Tag Archives: tovima.gr

Children learn the art of paper origami

On Sunday 29 February at the National Archaeological Museum
The teacher will introduce the children to the art of paper "Origami". – visual artist of Origami artDimitris Dallason Sunday 19 February at the National Archaeological Museum. Dimitris Dalas, through a slide show, will talk and show how since the 6th century Chinese and Japanese have been folding paper making gifts for their children. Then, under his guidance, an art workshop will take place and the children will create their own work. The program is aimed at children aged 8-12 years and is provided free of charge. Participation declarations are required.
Where and When
National Archaeological Museum (Patision 44, tel. 210 8217724 and 210 8217717). Hours of operation: 11:00-12: 00 p. μ. or 12:10-13: 10 μ. μ.
Source : tovima.gr

The Hellenic Cultural Foundation is headless

Hour zero for the Hellenic Cultural Foundation after the resignation of its Board of Directors, which was accepted by the Minister of Culture Mr. Pavlos Geroulanos. The crisis in the institution has been simmering for some time, culminating in the announcement of the president of Mr. Giorgos Babiniotis, who had reported to the meeting of the Standing Parliamentary Committee on Educational Affairs on 26 January, that the budget of the EIP is not sufficient for its operation and for this reason, in case it does not increase, the members of D. S. they will resign.
However, the institution's budget for the current year is 1.800.000 euro, as stated in his announcement by the Minister of Culture. "The D. S. of the Hellenic Cultural Foundation, considers that it cannot ensure the operation of the Foundation with a budget 1.800.000 euros for the current year. We can't, therefore, than to accept the resignations of its members", noted in the announcement.
Following this, the operation of the branch of the Hellenic Cultural Foundation in Berlin is probably being extended, which Mr. Babiniotis was about to close, due to excessive operating costs with the prospect of keeping the branches in Alexandria open, Belgrade, Bucharest, Melbourne, Odessa, Sofia, Trieste and Tirana.
To redefine the role of the institution in the promotion of Greek culture, something that has long been necessary, however, the Minister of Culture speaks in his announcement, who should form the new Board of Directors.
Source : tovima.gr

Goethe Institute: His Exarchies 2011 in his Berlin 2012

The strict economic austerity measures in Greece, just as the lens of two directors recorded them

 The film "Austerity Measures" (s.s. "Austerity measures") co-written by directors Ben Russell and Guillaume Caillot, selected by the Berlin Film Festival to screen during its 62nd edition (9- 19 February).
 
 The experimental aesthetic film which is a production of the Goethe Institute of Athens itself and the LabA film collective (LaborAthen) will be screened at the Berlinale on Saturday 11 and on Sunday 12 February in the Forum Expanded Section.
It is a "x-ray" of social life in Greece after the repeated austerity measures imposed by the Troika and is focused on the area of ​​Exarchia (the film's working title was 'Exarcheia, Red-Blue-Green»).
Shot in 16mm, the film was created in 5 days in September 2011 during the workshop "Hand over cinema Athens 2011".
Last year, for the first time, the "Hand over cinema Athens" workshop invited Greek and foreign film lovers, professional filmmakers, visual artists, students as well as amateurs to gather in Athens and make hand-made films with the aim of depicting various aspects of the city.
Its world premiere took place at the Institute's auditorium on 13 of last September.
"Austerity Measures" is the fruit of Greek-German cooperation in the field of culture supported by the German Institute of Athens. It is very happy that the creation of a network in the field of cinema has found a response not only in Greece and Germany, but also at an international level.
The film program of the Goethe-Institut Athen will continue its efforts to create a Greek-German film network and thanks all the creators who cooperate and support it.
Source : tovima.gr

Struggle to save the Exarchia building

Mobilization to save an extremely interesting building of Exarchia, of the few examples of popular Athenian architecture of the 19th century, that have remained in the capital on Themistokleous Street 62 are done by the "Residents' Group" of the area with the support of the MOnuMENTA movement.

In this context, they organize Wednesday 15 February on 6,30 μ. μ. in the theater of Exarchion (Themistocleus 69) discussion on "The architecture of the Exarchia and the rescue of the building at 62 Themistokleous Street" in which the professors will speakEleni Portaliou, Stavros Stavridis, Konstantinos Dekavallas, Eleni Maistrou, Tassis Papaioannou, the architectTonia Katerinis, the actressAnita Decavallarepresentative of the "Residents' Group to Save the Building" and the archaeologistIrini Graciaby MOnuMENTA. Most of the speakers also live and work in the area, which they have studied thoroughly and have formulated proposals for its substantial protection.

In reference to the building of Themistocleus 62, which is actually a small building complex that develops around an inner courtyard, the way for its demolition seemed to open after the opinion of the Central Council of Newer Monuments of the Ministry of Culture, which did not consider it maintainable.

And that, despite the contrary suggestion of the Ephorate of New Monuments of Attica, which had requested its declaration for the aforementioned reasons but also because it is located in a building environment with many neoclassical buildings, eclecticism as well as buildings with the special architecture of the interwar period, a whole that is, which records the evolution of the residence in Athens.

The unpleasant developments, that will turn the complex into a five-story building have stopped anyway, following the appeal of the "Residents' Group" to the Council of State against the decisions, which have been received and against the demolition permit issued by the Athens Urban Planning Department. Every mobilization therefore advocates the fight to save the building of this historic neighborhood.
Source : tovima.gr

Thessalonica: Cry of anguish for 80.000 film meters

The appeals of the 86-year-old filmmaker to save his archive, for the first time they seem to be taking hold
For ten years he has been addressing public and private bodies in the Greek territory in order to achieve the rescue of his film archive. To date, he had received no response. The recent reduction in pensions and the real estate tax he is required to pay for the space that keeps his record have brought the 86-year-old Mr.Nikos Bililis, one of our country's most historic current affairs filmmakers, to consider giving up his effort for good.
«Inside the archive there are historical documents from the recent history of the city and the entire country. Such as the visit of the presidentDe Gaullethe 1963 in Thessaloniki, the Megalopolis earthquake the 1965, the Junta referendum the 1973 or even historical movie moments, like a reprint of one of the brothers' first film screeningsLumiere» says in "Step". All in all the material with historical filmed snapshots covering the modern history of Greece, from 1911 up to 1990, overcomes them 80.000 meters of film. «To these must be added thousands of Greek and foreign films, photos from the city's sports history and much more".
A few days ago Mr. Bililis sent an open letter to the Mass Media communicating his situation, as well as the risk to his file. From,what does it look like, for the first time after so many attempts, some appeared willing to listen to him. «On Wednesday I had a meeting with the president of the municipal council of Thessaloniki. We discussed the prospect of the archive being transferred to the Vafopouleio Spiritual Center. I didn't make any specific commitments, but at least for the first time someone agreed to meet me and seemed interested in the matter" emphasizes.
As he says in "Vima" his goal with this whole story is not to make money. «The file is currently rotting. My pension is too low, for the storage space i have to pay the real estate fee which touches the 600 euro. I only ask for two things. Firstly, saving the file in a suitable place where it can be protected from moisture. I estimate that a space of approx 400 sq.m. And secondly, its immediate use. I don't want the file to go from one repository to another. All I ask is that the material be copyrighted”states in Step.
Before the municipality of Thessaloniki initially showed interest in the utilization of the film material, Mr. Bililis had reached such a point of desperation that he had decided to do something he had so far stubbornly refused to do.. «My goal was for the file to stay in Greece. But I had reached such a level of frustration that I was now thinking of turning abroad».
As a filmmaker he stopped working from 2000. But even today he declares himself ready to shoulder the movie camera and shoot footage, «as long as there is some important event.
Let's hope that the period of lean cows - at all levels- that we are going through should not prevent the rescue of a piece of our cinematic history.
Source : tovima.gr

14the Thessaloniki Documentary Festival: The first images

Important documentaries by directors such as Werner Herzog, Jafar Panahi and Patricio Guzmán will be screened from the 9 until 18 Of March.
With a nomination for the upcoming Oscars in the Best Documentary category, revealing testimonies and a topic that still dominates the current affairs of the American media, the documentary "Paradise Lost 3: Purgatory»ofJoe BerlingerandBruce Sinofsky, completes the trilogy that began the 1996 with the "Paradise Lost: The Child Murders at Robin Hood Hill» and it continued 2000 with the "Paradise Lost: Revelations».

The film sheds light on the gruesome murders of three children in West Memphis, Arkansas in a case, which became known as the "West Memphis Three" and took on huge proportions in the media, mainly because of the first documentary of the creators: result was the reconsideration of the matter, with new data (based on DNA). Almost 16 years later, the obsession for revealing the truth and the activist mood of the directors, recorded in "Paradise Lost 3: Purgatory» with an unexpected (for the data of the judicial system) finale: The three young men who had been accused of the murders were released from prison at the end of it 2011 due to lack of evidence and live free.

The "Paradise Lost 3: Purgatory» is not the only documentary about the American justice system as another murder case that shocked the USA, lies at the heart of "Into the Abyss: A Tale of Death, a Tale of Life»directed by the distinguished German directorWerner Herzog. His lens follows the story of the 28-year-old Michael Perrywho was sentenced to death and his accompliceJason Burkettwho is serving a life sentence. In this case though, Herzog does not dispute the defendants' guilt. It focuses on the impact of the case on the relatives of both the murdered, as well as those convicted.
Driven by his personal interest in astronomy, the Chilean directorPatricio Guzman with the "Nostalgia for the light»signed an unusual political commentary on the oppressed under the Pinochet regime, Chile. Astronomers, archaeologists, but also relatives of the "disappeared" victims of the dictatorship, they explore the past, each from their own point of view and with the background of the Atacama desert,
Four opposites of Earth (Argentina – China, Chile – Russia, USA – Africa, Spain - New Zealand) captivate the viewer with all their "resounding" contrasts and similarities in "Long live the Antipodes!»of the award-winning creatorViktor Kosakovsky and finally an internal manifesto against the totalitarian Iranian regime, as he experiences it for a 24-hour period of his daily lifeJafar Panahi, the film proclaimsThis is not a film: pending the verdict on his appeal, trapped in cat’ house arrest, Panahi becomes a protagonist in front of his colleague's camera Mohtaba Mirtahmasbbut also co-director, through his iPhone, in a courageous act of protest, dedicated to Iranian filmmakers.
It should be noted that the films are financed by the European Union – European Regional Development Fund, within the framework of the PEP of Central Macedonia 2007-2013.

Source : tovima.gr

Dinos Christianopoulos: "Your awards are too sweet"

In advance (for decades…) the attempt to "honor" the Thessalonian poet by the state ended in fiasco
How "honorable" it is to be awarded by the current Greek state, humiliatingly brought to its knees by politics, financial and moral bankruptcy; And how willing one is"twisted man"– as the Thessaloniki poet Dinos Christianopoulos describes himself – to become an occasional media exhibit; Even if our faded European province flourished culturally from Gavdos to Prespes, again, Christianopoulos would playfully stick out his tongue at every award. His prize is his 60-year relationship with readers and art lovers.. However, he already owned it, long before the recipients of the Grand Prize of Letters of the Ministry of Culture sought him out in the Upper Town – and according to the popular saying "eat the door"...
"What can I tell them now?; Why did you reward me?; You didn't know I wouldn't accept; They knew it, but they messed up. They thought I might accept" commented the 82-year-old writer after the announcement (for decades) last Monday's fiasco. In his own words, paraphrased, "What shall I do with your prizes?, they are too sugary, fit for chocolate kids…”and so on, also known with the music of Dionysis Savvopoulos.
By the way, Christianopoulos doesn't like this music. They generally discredit the setting of poems. And he does not stop blasting those contemporaries who are not to his taste. Many lifted up the cursed stone. Who is criticizing Elytis?, Seferis (both Nobel laureates – random;), Richos, Vasilikos, Greek poetry after the 70th anniversary; they say. They don't notice that it weighs the whole of a project: "Ritsos, with all the cheapness he has in his writings, he has written the most amazing verse I have read by a poet and he says: “Heaven begins with bread”».

The cats, Cavafy and Tsitsanis
Child of the Catechist until he sinned by publishing his first poetry collection, herSeason of skinny cows(1950), former librarian at the Municipal Library of Thessaloniki until 1965, meticulous editor of publications, cultural traffic policeman of the city with the magazine "Diagonios" as the 1983 and the "Small Gallery" ("for 25 years I was a slave to painters"), Christianopoulos has dropped anchor on land, almost untraveled. In Cinari, next to the castle, in the company of his cats, on the one hand, loving, the other unacceptable.
Ascetic life, little income, an unequivocal "no" years ago to the suggestion that he do the paperwork to get a "literary pension". And continuous exposure: events, speeches, hundreds of interviews keep him balanced on the wave of publicity.
Pioneer of gay poetry – he himself would simply say "erotic" -, younger declared himself a student of Cavafy: "He was a follower of pleasure, I am a follower of Christian agony".Two large photographs of Alexandrinos and Vassilis Tsitsanis are held firmly by the nails in his house.. Christianopoulos even got on the rebetiko stage to sing, contrasting his genuine inner need with his disturbingly thin interpretation.
The 1979 opposed those who gunpowder him with the coding manifesto "Against": the grants, the state, the newspapers, the cliques, the cultists, ideologies, individual aspirations. And, certainly, the awards:"Getting a prize means admitting spiritual masters – and someday we'll have to kick the bosses out of our lives".
From the 1998 the solitary creator does not publish poems. And he claims"don't want me as their face, just because m’ they love".
Naive or vain;
Just 21 years old was the 1981 Nikos Davvetas, chairman of the state committee that made the risky decision to award Christianopoulos, when he published his first poems. Where; In the magazine "Diagonios"! You say he didn't know the views of the editor of the magazine; Had he not realized the trajectory of the "Against" catapult text that had been unleashed on the public just two years earlier; So what is the old-fashioned obsession for?;
There are two answers to the reasonable question. Either the awardees are bona fide but also amazingly naive, thoughtless, sloppy fans, either they consciously decided to roll the dice: to "remain in History" as the people who "convinced Christianopoulos in his old age" to... be awarded. If the former happens, he is fine – fandom is blinding in the field and literary stands. But if the second happens, the laureates raised a small worthless mound of vanity whose soils quickly overwhelmed them with a related wave in the communication land of the Lotus Eaters.
Perhaps the members of the previous state committee had foreseen something more, as the poet himself now revealed: "And last year, with Mastrodimitris as president, they offered to reward me, but the man understood when I explained to him and did not proceed."They may not have been jealous of the controversial credit of those who allegedly would do it – for a short moon – the Christianopoulos current currency, Neo-Hellenistic "talk of the town".

Cracks in public discourse
* "Since '98 I have been writing poems, I have the impression that God took them and left me like this. And I can't complain. He wanted to cut off my inspiration; Cut it off for me, come on brother!».
* "Thessaloniki was a nightmare. Let's not forget that. But Athens too - sit tight - was Albanian. What we call Hellenism was built on foreign peoples".
* “I live on less than 600 euros without wanting luxuries, cars and houses. And with a few parades I can live".
* "Homosexuality is a pathology that cannot be cured by doctors, is cured by self-awareness".
* "Cavafi had flown 180 poems, which while he considered them rubbish, the philologists came – the great scourge of modern Greek literature –, they found them very great and added them with the good ones".
Source : tovima.gr