To save the good book, its price must be reduced

Eleven bibliophile blogs in joint letter to publishers asking them to reduce book prices. They recognize , of course, that lately most publishers have reduced the prices of older books by making very tempting offers.

But the problem of modern books remains, whose price ranges between 15-20 euro, which in the days of crisis they consider to be prohibitive.
In addition, these bibliophile bloggers point out that publishers are in danger of falling into the "publish what sells" logic, which in the long run will destroy literature.

The signatories of the letter point out that they understand "the various difficulties, from obligations to employees, the cost of paper, rights burdens, of translations and so on within the particularities of the Greek market with its linguistic limitations and the small population" , but they emphasize that "again the book, precisely in the present crisis, we must spread it as a good and not as a luxury of the few".

They therefore suggest to the publishers to take "a courageous step: reduction in the price of new securities, so as not to stop the creative expression of all of them, among whom, always, there are talents that should not be wasted, because he will have qualified out of sheer necessity, the ephemeral and the salable".

The letter of the eleven blogs

“Ladies and gentlemen editors,

requested, both for you and for us bibliophile bloggers, is to increase readability in a Greece, who reads less and less.

The main problem in recent years is the crisis. An acute and multi-layered crisis. Your business has been invaded, but in a stratified manner it is now reflected in the largest part of Greek society and affects it, respectively proportionately and nevertheless dramatically, the lives of all of us. When unemployment and plummeting incomes have soared to their highest rates in decades, the main priority of course can only be the defense of Dignity in everyday life with all that it must include in conditions of Democracy: Health, Roof, Food, Education, Freedom.

For the bibliophiles of this country, which in the majority of them is not a privileged part, that lives outside of common economic reality, the book is a very important asset included in the above, which cannot and should not be included in their list, which will be reduced or cut completely, because precision often makes it unapproachable.

If with the offers, the bazaars, turning to the old titles and going back to the libraries seems like a good solution, what will happen with the new titles?;

They will concern fewer and fewer; And if this is consolidated as a forced condition in the crisis, we will go from publishing flood to publishing ebb, whose required characteristics will be described with the phrase we issue the,what can be depreciated;

Objections to the price of the book had been heard in the past, both by readers and by experts in the field, journalists and critics. When an average book costs €15-20, most people will prefer to watch a movie at the cinema, which costs much less than €10 or the same money to spend on another kind (entertaining) outlet.

The same is unfortunately true for the e-book. Where the price should be much lower, since the issuance costs are lower, slight differences are observed compared to the printed book. The reader would be logical, which has the corresponding device, to be motivated to buy intangibles, while he who has not, to find motivation to follow the development.
 Before we get to the sad and fundamentally anti-civilization point, that is, to completely annihilate the number of readers, let you try, the publishing houses, as this obligation primarily falls to you, a brave step: reduction in the price of new securities, so as not to stop the creative expression of all of them, among whom, always, there are talents that should not be wasted, because he will have qualified out of sheer necessity, the ephemeral and the salable.

 The book, today, it is expensive and prevents its purchase. This is the reality, which however, you, you can change.

 As readers, bloggers and citizens, we ask you for the biggest possible reduction and, if you do, us first, we will support her.

We understand the various difficulties, from your obligations to employees, the cost of paper, rights burdens, of translations and so on within the particularities of the Greek market with its linguistic limitations and the small population, but then again the book, precisely in the present crisis, we must spread it as a good and not as a luxury of the few.

Our blogs, always welcoming and without any kind of exchange, we worked and we are working, of course, as… book advertisers! Especially those that transcend the ephemeral…

 We can continue serving Literature together with you (and any other kind of reason) and contributing to its survival, if you also want to go ahead with it, which we now urgently ask of you: low prices on everything and especially on new books, without changing their aesthetics and quality.

Sincerely

bookworm,  Book cafe, Reading, Vaults, Anagnostria, Thalis' blog, Read-for-a-Life, Desperado, Kangaroo, Degas Reading Club, Spring Agreement".

Source : tovima.gr

Φαίη Σκορδά : «Δεν έχω κάνει ποτέ δίαιτα»: Ποιο είναι το μυστικό της σιλουέτας της;

Στην παρουσίαση του βιβλίου “Η Δίαιτα των ειδικών” που έχουν γράψει οι Αναστάσιος Παπαλαζάρου (διατροφή), Σάντυ Κουτσοσταμάτη (ψυχολογία), Γιάννης Μανιός (άσκηση) και Αργυρώ Μπαρμπαρίγου (συνταγές) βρέθηκε το βράδυ της Δευτέρας η Φαίη Σκορδά.

Η 33χρονη παρουσιάστρια που, δύο περίπου χρόνια μετά τη γέννηση του πρώτου της παιδιού, έχει ένα από τα πιο καλλίγραμμα σώματα της ελληνικής showbiz, μίλησε στην κάμερα της εκπομπής “Μεσημεριανή Μελέτη” για τη διατροφή της, εξηγώντας ότι το μυστικό της δεν είναι άλλο από το καλό DNA: “Δεν μπορείς να καταλάβεις πόσο πολύ τρώω. Τρώω όσο τρώει και ο Γιώργος (Λιάγκας). Αλλά κανείς δεν το πιστεύει” ανέφερε, προσθέτοντας πως “Καλώς η κακώς, για να έχεις ένα καλό σώμα, το σημαντικότερο είναι το DNA, ο σωματότυπός σου. Εγώ δεν έχω κάνει ποτέ δίαιτα”.

Όσο για την περίοδο αμέσως μετά τη γέννηση του γιου της, η Φαίη Σκορδά εξήγησε πως ακολούθησε απλώς μια συγκεκριμένη διατροφή εξαιτίας του θηλασμού: “Μόνο όταν θήλαζα, πρόσεχα λίγο παραπάνω. Ήταν μια ειδική διατροφήέπρεπε να πίνω πολλά υγρά λόγω του θηλασμού” ανέφερε. Και όταν ο δημοσιογράφος σχολίασε ότι μια από τους συγγραφείς του βιβλίου “Η Δίαιτα των ειδικών”, η Σάντυ Κουτσοσταμάτη, δήλωσε πρόσφατα ότι θηλάζει ακόμα την ενάμισι έτους κόρη της, η Φαίη Σκορδά ανέφερε πως ο θηλασμός είναι όντως “κάτι πολύ ωραίο. (…) Είναι άλλο δέσιμο- δεν το συζητώ”.

Source : yupiii.gr

Manhattan Medea by Dea Loer at Apo Michanis Theatre

The new performance of the Theater Company Co-Epi (+,X) Dea Loer's Manhattan Medea will premiere at Apo Michanis Theater on 4 Of March 2013. The direction is by Efi Theodorou and the actors: Pantelis Dentakis, Andreas Kontopoulos and Ioanna Pappa.

For 25 only performances.

The modern version of Medea, written it 1999, by German author Dea Loher takes place in Manhattan. Medea and Jason are no longer children of kings or descendants of gods living in Corinth but illegal immigrants who have been forced to flee Europe. They have left behind their homeland in flames, in search of the New World, expecting to build their lives there from scratch. And they will do anything to survive and claim a better life. Their dreams are shattered in the melting pot of the American metropolis, and Jason abandons Medea for the daughter of a wealthy businessman, the young and rich Claire. On the eve of the wedding, Medea appears, determined to bring him back to her home on 5th Avenue at any cost and nothing will ever be the same.
Dea Loher's very interesting venture with elaborate language, poetic and deeply human, it wonderfully combines the ancient with the modern, speaking in today's language about all that the ancient myth deals with: the passion for life, the diversity, xenophobia, the struggle of the sexes, the passion, the oath, greed, the injustice, love, the betrayal.

Translated by George Depastas
Directed by Efi Theodorou
Scenery Nikos Anagnostopoulos
Costumes Ioanna Tsami
Lighting by Sakis Birbilis
Performed by the actors Pantelis Dentakis, Andreas Kontopoulos, Ioanna Pappa

Photos
Stamatis Abatis

A few words about the author
Dea Loher (Dea Loer)

Dea Lauer is one of the most important German voices in the field of playwriting. Her plays have been translated and performed in many countries around the world: Australia, Switzerland, France, England, Hellas, Finland, Denmark, Poland, Czech Republic and Latin America. Born in 1964 in Bavaria. After finishing studies in German literature and philosophy in Munich, lived for some time in Brazil. He returned to Berlin, where he worked in radio and studied playwriting at the Hochschule der Künste under Heiner Müller and Yaak Karsunke.

He has written the plays: “At the Black Lake” (By Lake Schwarzer See, 2012), thieves (Thieves, 2010), The last fire (The Final Fire, 2008), “Life on Praça Roosevelt” (Life on the Praça Roosevelt, 2004),
“innocence” (Innocence, 2003), “Magazine of Happiness” (in seven parts, 2001), “The third sector” (2001), “Klara's circumstances” (2000), “Manhattan Medea” (1999), “Adam Spirit” (1998), “Blaubart – Hope of women” (1997), “Strange house” (1995), “Leviathan” (1993), “tattoo” (1992),”Olga Raum”, (1992).
She has won numerous awards for her various works.

Source : culturenow.gr

McLaren P1: Οι πρώτες φωτογραφίες

Οι πρώτες επίσημες φωτογραφίες της έκδοσης παραγωγής του supercar της McLaren, είναι γεγονός και όπως ήταν αναμενόμενο κόβουν την ανάσα.
Η επίσημη πρώτη της P1 θα λάβει χώρα στο Σαλόνι της Γενεύης στις αρχές Μαρτίου, ενώ οι αριθμοί που την συνοδεύουν, προκαλούν ίλιγγο. Ο Twin-Turbo V8 κινητήρας χωρητικότητας 3,8 lt, εδράζεται στο κέντρο και συνεργάζεται αρμονικά με έναν άκρως αποδοτικό ηλεκτροκινητήρα, εξασφαλίζοντας συνδυαστικά ισχύ 916 horses and 917 Nm of torque!
Eπιπροσθέτως την συνοδεύουν συστήματα όπως το IPAS (Instant Power Assist System) και το DRS (Drag Reduction System) το οποίο προέρχεται από την Formula 1 και με το πάτημα ενός κουμπιού κινεί την πίσω αεροτομή, μειώνοντας τις αντιστάσεις και αυξάνοντας την ίδια στιγμή την τελική ταχύτητα.

Σύμφωνα με τα όσα έχουν γίνει γνωστά μέχρι στιγμής, οι εκπομπές ρύπων υπολογίζονται κάτω από τα 200 gr / km, ενώ αξίζει να σημειωθεί ότι είναι μηδενικές με την χρήση του ηλεκτροκινητήρα (until 10 και πλέον χιλιόμετρα), ο οποίος μόνος του αποδίδει 179 horses and 265 Nm of torque.
Παράλληλα υπάρχει σωστή κατανομή της ισχύς που παράγεται, ενώ ο ηλεκτροκινητήρας όταν το απαιτούν οι συνθήκες οδήγησης, αποθηκεύει ενέργεια στην μόλις 96 κιλών μπαταρία με την οποία εφοδιάζεται η P1.

Source : autotriti.gr

Manhattan Medea by Dea Loer at Apo Michanis Theatre

The new performance of the Theater Company Co-Epi (+,X) Dea Loer's Manhattan Medea will premiere at Apo Michanis Theater on 4 Of March 2013. The direction is by Efi Theodorou and the actors: Pantelis Dentakis, Andreas Kontopoulos and Ioanna Pappa.

For 25 only performances.

The modern version of Medea, written it 1999, by German author Dea Loher takes place in Manhattan. Medea and Jason are no longer children of kings or descendants of gods living in Corinth but illegal immigrants who have been forced to flee Europe. They have left behind their homeland in flames, in search of the New World, expecting to build their lives there from scratch. And they will do anything to survive and claim a better life. Their dreams are shattered in the melting pot of the American metropolis, and Jason abandons Medea for the daughter of a wealthy businessman, the young and rich Claire. On the eve of the wedding, Medea appears, determined to bring him back to her home on 5th Avenue at any cost and nothing will ever be the same.
Dea Loher's very interesting venture with elaborate language, poetic and deeply human, it wonderfully combines the ancient with the modern, speaking in today's language about all that the ancient myth deals with: the passion for life, the diversity, xenophobia, the struggle of the sexes, the passion, the oath, greed, the injustice, love, the betrayal.

Translated by George Depastas
Directed by Efi Theodorou
Scenery Nikos Anagnostopoulos
Costumes Ioanna Tsami
Lighting by Sakis Birbilis
Performed by the actors Pantelis Dentakis, Andreas Kontopoulos, Ioanna Pappa

Photos
Stamatis Abatis

A few words about the author
Dea Loher (Dea Loer)

Dea Lauer is one of the most important German voices in the field of playwriting. Her plays have been translated and performed in many countries around the world: Australia, Switzerland, France, England, Hellas, Finland, Denmark, Poland, Czech Republic and Latin America. Born in 1964 in Bavaria. After finishing studies in German literature and philosophy in Munich, lived for some time in Brazil. He returned to Berlin, where he worked in radio and studied playwriting at the Hochschule der Künste under Heiner Müller and Yaak Karsunke.

He has written the plays: “At the Black Lake” (By Lake Schwarzer See, 2012), thieves (Thieves, 2010), The last fire (The Final Fire, 2008), “Life on Praça Roosevelt” (Life on the Praça Roosevelt, 2004),
“innocence” (Innocence, 2003), “Magazine of Happiness” (in seven parts, 2001), “The third sector” (2001), “Klara's circumstances” (2000), “Manhattan Medea” (1999), “Adam Spirit” (1998), “Blaubart – Hope of women” (1997), “Strange house” (1995), “Leviathan” (1993), “tattoo” (1992),”Olga Raum”, (1992).
She has won numerous awards for her various works.

Source : culturenow.gr

«Ο Έκλεστοουν θέλει μια γυναίκα-οδηγό στην F1»

Την πεποίθηση ότι ο Μπέρνι Έκλεστοουν θέλει να δει μια γυναίκα στα γκριντ του πρωταθλήματος της Φόρμουλα 1 εξέφρασε η Σούζι Γολφ.

Η 30χρονη, η οποία την περσινή χρονιά βρίσκονταν στη Williams στο ρόλο της δοκιμάστριας τόνισε πως οι συνθήκες που επικρατούν στην κορωνίδα του μηχανοκίνητου αθλητισμού είναι πολύ δύσκολες με τον ανταγωνισμό να περιορίζει τη δυνατότητα μια γυναίκα να πετύχει, κάτι το οποίο ωστόσο δεν θεωρεί αδύνατο.

«Ξέρω ότι πολλοί άνθρωποι θα ήθελαν να συμβεί κάτι τέτοιο. Ο Μπέρνι Έκλεστοουν είναι ένας από αυτούς που πιέζει αυτό να συμβεί και νομίζω ότι κάποια στιγμή στο μέλλον θα γίνει πραγματικότητα», ήταν τα λόγια της Σούζι Γολφ για να συμπληρώσει στη συνέχεια:

«Υπάρχουν περισσότεροι άνδρες οδηγοί, κάτι που κάνει ακόμη πιο δύσκολο το έργο των γυναικών, γιατί δεν υπάρχουν πολλές από εμάς που να προσπαθούμε να συμμετάσχουμε στο πρωτάθλημα της Φόρμουλα 1. Νομίζω ότι είναι πολύ δύσκολο για τον οποιοδήποτε να διατηρηθεί σε αυτό το πρωτάθλημα γιατί είναι ένας πολύ ανταγωνιστικός χώρος.
Μπορεί κανείς να δει πόσο γρήγορα αλλάζουν οι οδηγοί ανάλογα με τις συνθήκες και τις οικονομικές καταστάσεις. Για αυτό νομίζω ότι είναι πολύ δύσκολο για τον οποιοδήποτε και η απουσία μιας επιτυχημένης γυναίκας στο χώρο κάνει τον κόσμο να το αμφισβητεί ή να θεωρεί κάτι τέτοιο αδύνατο. Εγώ από την πλευρά μου πιστεύω ότι είναι πιθανό να συμβεί, απλώς θέλει χρόνο».

Source : sport-fm.gr

Oscar 2013: It doesn't get more boring

Daniel Day-Lewis writes History, "Life of Pi" wins the most awards and two Austrians are the European winners. But the 85th Oscar ceremony was sluggish and uninteresting. Good thing Tarantino was there too!

With the third Oscar of his career that he received for "Lincoln" by Steven Spielberg, Daniel Day-Lewis wrote his own chapter in the history of the Academy of Motion Picture Arts and Sciences on Sunday 24 February. The Irish actor is the first actor in the 85 years of the institution that manages to win three awards in the category of the first male role (ahead of his awards for My Left Foot and Blood Will Be Spilled).
"It was actually me playing Margaret Thatcher while Meryl Streep was Steven Spielberg's first choice for Lincoln," said Day-Lewis, prompted by the fact that another acting legend Meryl Streep, last year's winner for "Iron Lady" announced his name and presented him with the award.
Too bad this historic moment for those who are at least interested in the history of these awards, coincided with one of the most unpleasant, boring and tired ceremonies we have seen in recent years. Poor humor, many public relations (the thank you speeches were a non-stop copy paste in which the names were simply changed), few surprises and a new presenter, Seth MacFarlane, who quite simply could not communicate with the public.
The big favorite in the category of the best film was "Operation: Argo” by Ben Affleck and this movie, finally (as we all expected) he won. The moment was also special for the History of the Oscars because the envelope was opened at the White House by the First Lady of the USA Michelle Obama who appeared on the giant screen of the Dolby Hall having taken the floor from the actor Jack Nicholson who had gone up on stage.
Ben Affleck, whose name was absent from the category of Oscar nominees for best director, took the stage to accept his award and was joined not only by Grant Hesloff and George Clooney as co-producers of "The Operation :Argo" but also all the actors of the film who were in the room. Among them Alan Arkin (candidate for the second male role) and music composer Alexandre Desplaiss (Oscar nominee for music)
The Oscars were shared again this year. With the exception of "Mythical Creatures of the South" who won nowhere, all of the other eight films in contention for the Best Picture Oscar won an award. Quantitatively speaking, "Life of Pi" by Ang Lee is the one that won the most, that is, four: Direction, visual effects, music (Michael Dana) and photography (Claudio Miranda). Ang Lee who may be one of the kindest people in world cinema spoke with sincerity and warmth thanking all the actors of his film as well as his homeland, Taiwan, which as he said "contributed significantly to the creation of this film."
 
One place down, in the three awards, tie "Argo" which, in addition to best film, also won the adapted screenplay award (Chris Terio) and editing and Tom Hooper's Les Miserables musical won Best Supporting Actress (Anne Hathaway – the favourite), makeup and sound mixing.
However, this year's award is also a great moment for Austria, since two Austrian artists picked up a gilded statuette each for different films: director Michael Haneke picked up the Oscar for best foreign language film for "Love" and his compatriot, Christoph Waltz as supporting actor for Quentin Tarantino's Django Unchained. It is the second to win after "Insolent Bastards", also a film by K. Tarantino.
Tarantino himself gave by far the best thank you when he took the stage to accept Charlize Theron and Dustin Hoffman's second career original screenplay Oscar for 'Django the Punisher' (the first was for "Pulp fiction"). You really felt like something was finally happening. Explosive and passionate as the dialogues he writes on paper and the images he creates on the screen, Tarantino raised his hand and made the victory sign (V) declared that it is the year of writers. "If we will remember "Django the Punisher" after 20 years this will be due to his heroes" said Tarantino far from modestly but yes, he was right.
An award was even given to "Zero dark thirty" by Kathryn Bigelow who actually shared the sound editing with "Skyfall"_ something that has happened for years at the Oscars. "Skyfall" won another Oscar for best song, exactly as expected. The live performance of "Skyfall" by Adele, it was one of the most beautiful moments of the evening.
Regarding David O.'s "Optimism Guide". Russell counted eight nominations but ultimately won only in one category* of the award's strongest: First female role for her 22 chroni Jennifer Lawrence, who on her way to the stage almost fell to the floor because of the huge off-white dress she was wearing and which definitely didn't fit her.  Η Αμερικανική Ακαδημία Κινηματογράφου ξέρει πώς να στηρίζει τις νέες δυνάμεις υποκριτικής και δεν υπάρχει καμία αμφιβολία στο ότι η Λόρενς (nominated once again in the same category for "Heart of Winter" belongs to these forces.
Regarding award show host Seth MacFarlane, his humor did not seem to touch the audience in the hall judging by the minimal laughter and applause. The evil was evident from the start when in his attempt to make fun of himself as the worst host of the Oscars, MacFarlane pulled it off. Captain Kirk appeared on the hall's giant screen (William Shatner) of the legendary TV series "Star Trek" who appeared to scold him and tell him that he ruined the award. No one was laughing. Like nobody laughed when MacFarlane threw a small bottle of whiskey at George Clooney sitting in the front row.
As if that wasn't enough, Mac Farlane brought the Ted doll to the stage from the film of the same name he wrote and directed a few years ago with Mark Wahlberg as a man who is "chased" by a teddy bear. But the bear's jokes on the Oscars stage with Mark Wahlberg again belonged to another event, even if the one about the Jews of the Oscars made any sense.
On the occasion of 50 years of life of the cinematic James Bond, Shirley Bassey came on stage and sang the legendary "Goldfinger" with playback, causing rather embarrassment, something that was not done with the appearance of Barbra Streisand who to honor her friend, music composer Marvin Hamlis (he died last year) sang "The way we were" live and blew the room away.
Another shot that "sat" well at the ceremony (from the few) was the appearance of the entire cast of Les Misérables singing on stage. Because of this film, the musical had its honor at the Oscars this year with Catherine Zeta-Jones again singing "All that jazz" from "Chicago" ,a film for which he won the Oscar for Best Supporting Actor. And this one with playback though…
A snapshot with real meaning, which could really make you drool was 15-year-old Inocente's appearance on stage, of an immigrant who had lived for nine whole years homeless in America before she managed to escape her demons through paint and canvas. Her life became the short documentary "Inocente" by the couple Sean Fine and Andrea Nix Fine and this documentary won the Oscar yesterday. Innocente's appearance on stage with her directors made me feel for the first time the real world inside this year's Oscars.
All the awards
Best Movie
Business: Argo
First Male Role
Daniel Day Lewis (Lincoln)
First Female Role
Jennifer Lores (Guide to optimism)
Second Male Role
Christoph Waltz (Django the Punisher)
Second Female Role
Anne Hathaway (The Wretched)
Direction
Ang Lee (The Life of Pi)
Adapted script
Business :Argo
Script written straight for the screen
Django, the punisher
Cartoon
Brave
Best foreign language movie
Love
Photo address
Life of Pi
Montage
Business: Argo
Scenography
Lincoln
Suits
Anna Karenina
Makeup
The miserable ones
Music
Life of Pi (Michael Dana)
Song
"Skyfall" by Adele, Paul Epworth for the film of the same name
Audio mixing
The miserable ones
Sound editing
Heavy rain
Zero Dark Thirty
Visual effects
Life of Pi
Documentary
Searching for Sugar Man
Short length
«Curfew»
Short animations
«Paperman»
Short documentary
"Innocent"
Source : tovima.gr