostas Velentzas, Anna Elena et al.
The songs of Mouthazuzen with music by Mikis Theodorakis and lyrics by Iakovos Campanellis, performed by Rita Antonopoulou. The orchestra is conducted by Miltos Logiadis.
Source : tovima.gr

CINEMA: Hotel for monsters

Sony Pictures Animation and Feelgood present in 3D the "Monster Hotel" which will premiere in cinemas on Thursday 6 December 2012.

Hotel for Monsters
Where monsters go to relax
or
If you are a Monster, go through!

Sony Pictures Animation opens the doors to the best hidden hotel of all time, where the terms of hospitality and tourism have been reversed and a common mortal is anything but welcome. "Hotel for Monsters" is run by Dracula, a true monster of politeness, who is trying tooth and nail (after all, he is gifted in both categories) to provide for Frankenstein, the Mummy, the Invisible Man, the Werewolf and other mythical monsters of the cinema precious moments of calm, away from the intolerable and dangerous human species.

This funny and original story is directed by one of the pioneering and promising minds in the field of animation, o Genndy Tartakovksy, who, just like the protagonist of his story, he proves to be an unforgettable host.  The imaginative direction, the exploitation of the characters through the impressive 3D, the well-crafted comedic details and the care not to lose a moment of the rhythm of the spartan dialogues offer besides an exciting 3D comedy for the whole family, a unique experience that will change our opinion of Dracula, their friends, but also for the possibilities of animation.

Summary
Welcome to “Monster Hotel”, Dracula's luxury resort, where monsters and their families can run free, away from unwanted human presence.  Dracula has invited some of the world's most famous monsters for a weekend, Frankenstein and his Bride, the Mummy, the Invisible Man, a family of werewolves and many others to celebrate Mavis' daughter's 118th birthday together. For Dracula, hosting all these legendary monsters is anything but a problem. Nevertheless, this ideal setting is in danger of collapsing due to the presence of a common mortal, who discovers the resort completely by accident and falls for Mavis.

Source : culturenow.gr