The work of George Sevastikoglou, written before 55 years, ENKE fesolar uploads, in a yard, before sunset
Migration. Athens of today. Losses. Angela arrives from her village with a suitcase dreams of working maid. The fate of the classes. The mastrian, the sepsis, the folk blues, Italian cinema, a Greece fighting. Memorandums and judgment. Deadlock. Courtyard and history. Basement. DREAMS GOOD IN DUVARY 1×1. Survival and futility. Insecurity, a’ a place where people catch a arm only on Sundays.
"OR ”Angela” It is Greece that fights between dreams and nightmares, "says EKE Fezolari, who directs George Sevastikoglou's flagship work, "Angela", in a courtyard in Kerameikos (Ceramic 28) From today. The show is played before sunset, with food and drink to be allowed, like a summer cinema, as a Greek feast, with natural light in a courtyard in the city center, at 20.00, While the Athenian sun gives the city its most beautiful colors… George Sevastikoglou with "Angela", expresses the "new reality that came from the civil war and formed the petty bourgeois society and theater in post -war Greece…»
In a closed society suffering from poverty and delinquency, Angela dares and falls in love. Falls in love with the weak, the poor man, the 'pure' Lambro. It upsets its unconventional character against Stratos's establishment. Angela is right in the right. Defends girls' rights, of Lambro, of Tasia. Is looking for the truth that will redeem them. Is not afraid, does not mourn and does not sprinkle. Rebelled. Are on the side of the weak, As all revolutionaries are, But her love arrives to go against a whole society.
By closing them 55 (was written the 1957), Middle the "Angela" now, How can he contact Greece today, of the crisis and the memorandums; "OR ”Angela” is modern because it affects the adversity of life, Not only because of the poverty of money but also social values and laws, ”EKE Fezolari replies. 'In the face of Stratos we recognize the looting of the state, the exploitation of human rights, The sabotage and the nonsense of our own political system ».
"Angela" reminds us, according to him, 'How nothing should be considered self -evident. Life is won with small daily battles. Angela fights for our lost dignity, our forgotten ideals, our trampled dreams, and for the love we left because it was difficult… Symbolizes cleaners and migrants, But mostly all of us who are struggling for a better life against vulgarity and today's impasses, in memorandums and in huts, looking for in vain a light of light ».
What is his "Angela"; 'Angela is Athens, is Mama Roma, is Melina, It is Greece that is pulsating, struggling. Between the folk song, In Derie and Seva with Bellou and Kazantzidis sounds, but also in the rock 'n’ roll? and from the beaches of Attica, the moons in Sounio to the current degraded center of Metaxourgio, Next to red lanterns and bought dreams ».
For a hometown
«1950. A Greece that is chilled. Trying to heal her wounds, survive to dream again, an ideal. 2012. The story repeats. The project is played again with new protagonists… Angela arrives from her village in Athens for a better life. DREAMS that crumble from poverty, hypocrisy and exploitation. Slave in other, struggles to resist. He lives the doomed love. But somewhere there is a hope hiding: ”will live;”… A performance in the center of Athens, For the center of Athens. Made with sensitivity and love for a homeland that is unraveling ». Vicky Papadopoulou (Angela)
THE RATES
The direction of the show is signed by EKE Fezolari, The editing of the stage space and the costumes are by Daphne Koutra and the movement of joy Kotsali. Song: Lola Giannopoulou. In the role of Angela Vicky Papadopoulou. They play: Helen Vergetis, Kostis Kallivretakis, Vassilis Margetis, Constantine Moraitis, Iris Pantazara, Konstantina Takalou, Kalliopi Tzerman.
Source : ethnos.gr
