Pemy Zouni at Badminton with tango and zeibekiko

On Saturday, he presents the show "17. 37΄Πειραιάς – The Mouth»

Greece and Argentina meet in a port. On a journey through time. Six faces, each with their own history and memories, with his partings and dreams. Dominant theme, the waiting. Their weapons, the song and the dance. Tango and zeibeki, ball and tzakarera. Carnival and demonstration. Pictures of him 30, of 70 and his 2012. Everything sweetly tangles and unites them.

This is how the theatrical production that culminates the actions of the Tango Acropolis Festival unfolds on Saturday 8 September entitled "17. 37"Piraeus - La Boca" at the Badminton Theatre.

"It is a theatrical performance with a lot of dancing where Greeks and Argentinians participate", says Pemy Zouni who directs and stars in the production. "I would essentially say that it is a meeting of the cultures of two countries that may be far away, but they have, many common elements. The course of Greece and Argentina in the 20th century shows many similarities. Comprehensive regimes, forbidden songs ( zeibekiko and tango), tendency to flee and cities full of immigrants. They are two countries with big hearts and unruly minds..."

The "soul" of the show are the tangeros, the community of Greeks and Argentinians who live in our country and love tango and Argentinian culture. From the end of April, the small group of core performers of the show prepares the play. A woman in a harbor waits for her lover who is a sailor to return. Based on a story of waiting, many different separation stories, of love, of dreams and hope unfold in parallel.

The direction is by Pemis Zounis and the texts are by Stelios Hatziadamidis. Assistant director is Pella Makrodimitri. They are playing: Pemy Zounis, Elena and Luis Mestre, Panis Kalofolias, Dimitris Nikolaidis, Marianna Cutulas. Marios Strofalis participates (accordion), Costas Vlachopoulos (harmonica) and the Quilombo percussion group.

What will the viewer take away from the show?; «Μια γλύκα από πράγματα που ξέρει κι αγαπάει, κι από ιστορίες που μπορεί να αναγνώρισε. Οι μνήμες “ακουμπούν”. Και βλέποντας το λιμάνι μπορεί, for example, να σου έρθει στο μυαλό “Το μινόρε της αυγής” με τη φωνή της Σωτηρίας Μπέλλου…»

Υπάρχει περίπτωση για επανάληψη της παράστασης; «Βρισκόμαστε σε συζητήσεις με το Μπουένος ΄Αιρες», απαντά η Πέμυ Ζούνη. «Θα ήθελα επίσης η παράσταση να ανέβει και στη Θεσσαλονίκη. Όλα τα ενδεχόμενα είναι ανοιχτά…»

Saturday 8 September
Badminton Theatre
«17. 37΄Πειραιάς – The Mouth»

Source : tovima.gr

There is no place for Hector Barbera in MotoGP

All the "premium" positions have been closed in MotoGP. The same with the supporting actors, of riders riding for the satellite teams. The only empty saddles left are those of the Honda Gresini, who has not yet decided between the Spies, Alvaro Bautista, Scott Redding and maybe Jonathan Rea.

And Hector Barbera; Where is the future of the Spaniard who for the second time in 2 chronically injured in the spine, however, avoiding the worst… He is unlucky; Maybe very lucky; Or it is a warning of fate;

Anyway, beyond the health problem, ο Hector πρέπει πλέον να ψάξει και για δουλειά. Η Ducati, είτε μέσω της Pramac είτε όχι, σκοπεύει του χρόνου να κατεβάσει τη λεγόμενη Ομάδα Junior, δηλαδή νέους αναβάτες σε εργοστασιακές μοτοσυκλέτες, in order to build its future and move faster in the evolution of Desmosedici.

Many have been convinced of the correctness of the "Youth Team" plan announced by Alessandro Cicognani a month ago, with the optimistic prediction that "it will be ready by the end of August". Ducati designs, even if they are slow to materialize, they mean no saddle for Hector on the Ducati.

That's bad, but worse that the Spaniard does not seem to be included in the plans of any of the team-managers of the existing teams.

The unfortunate Barbera - who before breaking his leg in training, he had started from the front row for the first time in his career at Mugello- missed Laguna Seca, then tried to drive with a broken leg at Indianapolis.

All he managed was to fall on a nasty highside and crack 3 vertebrae in Elefthera of Paraskevi. Now looking for a saddle, ο σε «αναρρωτική» αναβάτης της Pramac Ducati έχει αρχίσει να χτυπάει τις πόρτες των ομάδων CRT, προκειμένου να συνεχίσει να οδηγεί μαζί με τους «μεγάλους».

Rumor has it he has already held talks with Team BQR who are running two FTR-Kawasakis and their riders Yonny Hernandez / Ivan Silva. He has also spoken to Forward Racing and Marc VDS (which is likely to rise the 2013 in MotoGP), but also with his former boss Jorge Aspar Martinez.

The Spanish manager admitted that he has spoken to Barbera's agent, but not with the rider himself. However, he seems to prefer his former rider's return to GP250 and GP125 (where they took a title together), Alvaro Bautista.

Their relationships 3 parts are a bit complicated: when 'Aspar' moved up to MotoGP the 2010, had tried to woo Bautista - but he didn't want to ride a Ducati and preferred Paul Denning's team representing Suzuki. And so Martinez was "forced" to take Barbera. Which, if it does not find a CRT group, he should probably drop down to Moto2 –in the footsteps of many other 250ers such as Toni Elias, Mika Kallio, Alex de Angelis, Anthony West, Roberto Rolfo και Yuki Takahashi.

Or try his luck in the world Superbike...

Source : newsbeast.gr

Toni Mavridis : The 400.000 euros claimed by Elena Paparizou, the "partners who influence her" and his new partner

For everything that happened between p’ Toni Mavridis spoke to him and Elena Paparizou to Nasos Goumenidis and the magazine EGO weekly.

Toni Mavridis admitted that he is asking for a lawsuit 400.000 euros from Elena Paparizou for lost profits: "Unfortunately, the course of events leads us to the courts. It was something I never imagined and did not want. But it is the only way to solve the existing financial issues. It is true that my lawyer, will file a lawsuit next week, in order to claim the money due to me from 20% of the company we have together. This move is not selfish, but when suddenly it “us” done “my”, then I have to claim what I worked for for years and never got "says Toni Mavridis who reveals that in the beginning an attempt was made to find them out of court but at the appointment set at 11 July to discuss, Elena Paparizou never appeared.

He clarifies that beyond this situation, which saddens him, is in one of the best phases of his life, while he does not hesitate to talk about two collaborators of Elena Paparizou "who influence her to a great extent" and for whom he has the worst opinion.

When asked by the journalist if the decision for the separation was his, he replied: "The decision to divorce was common and the result was very good for me. I stood out “friends”, I appreciated behaviors and was convinced that God laughs when people make plans for their future. Also,  It was clear that the crisis had indeed brought clarification. At all levels… "answered Toni Mavridis.

In fact, He admitted that his separation from Elena Paparizou did him good on a professional level as well, "As I stopped working exclusively with Elena and so I was given the opportunity to collaborate with other artists such as Sakis Rouvas, Peggy Zina, Panos Kiamos, John Plutarch, Stamatis Gonidis as well as with important artists abroad. On the other, after our separation I had to face and I faced his characterization “happy”. Because no one knew what I really did for Paparizou. I'm tired of carrying his sign “Guardian-Angel”. Elena knows very well what I did for her and for her career ".

As for what he is missing from his ex-partner: "I miss the moments we spent with the musicians together on Elena's tours" he just commented and, end, clarified that the "Elena" chapter is permanently closed for him and that he is happy with his new relationship as he said "Eva understands me, has stood by me in both the easy and the difficult and complements me ".

Source : yupiii.gr

Pemy Zouni at Badminton with tango and zeibekiko

On Saturday, he presents the show "17. 37΄Πειραιάς – The Mouth»

Greece and Argentina meet in a port. On a journey through time. Six faces, each with their own history and memories, with his partings and dreams. Dominant theme, the waiting. Their weapons, the song and the dance. Tango and zeibeki, ball and tzakarera. Carnival and demonstration. Pictures of him 30, of 70 and his 2012. Everything sweetly tangles and unites them.

This is how the theatrical production that culminates the actions of the Tango Acropolis Festival unfolds on Saturday 8 September entitled "17. 37"Piraeus - La Boca" at the Badminton Theatre.

"It is a theatrical performance with a lot of dancing where Greeks and Argentinians participate", says Pemy Zouni who directs and stars in the production. "I would essentially say that it is a meeting of the cultures of two countries that may be far away, but they have, many common elements. The course of Greece and Argentina in the 20th century shows many similarities. Comprehensive regimes, forbidden songs ( zeibekiko and tango), tendency to flee and cities full of immigrants. They are two countries with big hearts and unruly minds..."

The "soul" of the show are the tangeros, the community of Greeks and Argentinians who live in our country and love tango and Argentinian culture. From the end of April, the small group of core performers of the show prepares the play. A woman in a harbor waits for her lover who is a sailor to return. Based on a story of waiting, many different separation stories, of love, of dreams and hope unfold in parallel.

The direction is by Pemis Zounis and the texts are by Stelios Hatziadamidis. Assistant director is Pella Makrodimitri. They are playing: Pemy Zounis, Elena and Luis Mestre, Panis Kalofolias, Dimitris Nikolaidis, Marianna Cutulas. Marios Strofalis participates (accordion), Costas Vlachopoulos (harmonica) and the Quilombo percussion group.

What will the viewer take away from the show?; «Μια γλύκα από πράγματα που ξέρει κι αγαπάει, κι από ιστορίες που μπορεί να αναγνώρισε. Οι μνήμες “ακουμπούν”. Και βλέποντας το λιμάνι μπορεί, for example, να σου έρθει στο μυαλό “Το μινόρε της αυγής” με τη φωνή της Σωτηρίας Μπέλλου…»

Υπάρχει περίπτωση για επανάληψη της παράστασης; «Βρισκόμαστε σε συζητήσεις με το Μπουένος ΄Αιρες», απαντά η Πέμυ Ζούνη. «Θα ήθελα επίσης η παράσταση να ανέβει και στη Θεσσαλονίκη. Όλα τα ενδεχόμενα είναι ανοιχτά…»

Saturday 8 September
Badminton Theatre
«17. 37΄Πειραιάς – The Mouth»

Source : tovima.gr