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The Battle Of AGB: The winners and losers of the three days

Ratings for Friday, 30/11, on Saturday, 1/12 and on Sunday, 2/12, were formed as follows:
Friday, 30 Novbrio
Morning Zone
Shows
Total %
Age audience 15-44 %
SOCIAL HOUR MEGA
  
20.7
17.3
MORNING UPDATE
19
16.7
FOREFRONT
  
12
10.9
NET IN THE FACTS
  
13.5
7.5
BREAKFAST ANT1
27.4
18.6
BREAKFASTMOU
35.7
44.6
SKY NOW
  
12.9
9.8
IT'S HAPPENING NOW
8.7
3.7
TEMPTATION
8.3
5.3
MELOVE
8.4
4.2
Lunch Zone
Shows
Total %
Age audience 15-44 %
HELEN
  
19.2
28.8
MECURRENT STUDY
  
10.6
8.8
Afternoon Zone
Shows
Total %
Age audience 15-44 %
SPEAK
  
14.8
14.2
TIE THEM UP
  
17.4
25.6
FTHIS TV
13.1
15.7
LIFE SKAI
  
6.4
5
THE GIRL I LOVED
27.2
14.9
CHEFS ON THE AIR
12.7
13.1
FAMILY STORIES
19.4
17.9
FOTIS MARIA LIVE
  
9.6
16.3
THEY
33.1
22.7
SKY WITH NIKO EVANGELATO
  
9.6
7.3
SOMETHING IS BAKING
20.1
18.6
COMPLETELY
4.2
7
Central News Releases
TELEVISION STATIONS
Total %
Age audience 15-44 %
MEGA
22.6
13.8
ANT1
14.2
14.3
STAR
11.9
16.3
ALPHA
16.8
13.3
SKAI
6.4
6.1
NET
4.8
4.7
Prime Time
Shows
Total %
Age audience 15-44 %
SULEIMAN THE GREAT
31.1
26.2
THE KINGDOMS
REPETITION
20.6
18.1
FOREIGN FILM INALPHA
TWO WEEK DEADLINE
10.2
14.8
BACK HOME
REPETITION
22.1
22.2
ODOWNTON TOWER
8.2
7.9
GREY’S ANATOMY
  
13.5
18
AT THE EXTREMES
3
1.7
LIGHT IN THE TUNNEL
28.4
20.9
FOREIGN FILM INMEGA
SINFUL CHARM
12.5
14.1
THE SIN OF MY MOTHER
19.5
21.2
GROUPNCIS
10.3
14.4
VAMPIRE DIARIES
7.5
10.4
EVENING WITH PETRO KOSTOPOULOS
  
16
17.2
Saturday, 1 December
Shows
Total %
Age audience 15-44 %
MEGA WEEKEND
  
20.7
15.5
WEEKEND
13.5
8.7
GOOD MORNING WITH GEORGE AUTIAS
23.9
16.2
NETEVERYWHERE
8.2
7.3
WITH GOOD JOY
23.3
28.2
COOK SMART
  
13.6
19.9
TRACTION
4.3
6
H MHXANH TOYTIME
10.5
6.5
ALL FOR HEALTHMOU
14.4
15.1
HEYHIS GARDENSMEGA
REPETITION
12.6
13.4
ANNITA SOS
25.3
13.2
FOREIGN FILM IN ANT1
MADAGASCAR 2
15.7
20.6
AL CHANDIRI NEWS
REPETITION
19
15
TO OUR HEALTH
REPETITION
24
15.5
ALL
BEST OF
14,1
21
FOREIGN FILM INMEGA
WITCH
14.6
15.3
FOREIGN FILM INSTAR
SHREK 2
11.7
19.5
A STRANGER FILM INALPHA
FATE KIDNAPPING
6.4
6
FOREIGN FILM INSTAR
KING KONG
12.3
16.8
Sunday, 2 December
Shows
Total %
Age audience 15-44 %
MEGA WEEKEND
  
18.9
13.2
WEEKEND
13
5.6
GOOD MORNING WITH GEORGE AUTIAS
21.9
18.2
NETEVERYWHERE
5.9
2.3
WITH GOOD JOY
18.6
21.7
STARS SYSTEM
16.2
12.8
OREO COOKIES
11
9.5
ANNITASOS
  
22.7
13.4
DANCING WITH THE STARS
LIVE SHOW
35.4
34.6
ELLHNIKHTAINIAATSTAR
12,6
13,9
FOREIGN FILM INMEGA
27.2
32.7
GREEK FILM INSTAR
11,9
14
Source : yupiii.gr
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Jacques Audiard: In the crisis, instinct prevails

The French director of the film "Body to Body", of a love story in a time of crisis, it talks about its contradictions and the golden ratio between quality and commercialism

"Don't call me an artist!» shouts Jacques Audiard. "It's a very difficult word and I can't define it. For’ that's why I prefer the term “creative”, word more tangible and specific. The creator constructs something, what exactly does the artist do?;». Writer Craig Ferguson and I sit in a room at the Carlton Hotel in Cannes a few days after the world premiere of Audiard's latest film Body to Body last May. There the wonderful Marion Cotillard plays a whale trainer who loses her legs after an accident but finds the will to live again after meeting a lonely sidewalk boxer (Matias Senerts), who circulates on the French Riviera with his minor son.
Although the term "artist" does not like Odyar, "Body to Body" is an artistic film. I point out to him that at the press conference the day before he had referred to cinema using the phrase "art form". "You're right," he replies immediately. "What should I do?, I am full of contradictions! But when I hear them call me a poet… what can i say; I'm not a poet. Rimbaud and Verlaine were poets, me not".
For "Body to Body" Odyar and Ferguson used many scattered ideas from the latter's collection of short stories. "I was interested in telling a love story in a crisis situation," says Jacques Audiard, whose previous film, "The Prophet", liked it a lot in Greece. "Crisis at all levels, not only the economic one. People who eat from the garbage, people who have lost their legs, children growing up without a family. In the novel “They kill the horses when they get old” of Horace McCoy, which refers to the period of the great crisis of '29, people had to dance themselves to the death in order to survive. Today they will have to fight until the end on the road. But they still kill the horses when they get old, it is not so; In a crisis man's only weapon is his physical strength. In a crisis instinct again prevails".
For Jacques Audiard cinema is a very democratic art but it still remains an industry. A film critic he holds in high esteem once told him that there are two doors you can walk through to enter the world of cinema: one big and pop and one small, better quality. "The ideal is to enter a little bit of both. You have to think about the audience when you write, not just yourself.  For me, fer’ they said, when you decide to end a tragic movie with a tragedy, you suffer from a lack of imagination".

When & where:
The movie "Body to Body" is shown in theaters from 29 November distributed by Seven Films.

Source : tovima.gr

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Garelli's "racing history" is for sale

Στο «σφυρί» σπάνιες μοτοσυκλέτες GP, ανάμεσά τους και οι πρωταθλήτριες των Lazzarini, Nuvolari

Σχεδόν δύο ντουζίνες μοτοσυκλέτες Garelli Grand Prix βγαίνουν όλες μαζί σε δημοπρασία στο Παρίσι. Αποτελούν ιδιοκτησία ενός και μοναδικού συλλέκτη που ως τώρα φυλάγονταν σε ένα ιδιωτικό… παρεκκλήσι, προφανώς ως «ιερά» αντικείμενα που είναι!

Ανάμεσά τους υπάρχουν κάποια προπολεμικά μοντέλα, αλλά και αρκετά από τη δεκαετία του ’80, όταν η Garelli βρισκόταν στο ζενίθ της αγωνιστικής της επιτυχίας. Πωλείται δηλαδή η αγωνιστική ιστορία της Garelli.

Από τα σημαντικότερα συλλεκτικά τεμάχια, είναι ένα Garelli 50 κυβικών του 1963 που κατείχε το παγκόσμιο ρεκόρ ταχύτητας και εκτιμάται από 48 as 60.000 euro. Επίσης το αγωνιστικό 50άρι του Eugenio Lazzarini (1983) με το οποίο η Garelli πήρε τον Τίτλο Κατασκευαστή εκείνη τη χρονιά (εκτιμάται από 12-18.000 euro).

End, ένα αντίτυπο του δίχρονου δικύλινδρου GP125 που στη δεκαετία του ’80 κέρδισε έξι Τίτλους Αναβατών και 4 Κατασκευαστών (εκτιμάται από 6 – 10.000 euro).

Μέρος της ίδιας συλλογής είναι και δύο αγωνιστικές μοτοσυκλέτες που δεν προέρχονται από την Garelli: η Honda RC30 του Fred Merkel την οποία οδήγησε ο αμερικανός Παγκόσμιος Πρωταθλητής SBK στη σαιζόν 1989-90 (εκτιμάται στα 17.000 – 30.000 euro) και η Yamaha TZ250W που οδήγησε ο Γάλλος αναβάτης Jean-François Baldé κατά την τελευταία του χρονιά στα Grand Prix, the 1989 (εκτιμάται στα 3.000 – 3.500 euro).

Η δημοπρασία διεξάγεται από τον Οίκο Bonhams στο Grand Palais του Παρισιού, at 6 February 2013.

Source : newsbeast.gr

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Jacques Audiard: In the crisis, instinct prevails

The French director of the film "Body to Body", of a love story in a time of crisis, it talks about its contradictions and the golden ratio between quality and commercialism

"Don't call me an artist!» shouts Jacques Audiard. "It's a very difficult word and I can't define it. For’ that's why I prefer the term “creative”, word more tangible and specific. The creator constructs something, what exactly does the artist do?;». Writer Craig Ferguson and I sit in a room at the Carlton Hotel in Cannes a few days after the world premiere of Audiard's latest film Body to Body last May. There the wonderful Marion Cotillard plays a whale trainer who loses her legs after an accident but finds the will to live again after meeting a lonely sidewalk boxer (Matias Senerts), who circulates on the French Riviera with his minor son.
Although the term "artist" does not like Odyar, "Body to Body" is an artistic film. I point out to him that at the press conference the day before he had referred to cinema using the phrase "art form". "You're right," he replies immediately. "What should I do?, I am full of contradictions! But when I hear them call me a poet… what can i say; I'm not a poet. Rimbaud and Verlaine were poets, me not".
For "Body to Body" Odyar and Ferguson used many scattered ideas from the latter's collection of short stories. "I was interested in telling a love story in a crisis situation," says Jacques Audiard, whose previous film, "The Prophet", liked it a lot in Greece. "Crisis at all levels, not only the economic one. People who eat from the garbage, people who have lost their legs, children growing up without a family. In the novel “They kill the horses when they get old” of Horace McCoy, which refers to the period of the great crisis of '29, people had to dance themselves to the death in order to survive. Today they will have to fight until the end on the road. But they still kill the horses when they get old, it is not so; In a crisis man's only weapon is his physical strength. In a crisis instinct again prevails".
For Jacques Audiard cinema is a very democratic art but it still remains an industry. A film critic he holds in high esteem once told him that there are two doors you can walk through to enter the world of cinema: one big and pop and one small, better quality. "The ideal is to enter a little bit of both. You have to think about the audience when you write, not just yourself.  For me, fer’ they said, when you decide to end a tragic movie with a tragedy, you suffer from a lack of imagination".

When & where:
The movie "Body to Body" is shown in theaters from 29 November distributed by Seven Films.

Source : tovima.gr

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The new Peugeot 301

Armed with its superior spaciousness and affordable price, the Peugeot 301 winks at family heads who are looking for substance and maturity in their travels with a reasonable budget...

+ Passenger and luggage areas, sturdy construction, engine pull, economy, road behavior, value for money
– Simple dashboard, non-adjustable steering wheel, not comfortable seats

In difficult economic times, the advent of cars like the new Peugeot 301 it can only be described as manna from heaven for those families looking for a spacious sedan with compact dimensions and low cost of ownership and use.

Based on proven mechanical parts and manufactured at the French brand's factory in Figo, Spain, Peugeot 301 has a length 4,442 meters and certainly does not go unnoticed. On the contrary, it looks elegant, especially in the front, which features aesthetic cues from the larger Peugeot 508. At the rear, the third volume looks in harmony with the rest of the bodywork, while the lighting fixtures refer to his 208.

Its great advantage 301 it is spaciousness, an area that is literally not played in the small and medium class. Making the most of their long wheelbase 2.650 mm., the car can accommodate comfortably 4 tall passengers. It has no rival in the trunk either, since it has a premium price 506 liters and is comparable to that of medium models. Additional, the rear seat backs can be folded and offer even more space 1.038 l.

Inside it 301, Peugeot follows austere and simple lines with the solidity of the construction winning the impressions of essence.  In the quality part, has chosen hard plastics, but which show that they are able to withstand time and hardships. The finish is at a good level. The simple design also ensures good ergonomics, although the placement of the switches for the power windows, on the base of the center console and on either side of the gear selector, it's not that convenient.

Engine 1,6 HDi, which moves it 301, it pays off 92 horsepower, but has accentuated torque characteristics with 230 Nm at 1.750 rpm. In practice it is somewhat noisy especially at high revs, but no one needs to work him there, since it shows an impressive pull in the low and medium ranges. Of course, the big advantage of this particular engine is the fuel economy, after the 4,3 lt./100 km. (112 gr. CO2/km) it's a class-leading price.

On the road, the car retains all the good elements of the Peugeot recipe, which is characterized by comfort and pleasant dynamic characteristics. The driving behavior and feel inspire the driver even to drive... beyond the family pace, giving it very good feel through the steering wheel. The suspension is based on MacPherson struts at the front and a semi-rigid axle at the rear contributing to the civilized behavior and the high margins of traction of the driven wheels.

Source : autotriti.gr

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Our big circus, at the Royal Theatre

The Royal Theater is preparing to host the show "Our Big Circus" presented by the State Theater of Northern Greece from Friday 14 December 2012.

 "Our Big Circus", presented by the State Theater of Northern Greece, in co-production with the Acropolis Theatre, continues its triumphant march. The emblematic work of Iakovos Campanellis returns in December to Thessaloniki where it was presented for only two performances, at the request of many viewers.

The show that was described as the "social phenomenon" of the summer, after 40 stops on a tour where they watched it 100.000 spectators, but also a series of highly successful performances in Athens at the Acropolis Theatre, plays at the Royal Theater from Friday 14 December 2012.

END OF SHOWS AKROPOL THEATER: 9/12/2012

"OUR BIG CIRCUS", of Iakovos Campanellis, in music and orchestra conducting on stage by Stavros Xarhakos. Direction: Sotiris Hatzakis. They star: Tasos Nousias, Marina Aslanoglou. Singer: Zacharias Karounis.

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Nikos Aliagas – Tina Grigoriou: Their daughter was born!

Their first child, a little girl, welcomed by Nikos Aliagas and Tina Grigoriou.

The little girl was born, according to the French press, on Thursday afternoon.

Nikos Aliagas and Tina Grigoriou have been together for more than two years, however the two had kept their relationship out of the limelight. She is of Greek-British origin and works as a psychologist. In previous years he lived in London but has now moved to Paris.

Source : yupiii.gr

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