Katia Dandoulakis: Rush to the hospital

He has been hospitalized in a private hospital since Sunday night Katia Dandoulakis.

According to the show "Lunchtime Study", the famous actress, despite her poor health, she wanted to be consistent with her professional obligations and appeared on Dancing With The Stars live, which aggravated the heavy cold she was suffering from.

So, after Sunday's live show, η Κάτια Δανδουλάκη εισήχθη στο νοσοκομείο, όπου και παραμένει μέχρι σήμερα υπό την επίβλεψη των γιατρών της. Αν όλα πάνε καλά, tomorrow Thursday she is expected to be discharged and to return in the next few days to both her theater and her seat on the Dancing With The Stars judging panel.

Source : yupiii.gr

The finances of...Alexander the Great

The finances of Alexander the Great, the payrolls, or
tax reform and fiscal scandals.
He may have become world famous in his capacity
able recruit, but Alexander the Great was an equally keen economist,
with …masters in war economics, which were not offered for
weak "solvers".
Aristotle's student demonstrated excellent management
ability, although the financial budgets of the battles included in
general lines, what those of the states also contain (and were connected directly
with them): payrolls, health and welfare, construction programs, supplies,
transfers, tax system reforms, indirect taxes and donations,
even fiscal scandals.
How his soldiers and equipment were paid for
of Alexander the Great; How many short-term loans he took out for his needs
war and why he forbade the women of Ephesus to wear jewelry; What
gift he offered to the guests at his wedding and what was her fortune
Gaza's huge perfume warehouse;
Answers to these and many more questions will be given by
Administrative Justice Appellate Dimitrios Kostopoulos, in the lecture context,
entitled "The Finances of Alexander the Great", who is organizing tonight the
Vafopouleio Spiritual Center (Deputy Mayor of Culture and Tourism
Thessaloniki). Mr. Kostopoulos gave AMPE a "taste" of the main ones
points of speech.

Multi-speed military payroll
Until the 331 e.g., the main expenses of Alexander
concerned -among other things- the following: army payroll, maintenance
equipment-siege machines, fleet creation, sustenance, transfers
and health care. The most important direct war expenditure was the
payroll, the amount of which was determined by a military payroll: the army
it consisted primarily of Macedonians, who served their country, from
allies of the Greek cities (partners) and professional mercenaries.
Although the information of historical sources does not agree
to the amount of the salary, approximate calculations lead to the conclusion
that, at the beginning of the campaign, the amount of salary of the common soldier
was rising (average) The day for the draw of the two lucky ones 1-2 drachmas per day.
"The corporals or corporals received a monthly salary 40
drachmas. The salary of the platoon was double that of the horsemen
twice as many pedestrians. According to Diodorus the horsemen received 300 drachmas monthly
and the Macedonian phalangites 100 drachmas, while for professionals
mercenaries there were additional financial incentives", notes the
Mr. Kostopoulos.

Annual payroll expense 4.000-7.000 talents
The overall figures were unfathomable: enough n’ consider
someone that the 334 B.C. crossed the Hellespont a military force of more than
35.000 of men, to which they must be added 10.000 men of Parmenion
(which preceded the 336 B.C) and the army which Alexander maintained at
Macedonia (12.000). The annual salary expense is estimated to have amounted to
4.000-5.000 talents in the first year of the campaign.
Not in the following years, increased further, in approx 7000
talent -not counting the fleet- because Alexander strengthened him
his army of mercenaries from the Greek cities of Asia Minor, while
he had to establish garrisons in territories he occupied.
After the capture of Susa and Persepolis and the acquisition
of the Treasury of Darius, spending on military payroll soared:
for the Indian campaign Alexander organized an army 140.000 of men,
while he built a fleet at least 150 ships, which they brought 3.000-5.000 men.

Engineers, bridge builders and bed makers
Beyond payroll, maintenance costs were high
and renewal of war material. Alexander's army was for the time
of a technologically advanced war machine. The army was followed by engineers,
who manufactured and maintained various war machines and the
siege org staff, who operated the "petrol guns", their
"composite towers" or "cantilevers",the well-known "heletowns", the rams,
the turtles and the mirrors. also, beside the army marched others
technicians, such as bridge builders and tent and bed makers.
The supply also required large expenses, sustenance
and transportation, not only of the army but also of their women and children
families of soldiers, for the service of which it operated
organized transport and supply corps.

A hundred talents just for medicine, but also provision for the
children of the fallen
Systematically organized - and therefore costly- was also
sanitary service of Alexander, which included doctors, botanists,
pharmacists and nurses, who were following the campaign. THE
Diodorus mentions that for the Indian campaign Alexander allocated for
medicines 100 talent.
also, Alexander was spending considerable sums on
compensations to the parents and families of the fallen, in which
granted royal estates and tax exemptions, while Justin
mentions that he continued to give his salary to the orphans of the fallen
father..

"Appeasers" or "layer keepers"
The war did not require, Nevertheless, only wages, equipment and
resupply, nor just reparations. He demanded, according to Alexander, holidays
and festivals to boost the morale of the army - and for them, the
expenses were great.
also, war budgets covered spending on
cooks, bankers and grocers, even for strangers today
properties, such as the …bedguards or appeasers, who guarded him
Alexander and the generals while sleeping.

Six hundred talents yearly for royal meals and
sponsorships for returnees
Royal meals were very expensive, for which the
Plutarch reports that Alexander was spending 600 talents annually. also,
Alexander was particularly generous in the remuneration of those who were particularly distinguished
in battles and sieges: according to Diodorus, after the victories of Issus and
of Gaugamelos were donated 3.000 talents, while for the conquest of the Ecvatans,
besides the jewels were distributed 13.000 talent.
The donations to the returnees were still large.
According to Arrian to the Greek allies, who wanted to return,
were granted with 2000 talents for wages/return expenses, while those
strove to remain they received three talents each.
Alexander was equally generous to the veterans.
According to Arrian, to the Macedonians who, due to old age or illness, became
incapable of war, a talent was also granted in addition to the wages, as
and the costs of repatriation.

Short-term loans to meet his needs
war
But where did the revenue come from to cover it all?
of these needs; At the start of the campaign, mainly from the basil
treasure of Philip, while an important source of revenue was its mines
Macedonia, which provided gold and silver for coinage.
in addition to, customs provided revenue from duties, to whom
taxes from royal lands were added.
More important, Nevertheless, source of income was lending. According to
Plutarch, in the early years of the campaign Alexander borrowed short-term
1.460 talent.
The expense of professional mercenaries was borne exclusively
the royal treasure, while the expenditure of the Macedonian army was covered in
partly by donations from the nobles, the so-called functions, and partly from
the royal treasure.
In everything,what about fleet spending, Alexander the
faced with the institution of the triarchy, during which certain cities
they undertook to contribute a number of triremes towards the expense of the crew.

Why the cities of Asia Minor were declared "unlawful"
Regarding taxation, Alexander did not impose
taxes at the expense of the Greek cities of Asia Minor, which he preached
"assydotes", because his campaign was aimed at ridding them of him
servitude tax to Darius.
With the cities that did not resist the campaign o
Alexandros made an agreement for the payment of’ those of the so-called
pension, as a federal contribution of money to meet the expenses
of the common purpose of punishing Darius.

The so-called "chore" and why the women of Ephesus
they wore no jewelry
In the cities that showed a hostile attitude to Alexander and
friendly to Darius, Alexander unilaterally imposed an extraordinary levy, the
so-called damage, that is, a kind of fine, which was either monetary or
in kind, the so-called chore.
A special case is the tax on the Ephesians,
who strongly resisted Alexander. To pay the tax
the women of Ephesus were forbidden to wear jewelry. The product, Nevertheless,
Alexander did not reap this tax, but it was made available for her
construction of a temple of Artemis in Ephesus.
The income of Alexandros showed an increase from
so-called taxes on the district, while news revenue increased
mines and customs of the conquered countries.
How Gaza's vast storehouse of perfumes pleased
to Macedonian nobles
Income also came from silversmithing and
looting, which were permitted by the applicable law of war, i.e. her
fruition of all kinds of valuables, utensils, luxury goods etc.
The case of the city of Gaza was typical, where
it was known as a vast storehouse of perfumes, which were cashed after the
her salvation. Alexander distributed these revenues to the Macedonian nobles,
as Plutarch does not mention, when Perdiccas pointed out to him that it did not last
nothing for himself, Alexander replied "I keep hope".
The untold treasures of the metropolitan vaults
of Darius
According to Mr. Kostopoulos and despite the above, until the
333 B.C. Alexander was facing financial straits. Later, but also
especially after the battle of Gaugamelos, the situation changed drastically: were delivered to
Alexander the untold treasures of the metropolitan treasuries of Darius
in Susa and Persepolis.
After the overthrow of the Persian state, the general ones
features of taxation also changed: the number of increased
taxpayers since the Persians were taxed, which previously
were exempted as sovereigns, while the same happened in the new cities which
were built by Alexander. The Greek cities of M.Asia preserved anyway
indecency.
Taxation also increased, especially the indirect one, because
economic activity and trade developed with its increase
currency and the distribution of Persian treasures, while the new works and the new ones
cities attracted new populations.

“Merger' of fiscal and fiscal
services
Alexander carried out extensive administrative reform
for the organization of the vast empire, which included and
tax and fiscal services reform: Create
four fiscal regions, Egypt's first, Libya and
Arabia, the second of the Taurus Minor Asia, the third of Phoenice,
of Syria and Cilicia and the fourth of Babylon, Suson, Persia and Media.
These new services were staffed with a large number of employees.
The "on the money" and fiscal scandals…
Alongside, Alexander appointed Chief of the Commissioners, as
quasi-Minister of Finance with responsibility for the entire state, carrying him
…eloquent title "the one on the money".
Anyway, even then there was no shortage of financial scandals, such as
that of Arpalos, who had been awarded the title of "on the money".
He, taking advantage of Alexander's absence in the Indian campaign,
he embezzled large sums and to avoid punishment he fled to Athens.
What taxes were levied?
The taxes levied were;, in principle, the immediate on
of individuals (B.C, capital tax and business tax on professionals,
which were distinguished into capital and manual). also, they were the indirect ones
taxes on consumption, which differed by satrapy, as
and customs duties, which increased significantly.
Further, the revenues from the
diverse private property of the state, the land annuities on the
of earth, the so-called tithe, i.e. the 10% on agricultural production and o
animal tax.
Beyond the treasures of Darius, it is considered that of the 18
satrapies flowed into the royal treasury 9.000-30.000 talents annually, while in
to these must be added revenue in kind and revenue from mining.
After the conquest of India, its taxes were added.

City rebuilding costs, transportation and
irrigation works
During this period, the form of expenses also changed, with the
center of gravity should now be placed on those related to public works
and rebuilding new cities. Alexander built many and
large temples, for both Greek and Asian deities, while
built many productive works, such as transportation in Klazomenes and
Red, irrigation on the Euphrates, desiccants in Kopaida.
It is estimated that the cities he founded amounted to 70,
which, in addition to fencing and town planning, kissed me in public
buildings, spreading Greek architecture and Greek arts to
East.

What gift did the guests receive at his wedding?
Alexander the Great;
The expenses of the royal court also played an important role,
which are now of royal followers and staff, they also included
the expenses for banquets and feasts which were very high, since the
Alexander followed the opulence of the Persians.
During the great ceremony of 9000 of Perso-Macedonian marriages the
323 e.g., in which he himself married the daughter of Darius, Statira, each
invited received a golden flask as a gift and saw his debts paid by
Alexander!

Source: kathimerini.gr

Christoforos Papakaliatis: "If…” and the relationship with his co-stars

Ο Παπακαλιάτης λέει τον κινηματογράφο «σινεμά» και τα σενάρια «ιστορίες». Οι αγαπημένες του ιστορίες είναι τα παραμύθια – όταν τον ρωτάς ποια είναι η δουλειά του, σου απαντάει «να αφηγούμαι παραμύθια». Από τότε που θυμάται τον εαυτό του αφηγείται παραμύθια. Κάποτε το έκανε για τους γονείς του και τα αδέρφια του, μετά για τους συμμαθητές του κι από ένα σημείο κι έπειτα, για το κοινό. Το τελευταίο του παραμύθι είναι φτιαγμένο για το σινεμά. Το Ανείναι η πρώτη του ταινία. Και είναι εντελώς δική του – την έγραψε, τη σκηνοθέτησε, ανέλαβε τον πρωταγωνιστικό ρόλο. Τον συναντήσαμε λίγες μέρες πριν από την επίσημη πρεμιέρα. Ήταν κουρασμένοςεξαντλημένος από τις τελευταίες μέρες του post production και τη φρενίτιδα του promotion. Αλλά και ικανοποιημένος: μόλις το προηγούμενο βράδυ είχε δει για πρώτη φορά την ταινία του ολοκληρωμένη.

Πόσο κοντά ήταν αυτό που είδες σαυτό που αρχικά είχες στο μυαλό σου;
Οι δουλειές μου είναι συνήθως πολύ κοντά σαυτό που έχω φανταστεί – γιαυτό άλλωστε επιλέγω να είμαι σε τόσα πολλά πόστα. The cost, sure, είναι μια αδιανόητη κούραση, αλλά έτσι είμαι ως χαρακτήρας. Μέχρι και χθες ήθελα να κάνω διορθώσεις. Είναι η πρώτη μου απόπειρα στο σινεμά, το ξεκίνημά μου. Η πρώτη βουτιά σε μια άλλη γλώσσα, σε έναν τρόπο αφήγησης πολύ πιο συμπυκνωμένο από τον τηλεοπτικό. Σίγουρα έχω κάνει λάθη, σίγουρα θα ήθελα λίγο περισσότερο χρόνο για να τα διορθώσω και σίγουρα θα το κάνω στην επόμενη ταινία. Έμαθα πάρα πολλά με το Αν

Στο Αν παρουσιάζεται τόσο η εκδοχή της σχέσης, του έρωτα όσο και η εκδοχή της μοναξιάς. The loneliness, in fact, αντιμετωπίζεται και λίγο σαν ελευθερία. Εσύ πού ανήκεις; Είσαι αυτό που λέμε «σχεσάκιας» ή φανατικός εργένης;
Είμαι ένας φανατικός εργένης, που όταν ερωτεύεται γίνεται «σχεσάκιας». Όταν του φεύγει ο έρωτας, αποζητά πάλι την εργένικη ζωή του. Τα πάω πολύ καλά με την πάρτη μου, οπότε μπορώ να μείνω πολύ καιρό και μόνος μου.

Τα τελευταία χρόνια σου «χρεώνουν» ερωτικά τις συμπρωταγωνίστριές σου. Σε τι ποσοστό ισχύει;
Σε μικρό.

Ακόμα κι αν δεν ισχύει καθόλου, είναι κάτι σαν win-win situation: το περιοδικό που το κάνει ανεβάζει πωλήσεις και η δουλειά σου -έστω κι έτσι- διαφημίζεται. Εσύ πόσο διατεθειμένος είσαι κάθε φορά να παίξεις αυτό το παιχνίδι των media προκειμένου να προωθήσεις μια δουλειά σου, που την πιστεύεις και την αγαπάς;
To the point, ποτέ δεν έπαιξα κάποιο ιδιαίτερο παιχνίδι, για τον απλούστατο λόγο ότι δεν το χρειάστηκα. Οι δουλειές από μόνες τους έκαναν πάντα αυτό που έπρεπε. Κι έχω συνηθίσει να πετυχαίνω μέσα απ’ τη δουλειά μου, όχι μέσα απ’ τις σχέσεις μου. Η παραφιλολογία και τα μυθεύματα είναι ένα άλλο, πολύ γοητευτικό παράλληλο σύμπαν, in which, Nevertheless, εγώ δεν προλαβαίνω να μπω.

Με την τηλεόραση έχεις ξεμπερδέψει;
No, καθόλου. Γιατί δένομαι με οτιδήποτε αγαπάω και την τηλεόραση την αγαπάω πολύ. Αλλά για μένα η τηλεόραση είναι σίριαλ, παραγωγές, μυθοπλασία. Σήμερα όσοι μιλάνε για την τηλεόραση εννοούν τις εκπομπές. Δεν είναι η τηλεόραση που θέλω, ούτε η τηλεόραση που ξέρω. Το μέσο περνάει μια φάση και μια εποχή που δεν μου ταιριάζει. Δεν υπάρχει καν χώρος για μένα.

Σε έχει ιντριγκάρει ποτέ η ιδέα να γράψεις έναν γκέι ρόλο για τον εαυτό σου; Κάτι εντελώς «κόντρα» στην ως τώρα εικόνα σου;
Yes, αμέ.

Suzuki V-Strom 650 ABS: New or used;

The Suzuki V-Strom 650 ABS epidermally renewed the 2012, but at the same time its price soared. Now, the old model in used condition, looking more luscious than ever!

What made the V-Strom so coveted by most riders; Its large dimensions, which translate into comfortable movement for two people, the long routes of the posts, and the motorcycle's ability to travel just as comfortably on the National Road, as well as on urban routes. Unfortunately, the new model (2012) is now honored, due to and strong yen, στα 8.995 euro, price very expensive, especially considering the minimal changes Suzuki made to the bike, but also the financial crisis we are going through. So, the many used V-Strom ABSs around, entice potential buyers.

Read more atmototriti.gr

Antonis Mitzelos at Half Note: Extension of appearances

Antonis Mitzelos, charismatic guitarist, composer and performer among the most acclaimed and beloved, meets
on stage with AnimaCorda, consisting of Michalis Bruzos and Giorgos Behlivanoglou, two classical guitarists who have distinguished themselves with the richness of their musical ideas and timbres but also with their excellent technique in electric, acoustic and classical guitars but also with Marianna Polychronidis, which, apart from her acting talent, has a rich, well done voice, which allows her to sing comfortably, songs from many different musical cultures.

They present KITARODIA on the Half Note stage, an unexpected performance, with a unique and different harmonic effect at each concert.

The first five performances of Kitharodia have already taken place with great success in the very special space of HALF NOTE jazz club and four more Mondays with guests follow:

Monday 26/11: GEORGIA DAGAKI
Monday 3/12 : VASILIS LEKKAS
Monday 10/12 : YIANNIS KOTSIRAS
Monday 17/12 : THE CELEBRATION OF GUITARS

The three guitarists and Marianna Polychronidis, take the HALF NOTE stage with their guests, with a disposition for dialogue and improvisation, with voice and heart and attempt to communicate not only with each other but also with the viewers.

With their guitars, acoustic and classical, a world together and no longer apart, instruments polyphonic and sensual, they present and improvise on pieces from their personal discography, in well-known compositions by Antonis Mitzelos but also in selections from Greek and international rock & jazz repertoire, from Mikis Theodorakis to Al di Meola and Manos Hadjidakis to Eric Clapton, in a program that creates the most complex and rich melodic landscapes, emotions, stories… In addition, the program also includes news, unreleased songs by A. Mizelou.

Their Kitharody, contemporary and timeless, is done through its propagation ”fine guitar playing”, of lyricism, of Greekness and above all of the belief that... music is ultimately the only truth!

Source : culturenow.gr

Antonis Mitzelos at Half Note: Extension of appearances

Antonis Mitzelos, charismatic guitarist, composer and performer among the most acclaimed and beloved, meets
on stage with AnimaCorda, consisting of Michalis Bruzos and Giorgos Behlivanoglou, two classical guitarists who have distinguished themselves with the richness of their musical ideas and timbres but also with their excellent technique in electric, acoustic and classical guitars but also with Marianna Polychronidis, which, apart from her acting talent, has a rich, well done voice, which allows her to sing comfortably, songs from many different musical cultures.

They present KITARODIA on the Half Note stage, an unexpected performance, with a unique and different harmonic effect at each concert.

The first five performances of Kitharodia have already taken place with great success in the very special space of HALF NOTE jazz club and four more Mondays with guests follow:

Monday 26/11: GEORGIA DAGAKI
Monday 3/12 : VASILIS LEKKAS
Monday 10/12 : YIANNIS KOTSIRAS
Monday 17/12 : THE CELEBRATION OF GUITARS

The three guitarists and Marianna Polychronidis, take the HALF NOTE stage with their guests, with a disposition for dialogue and improvisation, with voice and heart and attempt to communicate not only with each other but also with the viewers.

With their guitars, acoustic and classical, a world together and no longer apart, instruments polyphonic and sensual, they present and improvise on pieces from their personal discography, in well-known compositions by Antonis Mitzelos but also in selections from Greek and international rock & jazz repertoire, from Mikis Theodorakis to Al di Meola and Manos Hadjidakis to Eric Clapton, in a program that creates the most complex and rich melodic landscapes, emotions, stories… In addition, the program also includes news, unreleased songs by A. Mizelou.

Their Kitharody, contemporary and timeless, is done through its propagation ”fine guitar playing”, of lyricism, of Greekness and above all of the belief that... music is ultimately the only truth!

Source : culturenow.gr

From censorship to self-censorship

The question of censorship, of fear and self-censorship hovers over the Greek theater. Actors, directors and people of "Corpus Christi" answer whether they are finally afraid or not

The taxi driver was having fun. arriving at the Chitirio theater, in Gazi, turns around, he laughs and tells me: “Oh! This is the well-known theater; You are going to see this work; Antichrist!». I was lucky because the delivery of the speech was humorous. If I had run into someone from the group that was protesting against Corpus Christi a while ago, the word "antichrist" would fall upon me like an aphorism. Like many people, so I didn't have time to see the show to be able to rank it among those who agree or disagree with my aesthetics, because quite simply some made sure it was taken down because it offends the Divine. So, an unholy show on the Holy Road. Gods on the verge of a nervous breakdown and enraged "believers" have always existed. If you put his photos side by side 1988 from the vandalism at the Opera cinema on the occasion of Scorsese's "The Last Temptation" and those of 2012 from the Foundry, the differences are minimal. But with a closer look you will see something shocking: in today's images, there are many who give Nazi salutes. Things suddenly got serious. Or they've become completely ridiculous. And the newborn question is: We are afraid on the road. We are afraid at home. Why should we be afraid even in the theater?; And, finally, how far we are from a regime (this)censorship;

A few days ago, a misdemeanor criminal prosecution was brought against the performers of the show "Corpus Christi". "Insulting religion and malicious blasphemy jointly and consecutively" are the charges. Although Archbishop Jerome separated the official position of the Church from the theater of the absurd that unfolded outside the "excommunicated" theater, Metropolitan Seraphim of Piraeus finally filed a lawsuit, claiming that religion is defamed. The prosecutor read the text of the American Terence McNally, saw the performance taped and received statements from citizens who said they were offended by the way it portrayed Christ. And, kind of like that, the case took the road to Justice, with the articles 198 and 199 of the Criminal Code to provide for a fine up to 3.000 euros and imprisonment of up to two years respectively to the contributors. And as it usually happens, few of those affected attended the performance. The poster with the Crucified and the few words about the work were enough to send it to the fire outside.

The zealots next door

Laertis Vassiliou explains: "In the prosecution signed by the Metropolitan of Piraeus, three MPs of the Golden Dawn are also involved. Not the stars, some others". The director of the infamous show, sitting in the theater foyer, he is calm now. During the protests, he saw and heard it all: a woman waving a picture of Jesus and a bag hanging from her arm with Marilyn Monroe in the famous pose. People of all ages singing the national anthem and giving Nazi salutes. The slogan "We Messiah have Jesus the Nazarene, you Messiah have antichrist Jew". But also the most personal ones, of the type "Alvane, this will be your grave", with a large portion of the crowd referring to the country they came from before 19 years. The image of the Golden Dawn MP, Ilias Panagiotarou, on the one hand to defend thus generally "the Goddesses" and on the other hand to curse with rare mastery for approx. 2 minutes was typical.

Vassiliou believes that we have passed into a period of censorship, "informal, but very essential. With the memories of what happened in Distomo and Kalavryta still fresh, I don't understand how Greek society can turn to such a solution. See you on Facebook and Twitter, but we'd better take action, not to be afraid to speak. While it used to be almost taboo to say what you were voting for, some who were in the dark and want to return to the news are now openly in favor of the Golden Dawn. And many lifestyle discounters, without any political consciousness, they believe that if a junta comes to Greece, things will be better. In this fanaticism, art is the first to be silenced. But art is what he always said: you don't have to like what you see. Just don't eat it".

It is not the first time that the actors of a show have been taken to court as blasphemers. Based on the hilarious Monty Python movie A Prophet, what a prophet", the comedy of Yiannis Kalavrianou "I am the Divine Infant", starring a man who thought he was Jesus because he was born in a nearby manger, tried and acquitted 2008. The writer and director still remembers the inspiring words approx 100 of brothers in Christ who had gathered outside the Theater of the New World threatening to lynch the actors and spectators who were huddled behind the glass door: "Getting cancer! To cry! We will rush you! We will stone you! We will burn you alive!». The images of the saints had turned into weapons in the hands of the protesters “and if you were unlucky, you would eat Saint Panteleimon in the glory of the country" remembers Yannis Kalabrianos: "In Greece it is very difficult to prove that you are not an elephant. And even harder to prove that you are not the antichrist. The viewer should be free to watch anything. Theater has always dealt with extreme issues. We solve everyday things in the elevator. But the others, that bother and hurt, why should we forever digest them in the closet;».

Only four years have passed since his own adventure, but things seem to have changed for the worse: "You always expect extreme reactions from the extremes. The problem is when extreme reactions become the voice of the average and that these practices have begun to be legitimized. For example, I read in the review of "Odyssey" in a major Sunday newspaper the phrase "it's good again that Golden Dawn didn't notice how gay the companions of Odysseus are presented". It is obscene to bring the thuggery of a minority into the living room of the average person. This is all opportunistic: when PaSoK was at its peak, they were all PaSoK, then came SYRIZA, now they come out with something finished and say it's Golden Dawn. After all, living in cities, we trust a state. When the other doesn't respect it, we can't talk. It's a very good time to get all those mice back into their holes.".

St(r)what days

In the alternative revue "The Wild Boys", there's a tongue-in-cheek number in Golden Dawn, without fear and with a lot of humor. "With humor you disarm them, since they don't have any at all" says director Sakis Papakonstantinou. Except for that particular number, a video is also shown, starring Nicky Crane, leader of a British Nazi organization in the 80s, who the 1992 revealed that he is gay and that he had taken part in gay porn. His "companions" disowned him, declaring themselves betrayed. A year later he died of AIDS. “This footage is a very good example of what these people are hiding behind the curtain. Golden Dawn plays with fear, he wants to establish him in society. Behind the masks, Nevertheless, things are simple: homophobes are homosexuals, ostentatiously philanthropists are hypocrites and patriots fascists". At this time, he feels the numbness that prevails in the theater: "Most people feel the need to get together, not to cause. I'm tired of hearing "be careful, you go home alone, don't provoke". Very few now fight it without fear. It's not about heroism, there's no point in living otherwise".

In the performance "Athanassios Diakos – The return" of Lena Kitsopoulou, which was presented last year at the Athens Festival, Nikos Karathanos played the eponymous hero, brought to today. Two whole months after uploading, mindless and outdated – although there were not a few who combined the movement with the issue of the succession of Giorgos Loukos at the helm of the festival –, the front page of a Sunday newspaper was opening: "They brought out a kebab, horns, Spouse killer Athanasios Diakos". And all this with the blessings of the Golden Dawn, but also members of other parties who could not stand the idea that the Greek theater was crucifying Diakos as another Jesus, so many years after his death.

The actor is still embarrassed by all that happened: "From school they teach us how many things we have lost and not how much we have. We always feel despair over the disasters we have suffered, we have failed countless times as a nation. We hear about how beautiful we were as ancients and as Byzantines, but never as contemporaries. Greeks like camps, hate them, the courts, the civil war. Want, Nevertheless, to be optimistic. Now is a cleaner season, we know exactly what's going on. You used to hide behind your finger and not call it censorship. And the art world has always been afraid, much more in rich and rosy times. Leaving aside the sick minds of sick people who want help, if we think that parties are dead, we will understand that we are freer than ever".

The countless theaters of Athens look like as many hearths of fire as the fear grows. Entrepreneurs who bring in shows from abroad advise black actors and dancers not to frequent bad neighborhoods, for their own good. Theater managers advise directors not to provoke with their statements and performances, for their own good. Seasonal goats that we were used to seeing every Easter together with the stew, they expect a resurrection of the dead and favor the Golden Dawn to become relevant again. The opposite of self-censorship, cunningly minded creators will start putting on "provocative" works as soon as a person sets foot in the theater, even if he holds crosses and icons. THE,whatever happens, Nevertheless, one thing is certain: it's time to wake up and understand what is happening to us. It is not good to sleep either inside or outside the theater. No matter how tired we are.

Source : tovima.gr

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