Τέσσερις ταινίες του κορυφαίου Γάλλου σκηνοθέτη θα προβληθούν στο Λιμάνι της πόλης
Monthly Archives: January 2013
«Δεν πιστεύω αυτά τα αισχρά για το θάνατο του Σεργιανόπουλου»
Για τον αδικοχαμένο ηθοποιό μίλησε η Χρυσούλα Διαβάτη
Για τον αδικοχαμένο Νίκο Σεργιανόπουλο μίλησε η συμπρωταγωνίστριά του στους «Δυο Ξένους» Χρυσούλα Διαβάτη σε κυπριακό περιοδικό.
«Ως μεγαλύτερη, του έλεγα ‘’γιατί βρε Νίκο μου, είσαι συνέχεια έτσι μελαγχολικός και στενοχωρημένος; Αφού τα έχεις όλα! Πρωταγωνιστής είσαι, λεφτά βγάζεις, όλοι σ’ αγαπάμε! Τι σου λείπει; Ποιο είναι το πρόβλημά σου;’’. Αλλά το πρόβλημά του ήταν βαθύτερο, δεν ανοιγόταν. Τι να πεις… Μερικά πράγματα είναι μοιραία. Πάντα τον σκέφτομαι με αγάπη.
Θυμάμαι ότι ήταν ένας πολύ ήρεμος άνθρωπος, πάντα μελαγχολικός, που δεν ενοχλούσε ποτέ κανέναν και δεν ήταν καθόλου κακοήθης. Ήταν πολύ σοβαρός, ευγενέστατος και άψογος επαγγελματίας. Αυτά θυμάμαι! Και δεν του άξιζε αυτό που έπαθε. Personally, δεν πιστεύω ούτε λέξη από όσα προβλήθηκαν, για τους λόγους του θανάτου του…No.
Αυτά ήταν αισχρά πράγματα. Δεν τα πιστεύω, άλλοι ήταν οι λόγοι…Ήταν η μοίρα του; Πες το όπως θες. Ο χώρος μας είναι μία ζούγκλα, ξέρεις. Γι΄ αυτό κι εγώ ό,τι έκανα, το έκανα μόνη μου, πετραδάκι-πετραδάκι και σιγά-σιγά. Προκειμένου να επιβιώσει ένας νέος, μπορεί να πάθει μεγάλη ζημιά. Ο Νίκος είχε πολλές φιλοδοξίες. Ήταν πολύ φιλόδοξος. Βιάστηκε να γίνει γρήγορα πρωταγωνιστής. Κι έγινε πολύ γρήγορα. Αυτό δεν του έκανε καλό» είπε χαρακτηριστικά στο περιοδικό Down Town Κύπρου.
Source : newsbeast.gr
Η Ταινιοθήκη Θεσσαλονίκης υποκλίνεται στον Φρανσουά Τριφό
Τέσσερις ταινίες του κορυφαίου Γάλλου σκηνοθέτη θα προβληθούν στο Λιμάνι της πόλης
Natalia Germanou: He is talking about Spyropoulou & reveals her age!
THE Natalia Germanou visited his set “All”, on Monday night, and spoke to Themos Anastasiadis, Vangelis Perris and Duchess Nomiko for her collaboration with Konstantina Spyropoulou, Elena Papavasiliou, but also the insecurity she feels at times about her image.
His presenter “Mes In Good Joy” admitted that there were moments when there was a misunderstanding with Konstantina Spyropoulou on the air of the show, attributing to this incoherence and her much-discussed move to pretend to shoot herself, while her young colleague was trying to present a thematic section of the show.
Among other things, Natalia Germanou revealed that during her visit to Dancing With The Stars talked to Elena Papavasiliou and even when he visited her in her dressing room he promised to give her so much positive energy, which will certainly not be a candidate for withdrawal, as it eventually happened. In fact, she emphasized that she never understood how Elena Papavasileiou ended up outside his group “Mes In Good Joy”, while he did not hesitate to publicly thank her for the help she gave to the show's ratings, especially to the male audience.
End, Natalia Germanou admitted that there have been times when she has been insecure about "whether the paint will come off", as he characteristically stated, while she didn't hesitate to make fun of her age, and to declare that it is 4 years older than Vangelis Perris. When in fact the Duchess of Nomiko mentioned that Vangelis Perris is… 30 years, Natalia Germanou pointed out: “No. Vangelis is 49 I am also four years older than him”.
Source : yupiii.gr
Tamikrest live in Athens and Thessaloniki
The Tamikrest, one of the most important bands that combine traditional African music with modern rock sound, are coming to Greece for the first time for two concerts in Athens (Friday 8/2, Fuzz Live Music Club) and Thessaloniki (Saturday 9/2, Gaia Live).
Following the paths set by, earlier than them, Tinariwen, Tamikrests honor their Tuareg origins (in the Tamashek language, in which they sing, their name means "bond", "alliance", "knot") only they preferred, in a particularly turbulent period for their people, put the Kalashnikovs aside and grab the electric guitars.
It helped in that direction, with no doubt, and their subsequent acquaintance and collaboration with Dirtmusic, the group formed by three great musicians: ο Chris Eckman (The Walkabouts), o Hugo Race (Nick Cave and the Bad Seeds, The Wreckery) and Chris Brokaw (Come, Codeine).
The main composer and leader of the band, Ousmane Ag Mossa, he listened to a lot of music from a young age, although his childhood - like that of the other members of the band - was marked by the civil war (1990-95) which focused on the Tuareg claim to autonomy. They have seen many relatives and friends get lost within this time and 2006, when new riots broke out, decided to use other means to gather the eyes of the world on the struggle of their people.
All young in age (near 20), combined the sounds they had, mainly via the internet, from names like Bob Marley, The Pink Floyd, Jimi Hendrix and Dire Straits, with their own distinct musical tradition, attracting the interest of Dirtmusic, on a trip of the latter to their area.
It was the 2008, in the rural community of Essakane (80 kilometers from Timbuktu), where the Festival Au Desert took place. A magical sound pulled Eckman and his entourage into an awning where Tamikrest was improvising. A unique experience for everyone followed, when the interaction of, coming from different cultures and traditions, musicians evolved into one… three-day psychedelic glazing, which gave a different and completely essential essence to the concept of desert, before ending up with a monumental joint appearance on the main stage of the festival!
It was there that a strong friendship began that led the Dirtmusic to invite them to the capital of Mali where the latter were recording their excellent second album, “BKO”.
Tamikrest gave a new tone with their participation, offering a stunning version of Velvet Underground “All Tomorrow’s Parties”. When it came time for their first personal job, Chris Eckman was there again, producing the wonderful "Adagh", the debut of Tamikrest released in 2010 on behalf of the famous Glitterhouse Records, introducing their magic to the rest of the world.
Hypnotic traditional rhythms, psychedelic wah wah guitars, transcendental vocals reminiscent of chants, accompanied by keys or a solo violin, in a quirky mix that can be identified as touareg blues.
A year later, they also recorded their second album, Toumastin, in the same company and with the same rates, distracting audiences and critics around the world with the natural consequence of touring, mainly in Europe, and participation in major festivals. Nevertheless, as Eckman characteristically states, "Wherever they travel, they carry the desert inside them ”, while Tinariwen manager - and world music guru - Andrew Morgan calls them "the future of Tuareg music."
The same, first of all, they believe they are fighting for a better world, both for their people and for those who suffer from problems similar to those that plague their people.
"We must all recognize that we belong to a community and a culture, and this is exactly our strength in the eyes of others. First of all, we have to take care of them ourselves because otherwise no one else is going to do it. It is our duty to maintain our identity, to constantly claim our basic rights, both locally and internationally, and above all to emphasize our right to self-determination, without which it will be very difficult to deal with all the problems we face.
Touareg youth can not remain indifferent and indifferent the moment we become strangers in our own land, through the sale of many of our sites to multinational companies without our consent.
The same goes for the global community, who must not be deaf in the face of the possibility of extinction of people like us. The Touareg want to live free in their lands and see this form of colonization that has prevailed here finally come to an end. 50 years, that is, in brief, for too long now. ”
Source : culturenow.gr
Honda Urban SUV concept
THE Honda παρουσίασε σήμερα στο Detroit ένα εξαιρετικά ενδιαφέρον πρωτότυπο, πάνω στο οποίο θα βασιστεί ένα μικρό SUV, που θα δούμε στην παραγωγή, μέσα στην επόμενη διετία.
Το νέο πρωτότυπο όχημα της Honda έκανε σήμερα την παγκόσμια πρεμιέρα του στο Διεθνές Σαλόνι Αυτοκινήτου Β. Of America 2013 (NAIAS) στο Detroit. Το πρωτότυπο δίνει μία πρώτη γεύση από τη σχεδιαστική κατεύθυνση ενός νέου μικρού SUV που πρόκειται να παρουσιαστεί στην Ιαπωνία στα τέλη του 2013 και στις ΗΠΑ το 2014. Subsequently, θα κυκλοφορήσει στην Ευρώπη.
The Urban SUV Concept θα είναι ένα ακόμα μοντέλο βασισμένο στη νέα Πλατφόρμα Global Compact Series που περιλαμβάνει τα Honda Fit (Jazz στην Ευρώπη) και το City. Το Urban SUV Concept λανσάρει αισθητικά στοιχεία ενός νέου, μικρού SUV, με καθαρό, προηγμένο στυλ, δυναμικές γραμμές και στιβαρό στήσιμο. Το μικρό SUV θα κυκλοφορήσει σε όλο τον κόσμο αντλώντας ισχύ από την αποδοτική Earth Dreams Technology της ιαπωνικής. Θα χρησιμοποιεί την αρχική διάταξη της Honda με το ρεζερβουάρ τοποθετημένο στο κέντρο, όπως στο Jazz και θα υιοθετεί τα διάσημα καθίσματα Magic Seats της Honda, με ποικίλες δυνατότητες ρυθμίσεων για μέγιστη ευελιξία.
Η ιαπωνική μάρκα δεν έδωσε περισσότερες πληροφορίες για τεχνικά χαρακτηριστικά, αλλά και για το εσωτερικό του μοντέλου, για το οποίο διαβεβαιώνει ότι θα περιλαμβάνει την τελευταία λέξη της τεχνολογίας. Το μικρό SUV θα κατασκευάζεται στο νεότερο εργοστάσιο της Honda στη Β. America, κοντά στην πόλη Celaya, Μεξικό μαζί με το Fit (Jazz στην Ευρώπη).
Source : autotriti.gr
Tamikrest live in Athens and Thessaloniki
The Tamikrest, one of the most important bands that combine traditional African music with modern rock sound, are coming to Greece for the first time for two concerts in Athens (Friday 8/2, Fuzz Live Music Club) and Thessaloniki (Saturday 9/2, Gaia Live).
Following the paths set by, earlier than them, Tinariwen, Tamikrests honor their Tuareg origins (in the Tamashek language, in which they sing, their name means "bond", "alliance", "knot") only they preferred, in a particularly turbulent period for their people, put the Kalashnikovs aside and grab the electric guitars.
It helped in that direction, with no doubt, and their subsequent acquaintance and collaboration with Dirtmusic, the group formed by three great musicians: ο Chris Eckman (The Walkabouts), o Hugo Race (Nick Cave and the Bad Seeds, The Wreckery) and Chris Brokaw (Come, Codeine).
The main composer and leader of the band, Ousmane Ag Mossa, he listened to a lot of music from a young age, although his childhood - like that of the other members of the band - was marked by the civil war (1990-95) which focused on the Tuareg claim to autonomy. They have seen many relatives and friends get lost within this time and 2006, when new riots broke out, decided to use other means to gather the eyes of the world on the struggle of their people.
All young in age (near 20), combined the sounds they had, mainly via the internet, from names like Bob Marley, The Pink Floyd, Jimi Hendrix and Dire Straits, with their own distinct musical tradition, attracting the interest of Dirtmusic, on a trip of the latter to their area.
It was the 2008, in the rural community of Essakane (80 kilometers from Timbuktu), where the Festival Au Desert took place. A magical sound pulled Eckman and his entourage into an awning where Tamikrest was improvising. A unique experience for everyone followed, when the interaction of, coming from different cultures and traditions, musicians evolved into one… three-day psychedelic glazing, which gave a different and completely essential essence to the concept of desert, before ending up with a monumental joint appearance on the main stage of the festival!
It was there that a strong friendship began that led the Dirtmusic to invite them to the capital of Mali where the latter were recording their excellent second album, “BKO”.
Tamikrest gave a new tone with their participation, offering a stunning version of Velvet Underground “All Tomorrow’s Parties”. When it came time for their first personal job, Chris Eckman was there again, producing the wonderful "Adagh", the debut of Tamikrest released in 2010 on behalf of the famous Glitterhouse Records, introducing their magic to the rest of the world.
Hypnotic traditional rhythms, psychedelic wah wah guitars, transcendental vocals reminiscent of chants, accompanied by keys or a solo violin, in a quirky mix that can be identified as touareg blues.
A year later, they also recorded their second album, Toumastin, in the same company and with the same rates, distracting audiences and critics around the world with the natural consequence of touring, mainly in Europe, and participation in major festivals. Nevertheless, as Eckman characteristically states, "Wherever they travel, they carry the desert inside them ”, while Tinariwen manager - and world music guru - Andrew Morgan calls them "the future of Tuareg music."
The same, first of all, they believe they are fighting for a better world, both for their people and for those who suffer from problems similar to those that plague their people.
"We must all recognize that we belong to a community and a culture, and this is exactly our strength in the eyes of others. First of all, we have to take care of them ourselves because otherwise no one else is going to do it. It is our duty to maintain our identity, to constantly claim our basic rights, both locally and internationally, and above all to emphasize our right to self-determination, without which it will be very difficult to deal with all the problems we face.
Touareg youth can not remain indifferent and indifferent the moment we become strangers in our own land, through the sale of many of our sites to multinational companies without our consent.
The same goes for the global community, who must not be deaf in the face of the possibility of extinction of people like us. The Touareg want to live free in their lands and see this form of colonization that has prevailed here finally come to an end. 50 years, that is, in brief, for too long now. ”
Source : culturenow.gr



