The Roman triliza below Thessaloniki

You imagine a wide road (latitudinal 10 and more meters), layered with thick, heavy marble slabs, bordered by marble curbs and colonnades, and on this road move chariots and pedestrians and animals and soldiers and emperors and…

And on a street corner – of the not so crowded despite the "maximus" of his character – to be engraved, almost artificial, a huge frenzy; Yes, the famous game that is still played today. And... I was thrilled to see Roman soldiers and centurions playing in the middle of the street;

The oversized trill of decumanus maximus (ancestor of today's Egnatia street) was located at the height of today's Agia Sophia street, just a few meters below the pavement of the polypath – and from the subway opening works – Egnatia street and has a diameter of about two meters.
Archaeologists working as part of the excavations to open the subway tunnel have not arrived at the exact dating of the impressive find, as the street on which it was located was allegedly "carved" after the 3rd AD. century and was preserved for at least three centuries later (until the 6th AD).
It is a monumental road of Roman character (decumanus is the Latin term that referred to large streets of Roman cities that were oriented from east to west and were usually decorated at the beginning and end with piazzas). The revelation of the excavations concerns a section of the length of the road 82,5 and width 10 meters.

The "birth" of the street dates back to the 3rd BC. century – when the city was founded by King Kassander. The traces of the ancient Macedonian road are about two meters below the cobbled and obviously wider and more luxurious Roman road that was "built" on top of it around the 3rd AD. century.
For more than four centuries the road, which is re-engraved with the Hippodamian system of town planning, turns into a main thoroughfare of the city.

THE the greatest decumanus of Thessaloniki is paved with thick marble slabs 15 centimeters and is bordered by wide marble curbs 4,7 meters. In its southern part (the northern one was not excavated as it 'approaches the limits of the station pit) the ruins of buildings are preserved, while between the road and the buildings it intervened, as is the case today in cities, dense network of built clay and lead pipes, which served the needs of water supply and drainage. It is even characteristic that the perfectly insulated water supply pipes passed through the sewer pipes without ever leaking. The road changes shape (width, length, use) throughout the centuries. The Roman road, after its earthquakes 620 A.D. and the destruction of many monuments of the city, "narrowing", during the Turkish occupation it became a path again, in the 19th century it is paved with Italian cobblestones and on it are laid the lines of the tram which also passes under the arch of Galerius, as seen in photographs of Thessaloniki from the beginning of the previous year (20uh) century.
The excavation was carried out as part of the archaeological work carried out by the 9th Ephorate of Byzantine Antiquities alongside the work for the opening of the Thessaloniki metro. During the same excavation (jurisdiction of the 9th Ephorate of Byzantine Antiquities) who started it 2007 and continues, a number of mobile finds were uncovered (jewelry, Christian symbols and church utensils, tools etc. of Byzantine Thessaloniki) and hundreds of gold and copper coins.

Source : tanea.gr

Bentley's new "green" engines

After they finally went ahead with the design change from the original EXP, its managing director Bentley revealed the "green" engines that the new one is likely to be equipped with SUV.

Recently, the chief executive of Bentley, Wolfgang Durheimer (who is now at Audi) revealed that the British brand is thinking about becoming more "friendly" to the environment, and the way this could be achieved was by equipping their future models with diesel and hybrid engines. It is assumed that for a start it will borrow the V8 diesel engine of the "sister" company – Audi- which yields 406 horsepower.

Durheimer in an interview also mentioned that they will do away with their V8 engine 6,75 liter (512 hp/1020 Nm torque) and will be replaced with a new V12. End, regarding the engines of the new SUV, it is expected that some of the new diesels or hybrids will be used, while the model will be based on a Volkswagen platform.

Source : autotriti.gr

The Roman triliza below Thessaloniki

You imagine a wide road (latitudinal 10 and more meters), layered with thick, heavy marble slabs, bordered by marble curbs and colonnades, and on this road move chariots and pedestrians and animals and soldiers and emperors and…

And on a street corner – of the not so crowded despite the "maximus" of his character – to be engraved, almost artificial, a huge frenzy; Yes, the famous game that is still played today. And... I was thrilled to see Roman soldiers and centurions playing in the middle of the street;

The oversized trill of decumanus maximus (ancestor of today's Egnatia street) was located at the height of today's Agia Sophia street, just a few meters below the pavement of the polypath – and from the subway opening works – Egnatia street and has a diameter of about two meters.
Archaeologists working as part of the excavations to open the subway tunnel have not arrived at the exact dating of the impressive find, as the street on which it was located was allegedly "carved" after the 3rd AD. century and was preserved for at least three centuries later (until the 6th AD).
It is a monumental road of Roman character (decumanus is the Latin term that referred to large streets of Roman cities that were oriented from east to west and were usually decorated at the beginning and end with piazzas). The revelation of the excavations concerns a section of the length of the road 82,5 and width 10 meters.

The "birth" of the street dates back to the 3rd BC. century – when the city was founded by King Kassander. The traces of the ancient Macedonian road are about two meters below the cobbled and obviously wider and more luxurious Roman road that was "built" on top of it around the 3rd AD. century.
For more than four centuries the road, which is re-engraved with the Hippodamian system of town planning, turns into a main thoroughfare of the city.

THE the greatest decumanus of Thessaloniki is paved with thick marble slabs 15 centimeters and is bordered by wide marble curbs 4,7 meters. In its southern part (the northern one was not excavated as it 'approaches the limits of the station pit) the ruins of buildings are preserved, while between the road and the buildings it intervened, as is the case today in cities, dense network of built clay and lead pipes, which served the needs of water supply and drainage. It is even characteristic that the perfectly insulated water supply pipes passed through the sewer pipes without ever leaking. The road changes shape (width, length, use) throughout the centuries. The Roman road, after its earthquakes 620 A.D. and the destruction of many monuments of the city, "narrowing", during the Turkish occupation it became a path again, in the 19th century it is paved with Italian cobblestones and on it are laid the lines of the tram which also passes under the arch of Galerius, as seen in photographs of Thessaloniki from the beginning of the previous year (20uh) century.
The excavation was carried out as part of the archaeological work carried out by the 9th Ephorate of Byzantine Antiquities alongside the work for the opening of the Thessaloniki metro. During the same excavation (jurisdiction of the 9th Ephorate of Byzantine Antiquities) who started it 2007 and continues, a number of mobile finds were uncovered (jewelry, Christian symbols and church utensils, tools etc. of Byzantine Thessaloniki) and hundreds of gold and copper coins.

Source : tanea.gr

The new Harley models for the 2013

Thanasis Houdras writes for newsbeast.gr

His HDs were presented 2013, which include models celebrating the 110 years of the company, a revamped Dyna Street Bob, two new versions of the Sportster 1200 Custom, the Hard Candy Custom and Custom Vehicle Operations models, which includes the only truly new model of the century-old company, το CVO Breakout.

Το Breakout είναι μοντέλο CVO που σημαίνει ότι θα κατασκευαστεί σε περιορισμένα κομμάτια, ενώ ανάλογα υψηλή με την σπανιότητά του θα είναι η τιμή του.

Βασίζεται στο πλαίσιο των Softail έχει δηλαδή πίσω ανάρτηση- και φορά τον κινητήρα τωv 110 κυβ. Ιντσών ή κατά τα δικά μας, of 1.802,6 κυβικών εκατοστών με αισθητική γαρνιτούρα που υπακούει στο ύφος ‘hot rod’. Αυτό σημαίνει τροχοί-τουρμπίνες, κάμποσα κιλά χρώμιο και μεταλλική πέρλα στην βαφή.

Τεχνικές λεπτομέρειες του Breakout
-Motor: ScreaminEagle®, 1.803cc με 2ΕΕΚ με ηλεκτρονικό ψεκασμό (Electronic Sequential Port Fuel Injection ESPFI), ηλεκτρονικό γκάζι και 6τάχυτο κιβώτιο, συμπλέκτης περιορισμένης ολίσθησης
-Τρία χρώματα: Black DiamondMolten SilverCrushed Slate, Hard Candy Gold Dust και Liquid Sun με γραφικά Pagan Gold, Crimson Red Sunglo και Lace με γραφικά Hammered Sterling
-Τροχοί, δισκόπλακες και γρανάζι κίνησης που μιμούνται την αισθητική τουρμπίνας τζετ
-Εμπρός και πίσω φτερό κομμένα στο ελάχιστο επιτρεπόμενο όριο κάλυψης του τροχού
-According to 2,5 εκατοστά μεγαλύτερο κενό ανάμεσα στις μπουκάλες του πιρουνιού.
-Ελαστικό 130mm μπροστά.
-Ρεζερβουάρ 18,5 liter, με ενσωματωμένο τον πίνακα οργάνων Low-Profile Console
-Δερμάτινη σέλα αναβάτη και συνεπιβάτη
-The 2013 CVO Breakout έχει προτεινόμενη τελική τιμή στις ΗΠΑ 21.300 ευρώ και θα κατασκευαστεί σε 1.900 κομμάτια.

Source : newsbeast.gr

The play Oedipus the Tyrant at the Ancient Theater of Philippi

The show "Oedipus the Tyrant" directed by Tsezaris Grouzinis continues its extremely successful tour. As part of its summer tour, the show will be presented on 24 and 25 August in the Ancient Theater of Philippi.

The artivities company and the VOLOU REGION, in the framework of the ATHENS FESTIVAL they present his summer 2012 to the audience of Epidaurus, of Herodion and the largest cities of the region of Greece, the tragedy of Sophocles OEDIPUS TYRANTUS, directed by Cesaris Grouzinis, with Konstantinos Markoulakis and Emilios Chiilakis in the leading roles.

Cesaris Grouzinis, the Lithuanian director known to the Greek theater audience, tackles the emblematic tragedy with the translation of Minos Volanakis as his weapons, the group way of storytelling and actors trained in the ancient Attic speech.  

Kenny McLellan on sets and costumes, Dimitris Theocharis in the music composition and Nikos Vlasopoulos in the lighting, will be his valuable collaborators to highlight the tragedy of the man who receives the harshest blows of the Divine Judgment for an insult he unknowingly committed.

A terrible pestilence afflicts Thebes. The oracle states that the city will only be saved if the murderer of the previous king Laius is punished. Oedipus, who reigns now, he asks to find the one who killed Laius. The seer of Tiresias accuses Oedipus of being the city's miasma. Oedipus is enraged and suspects a conspiracy against him. In the course of the search for the killer, the truth is gradually revealed, the hero discovers who he really is. Son and murderer of King Laius but also husband of Jocasti's mother. After the tragic and inevitable fate is revealed, Jocasta is hanged. Oedipus blinds himself.

In the last words of the dance Sophocles writes: "...For that which dies wait for its narrow day, before you bless it…” This evocative story, which matured her for thousands of years, it reveals how ephemeral human prosperity and glory are. How fragile is our hope for an eternal and stable sense of security and peace.

However, the intention of Cesaris Grouzinis in putting on this show, it is not didactic (though wise) proclamation of the need to obey one's destiny.

Especially now, especially here, he is attracted by the opportunity to speak about the inalienable right and the opportunity for man to remain proud even in the most disastrous situation and accept any curse with dignity.

In other words, to give honor to a man, who bows to his terrible fate, without being humiliated.

Actors play: Emilios Cheilakis, Konstantinos Markoulakis, Christos Sapountzis, Kostas Koroneios, Alberto Feis, Kostas Seiradakis, Yannis Tsemberlides, Panagiotis Exarcheas, Onik Ketsoyan, George Papandreou, Jeff Maarawi.

PROGRAM OF PERFORMANCES
 Date.            Location Tickets Presale Time
24/8  Ancient Theater of Philippi €14 – 17€ 14 € 21:00
25/8  Ancient Theater of Philippi €14 – 17€ 14 € 21:00
26/8  Outdoor Municipal Theater of Xanthi €14 – 17€ 14 € 21:00
27/8  Egnatia Open Air Theatre (Alex/polis)     14€ – 17€ 14 € 21:00
28/8  Dasous Theater of Thessaloniki €14 – 17€ 14 € 21:00
29/8  Dasous Theater of Thessaloniki €14 – 17€ 14 € 21:00
31/8  Ancient Theater of Messina €14 – 17€ 14 € 21:00
6/9    Herod Atticus Conservatory €14 – 17€ 21:00
7/9    Herod Atticus Conservatory €30 – 15€ 21:00
8/9    Old Eleirgeio Theater of Elefsina €14 – 17€ 14 € 21:00
10/9   Rematia Theater of Chalandrio €14 – 17€ 14 € 21:00
11/9   Rematia Theater of Chalandrio €14 – 17€ 14 € 21:00
12/9   Municipal Theater of Alsus Ilioupoli 15 € 15 € 21:00
13/9   Municipal Garden Theater of Papagos €14 – 17€ 14 € 21:00
14/9   Veakeio Theater Piraeus €14 – 17€ 14 € 21:00
15/9   Petra Theater of Petroupoli €14 – 17€ 14 € 21:00
17/9   Veikou Grove, Galatsi 15 € 15 € 21:00
18/9   Alexis Minotis Theater €15 15 € 21:00

Source : culturenow.gr

Hours of anxiety for Elena Paparizou

At the side of her loved one, the singer

Elena Paparizou spends hours of anxiety, as one of her most loved ones is in the hospital and fighting to get back on his feet.

The singer surprised many when she passed the entrance of a private rehabilitation clinic in Larissa.

That's where her uncle is, whom Elena loves, according to Espresso, very much.

Despite her many professional obligations, the singer managed to steal some time and be by his side to support him, to learn first hand the news about his fragile health and of course to give him the courage to get back on his feet.

Elena Paparizou arrived at the rehabilitation clinic located a few kilometers outside the Thessalian capital and after greeting the staff caring for her uncle with a smile, found in his room.

A little while later and after talking with the staff, she left again for Athens as her professional obligations, she was not allowed to stay any longer near her beloved uncle.

Source : newsbeast.gr

The play Oedipus the Tyrant at the Ancient Theater of Philippi

The show "Oedipus the Tyrant" directed by Tsezaris Grouzinis continues its extremely successful tour. As part of its summer tour, the show will be presented on 24 and 25 August in the Ancient Theater of Philippi.

The artivities company and the VOLOU REGION, in the framework of the ATHENS FESTIVAL they present his summer 2012 to the audience of Epidaurus, of Herodion and the largest cities of the region of Greece, the tragedy of Sophocles OEDIPUS TYRANTUS, directed by Cesaris Grouzinis, with Konstantinos Markoulakis and Emilios Chiilakis in the leading roles.

Cesaris Grouzinis, the Lithuanian director known to the Greek theater audience, tackles the emblematic tragedy with the translation of Minos Volanakis as his weapons, the group way of storytelling and actors trained in the ancient Attic speech.  

Kenny McLellan on sets and costumes, Dimitris Theocharis in the music composition and Nikos Vlasopoulos in the lighting, will be his valuable collaborators to highlight the tragedy of the man who receives the harshest blows of the Divine Judgment for an insult he unknowingly committed.

A terrible pestilence afflicts Thebes. The oracle states that the city will only be saved if the murderer of the previous king Laius is punished. Oedipus, who reigns now, he asks to find the one who killed Laius. The seer of Tiresias accuses Oedipus of being the city's miasma. Oedipus is enraged and suspects a conspiracy against him. In the course of the search for the killer, the truth is gradually revealed, the hero discovers who he really is. Son and murderer of King Laius but also husband of Jocasti's mother. After the tragic and inevitable fate is revealed, Jocasta is hanged. Oedipus blinds himself.

In the last words of the dance Sophocles writes: "...For that which dies wait for its narrow day, before you bless it…” This evocative story, which matured her for thousands of years, it reveals how ephemeral human prosperity and glory are. How fragile is our hope for an eternal and stable sense of security and peace.

However, the intention of Cesaris Grouzinis in putting on this show, it is not didactic (though wise) proclamation of the need to obey one's destiny.

Especially now, especially here, he is attracted by the opportunity to speak about the inalienable right and the opportunity for man to remain proud even in the most disastrous situation and accept any curse with dignity.

In other words, to give honor to a man, who bows to his terrible fate, without being humiliated.

Actors play: Emilios Cheilakis, Konstantinos Markoulakis, Christos Sapountzis, Kostas Koroneios, Alberto Feis, Kostas Seiradakis, Yannis Tsemberlides, Panagiotis Exarcheas, Onik Ketsoyan, George Papandreou, Jeff Maarawi.

PROGRAM OF PERFORMANCES
 Date.            Location Tickets Presale Time
24/8  Ancient Theater of Philippi €14 – 17€ 14 € 21:00
25/8  Ancient Theater of Philippi €14 – 17€ 14 € 21:00
26/8  Outdoor Municipal Theater of Xanthi €14 – 17€ 14 € 21:00
27/8  Egnatia Open Air Theatre (Alex/polis)     14€ – 17€ 14 € 21:00
28/8  Dasous Theater of Thessaloniki €14 – 17€ 14 € 21:00
29/8  Dasous Theater of Thessaloniki €14 – 17€ 14 € 21:00
31/8  Ancient Theater of Messina €14 – 17€ 14 € 21:00
6/9    Herod Atticus Conservatory €14 – 17€ 21:00
7/9    Herod Atticus Conservatory €30 – 15€ 21:00
8/9    Old Eleirgeio Theater of Elefsina €14 – 17€ 14 € 21:00
10/9   Rematia Theater of Chalandrio €14 – 17€ 14 € 21:00
11/9   Rematia Theater of Chalandrio €14 – 17€ 14 € 21:00
12/9   Municipal Theater of Alsus Ilioupoli 15 € 15 € 21:00
13/9   Municipal Garden Theater of Papagos €14 – 17€ 14 € 21:00
14/9   Veakeio Theater Piraeus €14 – 17€ 14 € 21:00
15/9   Petra Theater of Petroupoli €14 – 17€ 14 € 21:00
17/9   Veikou Grove, Galatsi 15 € 15 € 21:00
18/9   Alexis Minotis Theater €15 15 € 21:00

Source : culturenow.gr