Manhattan Medea by Dea Loer at Apo Michanis Theatre

The new performance of the Theater Company Co-Epi (+,X) Dea Loer's Manhattan Medea will premiere at Apo Michanis Theater on 4 Of March 2013. The direction is by Efi Theodorou and the actors: Pantelis Dentakis, Andreas Kontopoulos and Ioanna Pappa.

For 25 only performances.

The modern version of Medea, written it 1999, by German author Dea Loher takes place in Manhattan. Medea and Jason are no longer children of kings or descendants of gods living in Corinth but illegal immigrants who have been forced to flee Europe. They have left behind their homeland in flames, in search of the New World, expecting to build their lives there from scratch. And they will do anything to survive and claim a better life. Their dreams are shattered in the melting pot of the American metropolis, and Jason abandons Medea for the daughter of a wealthy businessman, the young and rich Claire. On the eve of the wedding, Medea appears, determined to bring him back to her home on 5th Avenue at any cost and nothing will ever be the same.
Dea Loher's very interesting venture with elaborate language, poetic and deeply human, it wonderfully combines the ancient with the modern, speaking in today's language about all that the ancient myth deals with: the passion for life, the diversity, xenophobia, the struggle of the sexes, the passion, the oath, greed, the injustice, love, the betrayal.

Translated by George Depastas
Directed by Efi Theodorou
Scenery Nikos Anagnostopoulos
Costumes Ioanna Tsami
Lighting by Sakis Birbilis
Performed by the actors Pantelis Dentakis, Andreas Kontopoulos, Ioanna Pappa

Photos
Stamatis Abatis

A few words about the author
Dea Loher (Dea Loer)

Dea Lauer is one of the most important German voices in the field of playwriting. Her plays have been translated and performed in many countries around the world: Australia, Switzerland, France, England, Hellas, Finland, Denmark, Poland, Czech Republic and Latin America. Born in 1964 in Bavaria. After finishing studies in German literature and philosophy in Munich, lived for some time in Brazil. He returned to Berlin, where he worked in radio and studied playwriting at the Hochschule der Künste under Heiner Müller and Yaak Karsunke.

He has written the plays: “At the Black Lake” (By Lake Schwarzer See, 2012), thieves (Thieves, 2010), The last fire (The Final Fire, 2008), “Life on Praça Roosevelt” (Life on the Praça Roosevelt, 2004),
“innocence” (Innocence, 2003), “Magazine of Happiness” (in seven parts, 2001), “The third sector” (2001), “Klara's circumstances” (2000), “Manhattan Medea” (1999), “Adam Spirit” (1998), “Blaubart – Hope of women” (1997), “Strange house” (1995), “Leviathan” (1993), “tattoo” (1992),”Olga Raum”, (1992).
She has won numerous awards for her various works.

Source : culturenow.gr

McLaren P1: The first photos

The first official photos of the production version of its supercar McLaren, it is a fact and as expected they take your breath away.
The official debut of the P1 will take place at the Geneva Motor Show in early March, while the numbers accompanying it, cause vertigo. The Twin-Turbo V8 engine capacity 3,8 lt, it is located in the center and works in harmony with a highly efficient electric motor, ensuring combined power 916 horses and 917 Nm of torque!
In addition, it is accompanied by systems such as IPAS (Instant Power Assist System) and the DRS (Drag Reduction System) which comes from the Formula 1 and with the push of a button moves the rear spoiler, reducing the resistances and at the same time increasing the top speed.

According to what has been known so far, emissions are calculated below 200 gr / km, while it is worth noting that they are zero with the use of the electric motor (until 10 and more kilometers), which alone renders 179 horses and 265 Nm of torque.
At the same time, there is a correct distribution of the power produced, while the electric motor when driving conditions require it, stores energy in just 96 kg battery with which the P1 is equipped.

Source : autotriti.gr

Manhattan Medea by Dea Loer at Apo Michanis Theatre

The new performance of the Theater Company Co-Epi (+,X) Dea Loer's Manhattan Medea will premiere at Apo Michanis Theater on 4 Of March 2013. The direction is by Efi Theodorou and the actors: Pantelis Dentakis, Andreas Kontopoulos and Ioanna Pappa.

For 25 only performances.

The modern version of Medea, written it 1999, by German author Dea Loher takes place in Manhattan. Medea and Jason are no longer children of kings or descendants of gods living in Corinth but illegal immigrants who have been forced to flee Europe. They have left behind their homeland in flames, in search of the New World, expecting to build their lives there from scratch. And they will do anything to survive and claim a better life. Their dreams are shattered in the melting pot of the American metropolis, and Jason abandons Medea for the daughter of a wealthy businessman, the young and rich Claire. On the eve of the wedding, Medea appears, determined to bring him back to her home on 5th Avenue at any cost and nothing will ever be the same.
Dea Loher's very interesting venture with elaborate language, poetic and deeply human, it wonderfully combines the ancient with the modern, speaking in today's language about all that the ancient myth deals with: the passion for life, the diversity, xenophobia, the struggle of the sexes, the passion, the oath, greed, the injustice, love, the betrayal.

Translated by George Depastas
Directed by Efi Theodorou
Scenery Nikos Anagnostopoulos
Costumes Ioanna Tsami
Lighting by Sakis Birbilis
Performed by the actors Pantelis Dentakis, Andreas Kontopoulos, Ioanna Pappa

Photos
Stamatis Abatis

A few words about the author
Dea Loher (Dea Loer)

Dea Lauer is one of the most important German voices in the field of playwriting. Her plays have been translated and performed in many countries around the world: Australia, Switzerland, France, England, Hellas, Finland, Denmark, Poland, Czech Republic and Latin America. Born in 1964 in Bavaria. After finishing studies in German literature and philosophy in Munich, lived for some time in Brazil. He returned to Berlin, where he worked in radio and studied playwriting at the Hochschule der Künste under Heiner Müller and Yaak Karsunke.

He has written the plays: “At the Black Lake” (By Lake Schwarzer See, 2012), thieves (Thieves, 2010), The last fire (The Final Fire, 2008), “Life on Praça Roosevelt” (Life on the Praça Roosevelt, 2004),
“innocence” (Innocence, 2003), “Magazine of Happiness” (in seven parts, 2001), “The third sector” (2001), “Klara's circumstances” (2000), “Manhattan Medea” (1999), “Adam Spirit” (1998), “Blaubart – Hope of women” (1997), “Strange house” (1995), “Leviathan” (1993), “tattoo” (1992),”Olga Raum”, (1992).
She has won numerous awards for her various works.

Source : culturenow.gr

"Ecclestone wants female F1 driver"

Την πεποίθηση ότι ο Μπέρνι Έκλεστοουν θέλει να δει μια γυναίκα στα γκριντ του πρωταθλήματος της Φόρμουλα 1 εξέφρασε η Σούζι Γολφ.

Η 30χρονη, η οποία την περσινή χρονιά βρίσκονταν στη Williams στο ρόλο της δοκιμάστριας τόνισε πως οι συνθήκες που επικρατούν στην κορωνίδα του μηχανοκίνητου αθλητισμού είναι πολύ δύσκολες με τον ανταγωνισμό να περιορίζει τη δυνατότητα μια γυναίκα να πετύχει, κάτι το οποίο ωστόσο δεν θεωρεί αδύνατο.

«Ξέρω ότι πολλοί άνθρωποι θα ήθελαν να συμβεί κάτι τέτοιο. Ο Μπέρνι Έκλεστοουν είναι ένας από αυτούς που πιέζει αυτό να συμβεί και νομίζω ότι κάποια στιγμή στο μέλλον θα γίνει πραγματικότητα», ήταν τα λόγια της Σούζι Γολφ για να συμπληρώσει στη συνέχεια:

«Υπάρχουν περισσότεροι άνδρες οδηγοί, κάτι που κάνει ακόμη πιο δύσκολο το έργο των γυναικών, γιατί δεν υπάρχουν πολλές από εμάς που να προσπαθούμε να συμμετάσχουμε στο πρωτάθλημα της Φόρμουλα 1. Νομίζω ότι είναι πολύ δύσκολο για τον οποιοδήποτε να διατηρηθεί σε αυτό το πρωτάθλημα γιατί είναι ένας πολύ ανταγωνιστικός χώρος.
Μπορεί κανείς να δει πόσο γρήγορα αλλάζουν οι οδηγοί ανάλογα με τις συνθήκες και τις οικονομικές καταστάσεις. Για αυτό νομίζω ότι είναι πολύ δύσκολο για τον οποιοδήποτε και η απουσία μιας επιτυχημένης γυναίκας στο χώρο κάνει τον κόσμο να το αμφισβητεί ή να θεωρεί κάτι τέτοιο αδύνατο. Εγώ από την πλευρά μου πιστεύω ότι είναι πιθανό να συμβεί, απλώς θέλει χρόνο».

Source : sport-fm.gr

Oscar 2013: It doesn't get more boring

Daniel Day-Lewis writes History, "Life of Pi" wins the most awards and two Austrians are the European winners. But the 85th Oscar ceremony was sluggish and uninteresting. Good thing Tarantino was there too!

With the third Oscar of his career that he received for "Lincoln" by Steven Spielberg, Daniel Day-Lewis wrote his own chapter in the history of the Academy of Motion Picture Arts and Sciences on Sunday 24 February. The Irish actor is the first actor in the 85 years of the institution that manages to win three awards in the category of the first male role (ahead of his awards for My Left Foot and Blood Will Be Spilled).
"It was actually me playing Margaret Thatcher while Meryl Streep was Steven Spielberg's first choice for Lincoln," said Day-Lewis, prompted by the fact that another acting legend Meryl Streep, last year's winner for "Iron Lady" announced his name and presented him with the award.
Too bad this historic moment for those who are at least interested in the history of these awards, coincided with one of the most unpleasant, boring and tired ceremonies we have seen in recent years. Poor humor, many public relations (the thank you speeches were a non-stop copy paste in which the names were simply changed), few surprises and a new presenter, Seth MacFarlane, who quite simply could not communicate with the public.
The big favorite in the category of the best film was "Operation: Argo” by Ben Affleck and this movie, finally (as we all expected) he won. The moment was also special for the History of the Oscars because the envelope was opened at the White House by the First Lady of the USA Michelle Obama who appeared on the giant screen of the Dolby Hall having taken the floor from the actor Jack Nicholson who had gone up on stage.
Ben Affleck, whose name was absent from the category of Oscar nominees for best director, took the stage to accept his award and was joined not only by Grant Hesloff and George Clooney as co-producers of "The Operation :Argo" but also all the actors of the film who were in the room. Among them Alan Arkin (candidate for the second male role) and music composer Alexandre Desplaiss (Oscar nominee for music)
The Oscars were shared again this year. With the exception of "Mythical Creatures of the South" who won nowhere, all of the other eight films in contention for the Best Picture Oscar won an award. Quantitatively speaking, "Life of Pi" by Ang Lee is the one that won the most, that is, four: Direction, visual effects, music (Michael Dana) and photography (Claudio Miranda). Ang Lee who may be one of the kindest people in world cinema spoke with sincerity and warmth thanking all the actors of his film as well as his homeland, Taiwan, which as he said "contributed significantly to the creation of this film."
 
One place down, in the three awards, tie "Argo" which, in addition to best film, also won the adapted screenplay award (Chris Terio) and editing and Tom Hooper's Les Miserables musical won Best Supporting Actress (Anne Hathaway – the favourite), makeup and sound mixing.
However, this year's award is also a great moment for Austria, since two Austrian artists picked up a gilded statuette each for different films: director Michael Haneke picked up the Oscar for best foreign language film for "Love" and his compatriot, Christoph Waltz as supporting actor for Quentin Tarantino's Django Unchained. It is the second to win after "Insolent Bastards", also a film by K. Tarantino.
Tarantino himself gave by far the best thank you when he took the stage to accept Charlize Theron and Dustin Hoffman's second career original screenplay Oscar for 'Django the Punisher' (the first was for "Pulp fiction"). You really felt like something was finally happening. Explosive and passionate as the dialogues he writes on paper and the images he creates on the screen, Tarantino raised his hand and made the victory sign (V) declared that it is the year of writers. "If we will remember "Django the Punisher" after 20 years this will be due to his heroes" said Tarantino far from modestly but yes, he was right.
An award was even given to "Zero dark thirty" by Kathryn Bigelow who actually shared the sound editing with "Skyfall"_ something that has happened for years at the Oscars. "Skyfall" won another Oscar for best song, exactly as expected. The live performance of "Skyfall" by Adele, it was one of the most beautiful moments of the evening.
Regarding David O.'s "Optimism Guide". Russell counted eight nominations but ultimately won only in one category* of the award's strongest: First female role for her 22 chroni Jennifer Lawrence, who on her way to the stage almost fell to the floor because of the huge off-white dress she was wearing and which definitely didn't fit her.  The Academy of Motion Picture Arts and Sciences knows how to support new acting powers, and there's no doubt that Lawrence (nominated once again in the same category for "Heart of Winter" belongs to these forces.
Regarding award show host Seth MacFarlane, his humor did not seem to touch the audience in the hall judging by the minimal laughter and applause. The evil was evident from the start when in his attempt to make fun of himself as the worst host of the Oscars, MacFarlane pulled it off. Captain Kirk appeared on the hall's giant screen (William Shatner) of the legendary TV series "Star Trek" who appeared to scold him and tell him that he ruined the award. No one was laughing. Like nobody laughed when MacFarlane threw a small bottle of whiskey at George Clooney sitting in the front row.
As if that wasn't enough, Mac Farlane brought the Ted doll to the stage from the film of the same name he wrote and directed a few years ago with Mark Wahlberg as a man who is "chased" by a teddy bear. But the bear's jokes on the Oscars stage with Mark Wahlberg again belonged to another event, even if the one about the Jews of the Oscars made any sense.
On the occasion of 50 years of life of the cinematic James Bond, Shirley Bassey came on stage and sang the legendary "Goldfinger" with playback, causing rather embarrassment, something that was not done with the appearance of Barbra Streisand who to honor her friend, music composer Marvin Hamlis (he died last year) sang "The way we were" live and blew the room away.
Another shot that "sat" well at the ceremony (from the few) was the appearance of the entire cast of Les Misérables singing on stage. Because of this film, the musical had its honor at the Oscars this year with Catherine Zeta-Jones again singing "All that jazz" from "Chicago" ,a film for which he won the Oscar for Best Supporting Actor. And this one with playback though…
A snapshot with real meaning, which could really make you drool was 15-year-old Inocente's appearance on stage, of an immigrant who had lived for nine whole years homeless in America before she managed to escape her demons through paint and canvas. Her life became the short documentary "Inocente" by the couple Sean Fine and Andrea Nix Fine and this documentary won the Oscar yesterday. Innocente's appearance on stage with her directors made me feel for the first time the real world inside this year's Oscars.
All the awards
Best Movie
Business: Argo
First Male Role
Daniel Day Lewis (Lincoln)
First Female Role
Jennifer Lores (Guide to optimism)
Second Male Role
Christoph Waltz (Django the Punisher)
Second Female Role
Anne Hathaway (The Wretched)
Direction
Ang Lee (The Life of Pi)
Adapted script
Business :Argo
Script written straight for the screen
Django, the punisher
Cartoon
Brave
Best foreign language movie
Love
Photo address
Life of Pi
Montage
Business: Argo
Scenography
Lincoln
Suits
Anna Karenina
Makeup
The miserable ones
Music
Life of Pi (Michael Dana)
Song
"Skyfall" by Adele, Paul Epworth for the film of the same name
Audio mixing
The miserable ones
Sound editing
Heavy rain
Zero Dark Thirty
Visual effects
Life of Pi
Documentary
Searching for Sugar Man
Short length
«Curfew»
Short animations
«Paperman»
Short documentary
"Innocent"
Source : tovima.gr

Eleni Radou : The "battle" with the pounds during the period of the "Working Woman"

Η Ελένη Ράντου μίλησε στο JOY του ΣΚΑΪ και τη Νάνσυ Ζαμπέτογλου για τα κιλά που προσπάθησε να χάσει τα τελευταία χρόνια και τη γενικότερη σχέση με την εικόνα της.

«Στην “Εργαζόμενη Γυναίκα” είχα πάρει κιλά, αλλά μετά τα έχασα. Τώρα είμαι κανονική, αλλά πάντα ήμουντσουπωτή» παραδέχτηκε η γνωστή ηθοποιός, μιλώντας για την τελευταία τηλεοπτική σειρά στην οποία πρωταγωνίστησε στον ΑΝΤ1, the 2009.

Ποιος ήταν, Nevertheless, ο λόγος που είχε πάρει τότε αυτά τα κιλά; «Τα τηλεοπτικά ωράρια, που σε σχέση με το φαγητό, είναι πάντα πιο πιεστικά. Still, αυτές οι γυναίκες πίστευα πως αν ήταν και πιο στρουμπουλές θα ήταν πιο κοντά στην αλήθεια. Δεν ήταν και fit, ήταν γυναίκες της διπλανής πόρτας.Και, so, σιγά σιγά παραιτήθηκα. Δεν ξέρω πώς έγινε. Ήταν κάτι φοβερό γιατί μια μέρα, ήταν Τρίτη και ήμουν 58 κιλά και την Παρασκευή είχα πάει 65!he said, among other things.

In fact, η γνωστή ηθοποιός επεσήμανε πως δυσκολεύτηκε αρκετά να χάσει τελικά αυτά τα κιλά, ενώ πρόσθεσε: «Πάντα, με πολύ λίγο φαγητό έπαιρνα αδικαιολόγητα πολλά κιλά και με πολύ φαγητό ήμουν αδικαιολόγητα αδύνατη. Πρέπει να είχε να κάνει πολύ με το ψυχολογικό κομμάτι», ενώ για την προαναφερθείσα περίοδο πρόσθεσε: «Είχα φτάσει να έχω δυσφορία, δεν μπορούσα να αναπνεύσω. Για το σώμα μου ήταν πολλά τα κιλά. On the other, όταν είσαι καλά ψυχολογικά, το σώμα χάνει πιο εύκολα κιλά».

Όσο για τη σχέση της με τον χρόνο: «Το καλό είναι ότι ποτέ δεν κουβαλούσα τη ψυχολογία τηςνόστιμηςκαι δεν έπαθα ποτέ μεγάλη πλάκα με τον χρόνο. Δεν με ενδιέφερε όλο αυτό. Now no more, υπάρχει και η τεχνολογία, γίνεσαι κούκλα άμα θέλεις. Αλλά εμένα δεν με ενδιέφερε ποτέ. Δεν ήθελα να επικεντρωθώ στην εμφάνιση».

End, η Ελένη Ράντου πρόσθεσε πως ποτέ δεν θέλησε να παίξειτην ωραίασε ρόλους της. On the contrary, οι επιτυχημένες στιγμές στην πορεία της στην υποκριτική ήταν αυτές που η ίδια είχετσαλακωθείγια χάρη τους: «Ξεφεύγεις από αυτή τη σκέψη (s.s. της εικόνας) γιατί η ουσία της δουλειάς μας δεν είναι αυτή. Όταν την εντοπίσεις, ελάχιστα σε απασχολεί η εμφάνιση. also, πολύ γρήγορα κατάλαβα ότι τις μεγαλύτερές μου επιτυχίες τις έκανα όταν δεν ήμουν εμφανισιακά τόσο επιθυμητή, όταν τσαλακωνόμουν πολύ. Television, καμία “ωραία” δεν είχε μεγάλη τύχη. Μια φορά έκανα μία πολύ όμορφη, στο “Τι Ψυχή Θα Παραδώσεις Μωρή;” έκανα την ωραία της παρέας, και έξι επεισόδια κράτησε. Το πήρα το μήνυμα!».

Source : yupiii.gr

Oscar 2013: It doesn't get more boring

Daniel Day-Lewis writes History, "Life of Pi" wins the most awards and two Austrians are the European winners. But the 85th Oscar ceremony was sluggish and uninteresting. Good thing Tarantino was there too!

With the third Oscar of his career that he received for "Lincoln" by Steven Spielberg, Daniel Day-Lewis wrote his own chapter in the history of the Academy of Motion Picture Arts and Sciences on Sunday 24 February. The Irish actor is the first actor in the 85 years of the institution that manages to win three awards in the category of the first male role (ahead of his awards for My Left Foot and Blood Will Be Spilled).
"It was actually me playing Margaret Thatcher while Meryl Streep was Steven Spielberg's first choice for Lincoln," said Day-Lewis, prompted by the fact that another acting legend Meryl Streep, last year's winner for "Iron Lady" announced his name and presented him with the award.
Too bad this historic moment for those who are at least interested in the history of these awards, coincided with one of the most unpleasant, boring and tired ceremonies we have seen in recent years. Poor humor, many public relations (the thank you speeches were a non-stop copy paste in which the names were simply changed), few surprises and a new presenter, Seth MacFarlane, who quite simply could not communicate with the public.
The big favorite in the category of the best film was "Operation: Argo” by Ben Affleck and this movie, finally (as we all expected) he won. The moment was also special for the History of the Oscars because the envelope was opened at the White House by the First Lady of the USA Michelle Obama who appeared on the giant screen of the Dolby Hall having taken the floor from the actor Jack Nicholson who had gone up on stage.
Ben Affleck, whose name was absent from the category of Oscar nominees for best director, took the stage to accept his award and was joined not only by Grant Hesloff and George Clooney as co-producers of "The Operation :Argo" but also all the actors of the film who were in the room. Among them Alan Arkin (candidate for the second male role) and music composer Alexandre Desplaiss (Oscar nominee for music)
The Oscars were shared again this year. With the exception of "Mythical Creatures of the South" who won nowhere, all of the other eight films in contention for the Best Picture Oscar won an award. Quantitatively speaking, "Life of Pi" by Ang Lee is the one that won the most, that is, four: Direction, visual effects, music (Michael Dana) and photography (Claudio Miranda). Ang Lee who may be one of the kindest people in world cinema spoke with sincerity and warmth thanking all the actors of his film as well as his homeland, Taiwan, which as he said "contributed significantly to the creation of this film."
 
One place down, in the three awards, tie "Argo" which, in addition to best film, also won the adapted screenplay award (Chris Terio) and editing and Tom Hooper's Les Miserables musical won Best Supporting Actress (Anne Hathaway – the favourite), makeup and sound mixing.
However, this year's award is also a great moment for Austria, since two Austrian artists picked up a gilded statuette each for different films: director Michael Haneke picked up the Oscar for best foreign language film for "Love" and his compatriot, Christoph Waltz as supporting actor for Quentin Tarantino's Django Unchained. It is the second to win after "Insolent Bastards", also a film by K. Tarantino.
Tarantino himself gave by far the best thank you when he took the stage to accept Charlize Theron and Dustin Hoffman's second career original screenplay Oscar for 'Django the Punisher' (the first was for "Pulp fiction"). You really felt like something was finally happening. Explosive and passionate as the dialogues he writes on paper and the images he creates on the screen, Tarantino raised his hand and made the victory sign (V) declared that it is the year of writers. "If we will remember "Django the Punisher" after 20 years this will be due to his heroes" said Tarantino far from modestly but yes, he was right.
An award was even given to "Zero dark thirty" by Kathryn Bigelow who actually shared the sound editing with "Skyfall"_ something that has happened for years at the Oscars. "Skyfall" won another Oscar for best song, exactly as expected. The live performance of "Skyfall" by Adele, it was one of the most beautiful moments of the evening.
Regarding David O.'s "Optimism Guide". Russell counted eight nominations but ultimately won only in one category* of the award's strongest: First female role for her 22 chroni Jennifer Lawrence, who on her way to the stage almost fell to the floor because of the huge off-white dress she was wearing and which definitely didn't fit her.  The Academy of Motion Picture Arts and Sciences knows how to support new acting powers, and there's no doubt that Lawrence (nominated once again in the same category for "Heart of Winter" belongs to these forces.
Regarding award show host Seth MacFarlane, his humor did not seem to touch the audience in the hall judging by the minimal laughter and applause. The evil was evident from the start when in his attempt to make fun of himself as the worst host of the Oscars, MacFarlane pulled it off. Captain Kirk appeared on the hall's giant screen (William Shatner) of the legendary TV series "Star Trek" who appeared to scold him and tell him that he ruined the award. No one was laughing. Like nobody laughed when MacFarlane threw a small bottle of whiskey at George Clooney sitting in the front row.
As if that wasn't enough, Mac Farlane brought the Ted doll to the stage from the film of the same name he wrote and directed a few years ago with Mark Wahlberg as a man who is "chased" by a teddy bear. But the bear's jokes on the Oscars stage with Mark Wahlberg again belonged to another event, even if the one about the Jews of the Oscars made any sense.
On the occasion of 50 years of life of the cinematic James Bond, Shirley Bassey came on stage and sang the legendary "Goldfinger" with playback, causing rather embarrassment, something that was not done with the appearance of Barbra Streisand who to honor her friend, music composer Marvin Hamlis (he died last year) sang "The way we were" live and blew the room away.
Another shot that "sat" well at the ceremony (from the few) was the appearance of the entire cast of Les Misérables singing on stage. Because of this film, the musical had its honor at the Oscars this year with Catherine Zeta-Jones again singing "All that jazz" from "Chicago" ,a film for which he won the Oscar for Best Supporting Actor. And this one with playback though…
A snapshot with real meaning, which could really make you drool was 15-year-old Inocente's appearance on stage, of an immigrant who had lived for nine whole years homeless in America before she managed to escape her demons through paint and canvas. Her life became the short documentary "Inocente" by the couple Sean Fine and Andrea Nix Fine and this documentary won the Oscar yesterday. Innocente's appearance on stage with her directors made me feel for the first time the real world inside this year's Oscars.
All the awards
Best Movie
Business: Argo
First Male Role
Daniel Day Lewis (Lincoln)
First Female Role
Jennifer Lores (Guide to optimism)
Second Male Role
Christoph Waltz (Django the Punisher)
Second Female Role
Anne Hathaway (The Wretched)
Direction
Ang Lee (The Life of Pi)
Adapted script
Business :Argo
Script written straight for the screen
Django, the punisher
Cartoon
Brave
Best foreign language movie
Love
Photo address
Life of Pi
Montage
Business: Argo
Scenography
Lincoln
Suits
Anna Karenina
Makeup
The miserable ones
Music
Life of Pi (Michael Dana)
Song
"Skyfall" by Adele, Paul Epworth for the film of the same name
Audio mixing
The miserable ones
Sound editing
Heavy rain
Zero Dark Thirty
Visual effects
Life of Pi
Documentary
Searching for Sugar Man
Short length
«Curfew»
Short animations
«Paperman»
Short documentary
"Innocent"
Source : tovima.gr

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