Αναλόγιο 2014: η ελληνική δραματουργία ΤΩΡΑ, στο Θέατρο Τέχνης

The Art Theatre hosts a series of theatrical performances, through which modern Greek drama presents itself, Is the motto of the 16th Spare Parts Bazaar 3 until 7 October 2014, under her supervision Sissys Papathanasiou.

THE
support and dissemination of modern Greek drama. THE
acquaintance and familiarization of the public, including the
children, with the theater text
and the art of theater. The creation of a supporting framework for
writing new works. Confidence in rising voices of Greek
theater and their encouragement and support in each stage
of the creative process towards the completion of the project
them but also the achievement of personal artistic style. THE projection
and promotion of selected works by new as well as established authors. THE
meeting authors, dramatists, translators and other contributors
of the theatrical act and the creation of pace and suitable conditions
for the fruitful dialogue between them. All these constituted and constitute
the goals of the institution of ratios, which has already been established in
public and expert consciousness.

With the gaze turned "out.
in the open", the proportions 2014 in their first event at the Theatre
Art under the artistic direction of Sissy Papathanasiou, they choose and
present 7 brand new works by older and newer Greeks
playwrights. Directors, imaginative, musicians and a multitude
actors, the majority of which come from the Art Theatre,
participate in the presentations which are framed by discussions with the
audience and contributors, laboratories, visual interventions and
musical events, activities for children and round tables.

This year's event brings back the modern Greek work in the space that has been inextricably linked with contemporary drama and marks a new beginning for the institution.

The
fresh start of ratios is accompanied by taking initiative for
the institutionalization of a series of new ones, innovative actions of international scope
in Greece and abroad. These actions, will function as
channels of communication and cooperation between Greek and foreign creators
and will be organized in collaboration with Greek and foreign counterparts
private and public bodies:

Ι. Program Exchanges
"Foreign writers, Greek writers and the theater community of the Art Theater"

Translations,
presentations of foreign works in Greece and Greek works abroad.
Emphasis will be placed on dramatists and writers from “underdeveloped
countries", which are less or even little known in Greece.

II. Hosting Program
"Foreign writers in Greece, Greek writers abroad"

Inaugurating
the institution of hospitality, in the summer 2015 we will welcome 2 authors
from abroad to an art camp in Greece. In
camp that will be organized with the cooperation of Greek organizations, of
Amnifest Festival and Educational Institutions of foreign countries, will participate
also, translators, actors, directors, critics, university students,
students etc. The program it is a replacement and the sending countries will respectively host Greeks.

Analytical Proportion Schedule:

3.10 at 20.00
ETHYMIS PHILIPPOU, Scenes
Directorial editing: Manos Lambrakis in collaboration with Zoe Hatjiantoniou
At piano The Nikos Platanos

With them:
Ioanna Tsirigoulis, Elias Panagiotakopoulos, Nana Papadakis, Babis
Galiatsatos, Gifts Styling, I pray for Vassiliou, Panagiotis Katsolis, Civility
Iron, Demosthenes Eleftheriadis, Nicholas Hanakoulas, Aris Tsampalikas,
Rita Litou, Haris Symeonidou, and 50 still actors and amateurs.

4.10 at 20.00
ELENI CAVIARA, With another eye
Directorial editing: Victor Ardittis
With them: Maria Katsandri, Maria Vlagkopoulou, Nikos Alexiou, Yannis Tsortekis

5.10 at 20.00
BUT CRAP , THE SAVIOR and the protagonists
Directorial editing: Theodoros Espiritou
Visual intervention: Ilias Papailiakis
With them: Thanasis Chalkias, Nikos Pantelidis, Despina Sarafeidou, Andreas Antoniadis
Narrator: Vassilis Psyllas
The soprano appears Athena Dimitrakopoulou

5.10 at 21.30
AKIS MUNICIPALITY , teach me to leave
Directorial editing: Roula Pateraki

6.10 at 20.00
MICHALIS VIRBIDAKIS, About Nature
Directorial editing: Efi Theodorou
With them: Konstantinos Avarikiotis, Dimitris Papanikolaou, Elena Topalidou

7.10 at 20.00
JASON SIGMA Noise
Directorial editing: Yannis Skourletis
With them: Christos Kapenis, Katerina Latta, Maria Mamouri, Eleana Stravodimou

7.10 at 21.30
Tsimaras Zanatos, Miss Misfortune
Directorial editing: Aspa Tobuli

With them: Ioanna Angelides, Alexander American, Something Ioannidou , Leonidas Marakis, Yvoni Maltezou, Sophia Searly, Stratos Tzorzoglou

Artistic direction: Sissy Papathanasiou
Production manager: Angeliki Marinou
Editing of texts: Eleni Koutsilaiou
Scenographic editing: Zoe Molyvda-Fameli
Lighting: Stella Kaltsou

All competitions with culturenow.gr invitations

Uncategorized, Companies, Marketing., Products

Paying for a like

21 September, 2014 IN ThessnA

From: http://www.real.gr/DefaultArthro.aspx?page=arthro&id=354637&catID=22

Facebook advertising has become one of the most popular
ways of announcing and promoting new products, with most
companies to consider it an integral part of their strategy in
marketing.

Facebook in turn approves these practices by giving it
opportunity for users to like their pages
are interested and then be informed about their progress
products.

Facebook targeting users according to their characteristics,
suggests pages that it thinks are best suited for them and for her
the service is paid handsomely by the companies that use it as
means of promotion.

However, there is also another way of promoting through Facebook which
has started to evolve in recent years and is about likes on
payment.

This is achieved through "like farms", a service they sell
various sites to interested parties and promises a specific
number of likes on their page.

As little was known about how these farms work, The
Emiliano de Cristofaro from UCL University of London and the
his collaborators decided to make the first systematic effort to
to understand how they work and if it was about
human users or for bots as the programs are called
computer that perform automatic functions on the Internet.

The method they followed was to construct thirteen pages in the
Facebook with the general description "Virtual Electricity" but without
no content beyond the prompt “This is not a real page,
please don't like her".

Two practices followed: for five of the pages
they used the ads through Facebook (Ads at the price of 5
euros per day) to generate visits to these pages.

Each campaign was defined for separate geographical areas: the USA,
France, India, Egypt and one for the whole world. For the
remaining eight pages were hired services from the most well-known
like farms circulating on the internet. The farms cost the
researchers from 55 to 150 euro, and guaranteed 1.000 likes the next ones 15
days.

The results are highly indicative, as they describe in the research
the scientists: the first method yielded 32 likes from USA, 44
from France, from 500 for India and Egypt and also 500 for
the global advertising campaign, most of which from the
India.

Likers averaged more than 300
friends something that also agrees with the global average, but it was
prominent "likers" having between 600 and 1000 likes in respective
pages, when the average for a user is 40.

The findings from the like farms are even more curious as while
in the advertising campaign via Facebook the likes were evenly distributed with
the time, farms produced likes en masse.

One of the farms for example gave 700 likes the first four
hours and then no more, which means it is against
most likely for automated profiles (bots) who act blindly
like. The supposed users even have one in their account
very large number of likes of the order of 1200-1800.

The researchers argue that these results make it clear that
fact that most of the likes are fake and not
they correspond to real people.

They also point to the fact that although Facebook would be in
position to thwart these tactics, doesn't seem to want to
does.

However, they conclude that this does not mean that one is not efficient
advertising campaign in said medium, but they should be taken
take into account these parameters in the evaluation of its performance.

SOURCE: naftemporiki.gr