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"Second place is not enough for us"

Fernando Alonso wants the title

Ready to claim his first world title with Ferrari, says Fernando Alonso. The Spanish pilot emphasized that second place is not enough for them this year, while he pointed out that he still cannot know where the scoundrel is, like the other groups.

"There is no concern. There is a tendency from the Media to emphasize that Ferrari is having a bad testing season, or that the car is no good, because of some dark reason we don't know.

However, we are calm and continue to do our work on a steady basis. Actually after two tests, we still have a lot to learn in the final period.

Even on the last day we tried some new things, which were of interest. Therefore, after the Barcelona tests we will be better than after the Jerez circuit tests. We hope to arrive in Australia with a competitive car.", were Alonso's words, who then completed.

"I don't know if we will be the first ninth, we are working and it is difficult to know what situation each team is in. It's all speculation. The only thing that is certain is that this season will be better for both Ferrari and me, as second place is not enough for anyone", he added.

Source : sport-fm.gr

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The Nissan Hi-Cross Concept in Geneva

The Japanese company has a new crossover prototype ready to be presented at the upcoming Geneva Motor Show that hints at the shape of the new X-Trail.

A teaser photo, which does not reveal much, of a new concept model was released today by the Japanese company. As she informs us, this is the Hi-Cross Concept, a model expected to continue the tradition of the brand, but also its existing range of crossover models. Company goal, certainly, is the continuation of the success of its two mainstream "SUV" proposals, the Juke and the Qashqai. On the tried and tested, but also completely successful, this recipe will also "step" on the new Hi-Cross Concept, which of course, in a slightly different form, will be the successor of our well-known X-Trail. In the planning of the Japanese Nissan is to present the successor of this successful SUV around the beginning of 2013.

Despite the fact that officially there is no further information (the Japanese company refers us to 6 Of March, when the new Hi-Cross Concept will be fully revealed at the Geneva Motor Show), we already know that in terms of design, this new proposal from the Japanese will follow a path similar to the Qashqai. In terms of external dimensions, in any case, expectations should move to the levels of traditional middle-class family models, except of course the height of the body and the distance of the floor from the ground. Something similar, certainly, with the "logic" to be followed in the form of the car inside and out, we also expect in the field of road characteristics, since the new Hi-Cross will clearly have an asphalt orientation and character. In the field of mechanical parts, as happened in the past, two-wheel drive and four-wheel drive versions are expected, while it remains unknown what will be the available mechanical units that will move them. However, it is not excluded, beyond Nissan's 2-litre diesels, to see under the hood of the new X-Trail and their turbocharged petrol engine 1,6 liters of the little Juke.

But for more information, wait until early next week, so the new Hi-Cross Concept will be officially presented at the Geneva Motor Show.

Source : 4troxoi.gr

photography exhibition, book presentation

March comes with Jazz and Literature

Series of live events, book presentations and photo exhibition

A series of four events on the theme of the relationship between Jazz and Literature and a jazz photography exhibition will be hosted at RIFIFI restaurant-bar (Emm. Benaki 69A, Expiration)  every Thursday in March. The aim of the events is the presentation of literary books inspired by jazz or books that reflect the aesthetic climate of the musician of this genre. The presentation of the books is accompanied by live music from jazz groups and singers.

The books to be presented are 'Who Still Listens to Jazz;» (Cedar) of John N. Bascozu (1 March). It is presented by the author himself and the band Swing Shoes plays with the participation of the singer Irini Dimopoulou. The second book to be presented (8 Of March) it is probably the best text that talks about jazzmen who wrote history, that of Geoff Dyer “And yet, nicely…» (Papyrus). Presented by Thanasis Minas and performed by the band Human Touch. The third book to be presented (15 Of March) is the "Marseille Trilogy" Jean – Claude Izzo (City), which reflects the jazz atmosphere of the detective book. Presented by Giorgos – Ikaros Babasakis and the band John Floros plays- Music soup. The month will close with the presentation (22 Of March) of Jack Kerouac's book Peak (Attempt), indicative of the love the beats had for jazz. Presented by Thanasis Minas and G. Micky Pantelus plays Basque.

At the RIFIFI site, the photo exhibition "Jazz moments" by Andreas Zaharatos with photos of Greek and foreign jazz artists who gave concerts in our country is presented throughout the month.

All events start after 10pm.

Details of the books that will be presented:

THURSDAY 1 MARCH

Yannis N. Bascozos – Who still listens to jazz?; and other strange stories

Cedar, 2011

(the author presents it)

"Music is your experience, your thoughts, your wisdom, if you don't live it, it will not come out of your horn", said Charlie Parker.

Most of the stories in this book go the other way around: the experience, the thoughts, the actions of the protagonists are shaped, for some inexplicable reason, through music.

Music of many genres that become a narrative field on which stories of everyday people unfold.

Stories about misplaced friendships, difficult relationships, sudden ones, small and sometimes betrayed loves, little vices, great expectations. Stories about people sticking out their tongues p’ The,what does not suit them and for others, who are the most numerous and retreat in front of a society that simply tolerates them.

Among human entanglements, once dominant, sometimes accompanying, even silent, it shines, everything, the music.

THURSDAY 8 MARCH

Geoff Dyer – And yet, nicely… A book about jazz

translation: Danai Stefanou

Papyrus, 2008

(it is presented by Thanasis Minas)

Lester Young, Thelonious Monk, Bud Powell, Ben Webster, Charles Minkus, Art Pepper, Duke Ellington, Dizzy Gillespie…: the author creates portraits of creators who sealed the evolution of jazz with their music. The verb "philosophize" is used literally; Dyer does not merely list biographical facts, nor does he develop with the language of a music critic some theoretical opinions about their work, but resorts to fiction and poetic language to be able to recreate the experiential space in which their music was born. Accepting that the standard criticism, as a mediator between the creator and the listener, it usually functions as a simple substitute that fails to bring out the essence, the soul of the project, Dyer talks about jazz in the maker's way, combining criticism and fiction.

Dyer "writes" like a jazz musician: the raw material he used are sayings of musicians, information about their lives from various sources, but also photos of musicians on stage. These are his "constants"., which, however, function as a starting point for a creative improvisation which leads him to the field of fiction, in the same way that a jazz musician relies on the "constants" of his musical tradition to improvise. The way in which he utilizes the photographic material is revealing: “even though it only captures a fraction of a second, the experienced duration of the image is extended several seconds before and after this still moment to include […] The,what just happened or what,what is going to happen…Dyer therefore transforms images, sounds and information in speech art to help the reader - who at times feels like he is becoming a listener, that "reads sounds"- to hear the soul of Lester Young, of Thelonious Monk or Bud Powell, to "hear" the soul of jazz.

THURSDAY 15 MARCH

Jean – Claude Izzo – The Marseille Trilogy

(The black song of Marseille. The crowd. Solea)

translation: Richard Someritis, Alexis Emmanuel

City, 2011

(George presents it- Ikaros Babasakis )

Under the title "The Marseille Trilogy" the novels of Jean-Claude Izzo "The Black Song of Marseille" were republished in one volume, "The Crowd", "Usual", with Fabio Modal as the hero, this sensitive policeman, descendant of immigrants, enemy of violence, who loves poetry, the jazz, the fishing, his women and his city, Marseille: a city at the crossroads of peoples and cultures, the great port of France.

Marseille, with the port and its people, the streets and her girls, where French racists cross, corrupt cops, Islamic fanatics, while the shadow of the Mafia spreads everywhere, it is the ideal setting for noir stories.

And the hero, full of self-doubt, always determined to make it to the end, continues his wanderings in the streets of lost innocence. Struggling between nostalgia and rebellion, it acts for the sake of companionship and friendship with humanity itself.

Izzo, child of "illegal immigration" too, as is Zidane, he gave his city something that his city now returns with love and gratitude: a new image, a new life. A myth. "I envy Marseille. I would very much like to find Fonfon's bar one day - its good time- and shout at him: “Patron, a pastis!”». In memory of Izzo.

THURSDAY 22 MARCH

Jack Kerouac – Pic

translation: Yannis Livadas

Attempt, 2008

(it is presented by Yiannis Baskozos and Thanasis Minas)

Little Pike escapes from his aunt's house in North Carolina with the help of his big brother. They go to New York, and from there they end up in the coveted California. Jack Kerouac seems to recall the romanticism of the old American tradition, and to deliver his last literary child to her: a new kind of Huckleberry Finn, which constitutes an already completed, finished snapshot of american quest.

The central character of the narrative is an integral part of the American zero or otherwise the futile attempt to escape from the nightmare of Barba-Sam.

It is not difficult to see the similarities with the life course of Jack Kerouac himself . The constants of the outcast, of the street, of jazz and the cult of the American landscape remain.

Source : tovima.gr

Uncategorized

March comes with Jazz and Literature

Series of live events, book presentations and photo exhibition

A series of four events on the theme of the relationship between Jazz and Literature and a jazz photography exhibition will be hosted at RIFIFI restaurant-bar (Emm. Benaki 69A, Expiration)  every Thursday in March. The aim of the events is the presentation of literary books inspired by jazz or books that reflect the aesthetic climate of the musician of this genre. The presentation of the books is accompanied by live music from jazz groups and singers.

The books to be presented are 'Who Still Listens to Jazz;» (Cedar) of John N. Bascozu (1 March). It is presented by the author himself and the band Swing Shoes plays with the participation of the singer Irini Dimopoulou. The second book to be presented (8 Of March) it is probably the best text that talks about jazzmen who wrote history, that of Geoff Dyer “And yet, nicely…» (Papyrus). Presented by Thanasis Minas and performed by the band Human Touch. The third book to be presented (15 Of March) is the "Marseille Trilogy" Jean – Claude Izzo (City), which reflects the jazz atmosphere of the detective book. Presented by Giorgos – Ikaros Babasakis and the band John Floros plays- Music soup. The month will close with the presentation (22 Of March) of Jack Kerouac's book Peak (Attempt), indicative of the love the beats had for jazz. Presented by Thanasis Minas and G. Micky Pantelus plays Basque.

At the RIFIFI site, the photo exhibition "Jazz moments" by Andreas Zaharatos with photos of Greek and foreign jazz artists who gave concerts in our country is presented throughout the month.

All events start after 10pm.

Details of the books that will be presented:

THURSDAY 1 MARCH

Yannis N. Bascozos – Who still listens to jazz?; and other strange stories

Cedar, 2011

(the author presents it)

"Music is your experience, your thoughts, your wisdom, if you don't live it, it will not come out of your horn", said Charlie Parker.

Most of the stories in this book go the other way around: the experience, the thoughts, the actions of the protagonists are shaped, for some inexplicable reason, through music.

Music of many genres that become a narrative field on which stories of everyday people unfold.

Stories about misplaced friendships, difficult relationships, sudden ones, small and sometimes betrayed loves, little vices, great expectations. Stories about people sticking out their tongues p’ The,what does not suit them and for others, who are the most numerous and retreat in front of a society that simply tolerates them.

Among human entanglements, once dominant, sometimes accompanying, even silent, it shines, everything, the music.

THURSDAY 8 MARCH

Geoff Dyer – And yet, nicely… A book about jazz

translation: Danai Stefanou

Papyrus, 2008

(it is presented by Thanasis Minas)

Lester Young, Thelonious Monk, Bud Powell, Ben Webster, Charles Minkus, Art Pepper, Duke Ellington, Dizzy Gillespie…: the author creates portraits of creators who sealed the evolution of jazz with their music. The verb "philosophize" is used literally; Dyer does not merely list biographical facts, nor does he develop with the language of a music critic some theoretical opinions about their work, but resorts to fiction and poetic language to be able to recreate the experiential space in which their music was born. Accepting that the standard criticism, as a mediator between the creator and the listener, it usually functions as a simple substitute that fails to bring out the essence, the soul of the project, Dyer talks about jazz in the maker's way, combining criticism and fiction.

Dyer "writes" like a jazz musician: the raw material he used are sayings of musicians, information about their lives from various sources, but also photos of musicians on stage. These are his "constants"., which, however, function as a starting point for a creative improvisation which leads him to the field of fiction, in the same way that a jazz musician relies on the "constants" of his musical tradition to improvise. The way in which he utilizes the photographic material is revealing: “even though it only captures a fraction of a second, the experienced duration of the image is extended several seconds before and after this still moment to include […] The,what just happened or what,what is going to happen…Dyer therefore transforms images, sounds and information in speech art to help the reader - who at times feels like he is becoming a listener, that "reads sounds"- to hear the soul of Lester Young, of Thelonious Monk or Bud Powell, to "hear" the soul of jazz.

THURSDAY 15 MARCH

Jean – Claude Izzo – The Marseille Trilogy

(The black song of Marseille. The crowd. Solea)

translation: Richard Someritis, Alexis Emmanuel

City, 2011

(George presents it- Ikaros Babasakis )

Under the title "The Marseille Trilogy" the novels of Jean-Claude Izzo "The Black Song of Marseille" were republished in one volume, "The Crowd", "Usual", with Fabio Modal as the hero, this sensitive policeman, descendant of immigrants, enemy of violence, who loves poetry, the jazz, the fishing, his women and his city, Marseille: a city at the crossroads of peoples and cultures, the great port of France.

Marseille, with the port and its people, the streets and her girls, where French racists cross, corrupt cops, Islamic fanatics, while the shadow of the Mafia spreads everywhere, it is the ideal setting for noir stories.

And the hero, full of self-doubt, always determined to make it to the end, continues his wanderings in the streets of lost innocence. Struggling between nostalgia and rebellion, it acts for the sake of companionship and friendship with humanity itself.

Izzo, child of "illegal immigration" too, as is Zidane, he gave his city something that his city now returns with love and gratitude: a new image, a new life. A myth. "I envy Marseille. I would very much like to find Fonfon's bar one day - its good time- and shout at him: “Patron, a pastis!”». In memory of Izzo.

THURSDAY 22 MARCH

Jack Kerouac – Pic

translation: Yannis Livadas

Attempt, 2008

(it is presented by Yiannis Baskozos and Thanasis Minas)

Little Pike escapes from his aunt's house in North Carolina with the help of his big brother. They go to New York, and from there they end up in the coveted California. Jack Kerouac seems to recall the romanticism of the old American tradition, and to deliver his last literary child to her: a new kind of Huckleberry Finn, which constitutes an already completed, finished snapshot of american quest.

The central character of the narrative is an integral part of the American zero or otherwise the futile attempt to escape from the nightmare of Barba-Sam.

It is not difficult to see the similarities with the life course of Jack Kerouac himself . The constants of the outcast, of the street, of jazz and the cult of the American landscape remain.

Source : tovima.gr

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The winners of the 84th Academy Awards!

"The Artist" by French director Michel Azanavicius dominated this year's Oscars, winning five awards in the main categories, while the movie "Hugo", which had the most nominations, won the same number of awards.

Martin Scorsese's childhood adventure took the awards for Art Direction, the Photography, the Best Special Effects, the Best Sound, and the Best Sound Effects.
"Hugo" had the most nominations, 11 in the number, however "The Artist", with 10 nomination, an ode to the silent film era, dominated, as expected, in the most important categories.

Meryl Streep won the Oscar for Best Actress for her performance in 'The Iron Lady' (The Iron Lady), in which she plays former British Prime Minister Margaret Thatcher.
The same film took, also, the award for Best Makeup by Mark Coulier and J. Roy Hiland.
It is Streep's third Golden Globe and first since 30 years, although he has the record with 17 nominations for the most coveted award in the film industry.

Octavia Spencer won Best Supporting Actress for her portrayal of the sassy housekeeper in The Maids (The Help), depicting stories of black African-American women who worked for wealthy white families in Mississippi during the early civil rights era.

The 39-year-old American actress, which was considered the favorite, she has never been nominated for an Oscar before.

Christopher Plummer was awarded the Best Supporting Actor award for his performance in the movie "The Rookies" (Beginners) directed by Mike Mills, where he plays an old man, who reveals and accepts his homosexuality.
So, the 82-year-old Canadian Plummer, veteran film and theater actor, became the oldest actor ever to receive an Academy Award. He was nominated only once before.

The movie "A Separation" (A Separation) written and directed by the Iranian Asghar Farhadi won the award for Best Foreign Language Film. It is the first Iranian film to receive an American Academy Award.
The film deals with the divorce of a couple and touches on traditions, male-female relations and the functioning of justice in modern Iran.
He was considered a favorite in the category, after winning several awards in Europe and the United States and is the second Iranian film to be nominated for this American Academy Award and the first to win.

The director Farhadi, receiving the award, stated that "at the moment many Iranians around the world are watching us and I imagine they will be very happy".

Woody Allen wins Best Original Screenplay for 'Midnight in Paris' (Midnight in Paris), while the award for Best Adapted Screenplay was shared by Alexander Payne, Nat Faxon and Jim Rush for The Descendants (The Descendants).

The award for Best Editing went to Angus Wall and Kirk Baxter for The Girl with the Tattoo (The girl with the dragon tattoo) directed by David Fincher and the award for Best Original Song went to Brett McKenzie for “Man or Muppet” (in the movie The Muppets).

“Rango” took home the award for Best Animated Feature, while in the movie "Undefeated", directed by Daniel Lindsey and T. J. Martin, was awarded the prize for Best Documentary.

In the less prominent categories, the award for Best Documentary Short went to "Saving Face" by Emmy-winning Pakistani journalist Sharmeen Obaid-Chinoi and American Daniel Jang, a film about the female victims of acid attacks in Pakistan.

The award for Best Animated Short Film “The Fantastic Flying Books of Mr. Morris Lessmore”, directed by William Joyce and Brandon Oldenberg, while the award for Best Short Film went to the film “The Shore”, written and directed by Terry George.

The 84th Academy Awards of Motion Picture Arts and Sciences, hosted by veteran American comedian Billy Crystal, was televised live on over 200 Countries.

List of Academy Award winners:

Best movie: “The Artist”
First Female Role: Meryl Streep for the movie "The Iron Lady"
First Male Role: Jean Dujardin for the movie "The Artist"
Second Female Role: Octavia Spencer for the movie "The Handmaids"
Second Male Role: Christopher Plummer for the movie "The Rookies"
Best director: Michel Azanavicius for the movie "The Artist"
Best cartoon movie: "Range"
Best original script: "Midnight in Paris"
Best scenario adapted: "The Descendants"
Better address: “Hugo”
Best Photo: “Hugo”
Better suits: “The Artist”
Best documentary: “Undefeated”
Best Documentary Short: “Saving Face”
Best editing: "The Girl with the Tattoo"
Best foreign language movie: "A Separation"
Better makeup: "The Iron Lady"
Best Original Music: “The Artist”
Best Original Song: “Μan or Muppet”
Best Animated Short Film: “The Fantastic Flying Books of Mr. Morris Lessmore”
Best short film: “The Shore”
Better sound: “Hugo”
Better sound effects: “Hugo”
Better visual effects: “Hugo”

Source : nooz.gr

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«’Εχω μεγάλη ιδέα για τον εαυτό μου ως καλλιτέχνη»

Βρίσκεται προσωρινά εκτός τηλεόρασης, κάτι που θεωρεί δικαιολογημένο. For’ αυτό και έχει διοχετεύσει όλη του τη δράση στο θέατρο. Ο Πέτρος Φιλιππίδης μιλάει στο «Βήμα» για την πορεία του, για την κριτική, εκφράζει τα παράπονα και τις αντιρρήσεις του και δηλώνει αισιόδοξος.

Πώς βιώνετε όλο αυτό που συμβαίνει;

«Είναι πολύ δύσκολο. Αυτό που με ενοχλεί είναι η κατήφεια. Αν και είμαι αισιόδοξος, όσο περνά η μέρα πλέον φεύγει η αισιοδοξία. Δεν το βάζω όμως κάτω. Με έχει επηρεάσει αρκετά και στην καθημερινότητά μου. Υπάρχει σοβαρό οικονομικό πρόβλημα. Στο θέατρο, for example, η εφετινή επιτυχία είναι σε ποσοστό 40% κάτω σε σχέση με την περυσινή επιτυχία».

Έχει υψηλότερες απαιτήσεις το κοινό;

«Αυτό νομίζω πως είναι κάτι που θα φανεί αργότερα. Στο τέλος θα μπορέσουμε να κάνουμε τον απολογισμό. Κατά τη διάρκεια μιας κατάστασης δεν μπορείς να βγάλεις συμπεράσματα. Αυτό που με στενοχωρεί όμως είναι το ότι η πρώτη ερώτηση που γίνεται στα θέατρα όταν τηλεφωνεί ο κόσμος είναι πόσο έχει το εισιτήριο και όχι ποιο έργο παίζεται. Έχουμε κάνει κι εμείς όμως ζημιά. Από ανασφάλεια, άγχος και ανάγκη έχουμε χαμηλώσει την τιμή του εισιτηρίου. Δεν μπορεί να παίζει κάποιος με 9 ευρώ και ένας άλλος με 22. Το καλύτερο θα ήταν ενιαίο εισιτήριο.

Πρέπει να συμφωνήσουμε όλοι ότι δεν θα κοιτάζει ο καθένας την καμπούρα και την πάρτη του. Έτσι κάναμε στην Ελλάδα όλα αυτά τα χρόνια και φτάσαμε ως εδώ».

Το «κοιτάζω την πάρτη μου» δεν ισχύει μόνο στο εισιτήριο όμως. Κι εσείς οι ηθοποιοί αποφεύγετε να συμπράξετε.

«Οχι, δεν είναι τόσο απλό. Γίνεται προσπάθεια. Δεν είναι θέμα ματαιοδοξίας, απλά δεν είναι εύκολο. Η ανάγκη μπορεί να μας φέρει κοντά, κάτι που είναι καλό για όλους, αλλά από την άλλη δεν είναι εύκολο να οραματιστείς το ίδιο πράγμα σε σημαντικά θέματα. Δεν είναι θέμα ονόματος στην ταμπέλα».

Σας λείπει η τηλεόραση;

«Δεν θα σας πω όχι γιατί μπορεί να φανεί και περίεργο. Θα σας πω ναι. Cat’ αρχήν η τηλεόραση παρέχει χρήματα. Εγώ την τηλεόραση δεν την έκανα μόνο για τα χρήματα ή, για να είμαι ειλικρινής, δεν την έκανα για τα χρήματα. Πληρωνόμουν καλά και νομίζω όχι άδικα ή αδικαιολόγητα. Το ότι εφέτος δεν είχα κάτι με έκανε να δω κι άλλα πράγματα. Εγώ την τηλεόραση την αγαπώ».

Κι εκείνη σας αγαπά όπως δείχνει…

"Yes, οι θεατές με αγαπούν. Γιατί αν η τηλεόραση με αγαπούσε τώρα θα ήμουν σ’ αυτήν».

Μα υπάρχει χώρος για όλους;

«Οχι, έχετε δίκιο. Και πρέπει να είμαστε κι εμείς εκτός, όχι μόνο οι άλλοι. Αφού δεν θέλουμε να υπάρχουν σαράντα σίριαλ τότε θα πρέπει να δεχτούμε ότι κι εμείς δεν θα είμαστε. Δεν είμαι ούτε θυμωμένος ούτε στενοχωρημένος. Μου λείπει η τηλεόραση, το γύρισμα, η διαδικασία, το να εμφανίζομαι. Μου λείπουν τα χρήματα της τηλεόρασης αλλά δεν τελειώνει η ζωή μου εδώ».

Κύριε Φιλιππίδη, πού κατατάσσετε τον εαυτό σας σε επίπεδο καλλιτεχνικής αξίας και προσφοράς;

«Η δουλειά που έχω κάνει μέχρι τώρα είναι αρκετά σημαντική. Έχω δρόμο πολύ μπροστά μου ακόμη και σημαντικά πράγματα που δεν έχουν γίνει ακόμη. Έχω μεγάλη ιδέα για τον εαυτό μου. Ο καλλιτέχνης πρέπει να έχει μεγάλη ιδέα για τον εαυτό του.

Πρέπει να καταλάβει κάποιος – γιατί απευθύνομαι σε έξυπνους ανθρώπους, οι ηλίθιοι δεν με ενδιαφέρουν – ότι ο καλλιτέχνης πρέπει να έχει πολύ μεγάλη εμπιστοσύνη στον εαυτό του μαζί με ανασφάλεια, αλλά πρέπει να νιώθει ότι είναι ο καλύτερος. Διαφορετικά δεν μπορεί να είναι καλλιτέχνης. Αυτό δεν σημαίνει ότι δεν πρέπει να προσπαθεί ή ότι φτάνει κάπου ή ότι δεν έχει να διανύσει πολλά. Δεν θεωρώ ότι έχω φτάσει κάπου».

Αναγνωρίζετε τις αδυναμίες σας;

"Yes, κάθε φορά που τελειώνει μία παράσταση δεν είμαι ικανοποιημένος. Πιστεύω ότι αν την ξαναέκανα, θα την έκανα καλύτερα».

Πάντως έχετε εκφραστεί αρνητικά για τους κριτικούς.
Υπήρξατε ιδιαίτερα σκληρός σε πρόσφατη συνέντευξή σας…
«Δεν ήμουν σκληρός με τους κριτικούς, αλλά με έναν συγκεκριμένο κριτικό. Πρόκειται για έναν φίλο μου, του οποίου εκτιμώ την άποψη, αλλά δεν μπορώ τα δύο μέτρα και τα δύο σταθμά και δεν μπορώ το “από πίσω”. Μίλησε για την καλοκαιρινή παράστασή μου δίχως να την έχει δει! Μη μου πείτε ότι δεν υπάρχουν αγαπημένοι και λιγότερο αγαπημένοι ή ότι ο κριτικός δεν έχει προσωπικές αδυναμίες. Πρέπει να είμαστε τίμιοι. Οπως εγώ δεν θεωρώ ότι έχω φτάσει κάπου, πρέπει και οι κριτικοί να είναι ειλικρινείς με τους εαυτούς τους. Επίσης δεν μπορεί να είναι οι θεατές κριτικοί. Η γνώμη του θεατή πρέπει να μένει για τον εαυτό του. Από τη στιγμή που δημοσιοποιείται μπαίνουμε σε άλλη κατηγορία, έχουμε να κάνουμε με άλλα πράγματα. Δεν μπορεί να βγαίνει ο καθένας και να λέει τη γνώμη του δίχως να ξέρουμε ποιος είναι!»

Επηρεάζεστε;

«Οχι, καθόλου. Ξέρω να ξεχωρίζω την καλοπροαίρετη από την κακοπροαίρετη κριτική. Δεν έχω κόλλημα να μου λένε μόνο καλά, η κολακεία με ενοχλεί περισσότερο. Χαίρομαι να ακούω αρνητική άποψη. Υπάρχει όμως ο τρόπος. Δεν μου αρέσουν οι ύβρεις και η χυδαιότητα».

Νιώθετε ικανοποιημένος;

«Είμαι χαρούμενος, ικανοποιημένος. Σας είπα, είμαι αισιόδοξος. Fri.’ ότι χρωστάω πολλά, στην πρόβα μου πάω χαμογελαστός».

Source : newsbeast.gr

Uncategorized

Alexis Kougias : What is his rumored new partner?;

He is in love again, according to a report by Real Life, Alexis Kougias.

The well-known criminologist seems to have found it, the last three months, the love in the face of the 28-year-old architect Nellis Mavridou. In fact, a week ago, the couple partied at Vox nightclub, where Panos Kallides appears.

Alexis Kougias himself, however, speaking to the Star camera she denied that the two are together: "I am happy in general. It was a very nice company that night we had a great time" he said and added that "There is and always has been love in my life. But I will tell you that this is a very personal thing".

Nelli Mavridou was born on 1983. She received her degree in Architectural Engineering from the Polytechnic School of the University of Patras and today she has her own architectural office in Palio Faliro.

Source : yupi.gr

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