Faye Skordas – Giorgos Liagas EXCLUSIVE: What's up with Mega?;

A month before the premiere of their show, which is planned for the 5 November, Fai Skordas and Giorgos Liagas have not yet signed a contract with Mega.

Things are not looking good for the pair of presenters who have anchored the station's morning entertainment zone for the past two years, as, little the terrible financial difficulties of most channels, little the fact that they no longer have a strong opponent against them, except for Giorgos Papadakis for now 10.00-11.00, after ANT1 decided to cut the entertainment section of his morning, and the zone served by Giorgos Liagas and Fai Skordas has been weakened. “George and Faye have resented as, after their return from vacation, new reductions in their salaries were also announced to them” highlights source of Yupiii. “Nevertheless, as both are professionals and know well what is currently happening in the market, they agreed and within the week they are expected to sign their new contracts” adds the same source.

In between, regarding the people who will fill the gaps of Mary Synatsakis and Tasos Theodoros in the panel of the show, it was finally decided that these would not be two, but, for reasons of economy, a!  So, next week there will be an audition in order to find him or her who will join the panel of the show “Breakfast Mou”.

End, about the rumors that they wanted the show Mommy that was presented last year by Fai Skorda, to be cut this year from the Mega program, according to Yupiii's information no such decision has been made at this time, as it must first be clarified what the DOL publishing group will do with the publications it publishes and especially with the magazine Mommy (which is directly related to the show) and immediately after that the relevant decision will be made.

Source : yupiii.gr

Rug: From the "Port of Havris", in the… Port of Thessaloniki

He directed one of the greatest films of recent years, the "Port of Le Havre" which achieved not only artistic but also commercial success. No introduction needed. For many years now, Finnish director Aki Kaurismäki is rightfully so, one of Europe's leading filmmakers. Along with the award-winning, of Kurdish origin Bahman Gobadi and the German Andreas Dresen, Karourismaki composes a very good triplet of guests for the upcoming 53rd Thessaloniki Film Festival, as announced on Tuesday at noon, has planned tributes to their work.
 
The humanistic, Kaurismaki's minimalist cinema began to be heard in his decade 1980 through the "proletariat trilogy" – "Shadows in Paradise" (1986), "Ariel" (1988) and "The Woman with the Matches" (1990)- where he spoke in a comic-tragic mood about the working class of his homeland. The trilogy of losers followed – "Clouds fly away" (1996), "The Man Without a Past" (2002), "Lights at Dusk" (2006)- where Kaurismaki found reserves of courage and solidarity through stories of misfortune and pain. And of course, at the "Port of Le Havre", his masterpiece, touched with his, abstract but so direct way the problem of illegal immigration.

Subtly combining realism and myth, the layered cinema of Bahman Ghobadi(former assistant to Abbas Kiarostami) it is a cry for justice and freedom. Gobadi made his feature debut with Drunken Horses (2000), the first Kurdish film in the history of Iranian cinema, which won the Camera d'Or at the Cannes Film Festival. Four years later with "And turtles fly" he penetrated the daily life of a group of children living in a Kurdish refugee camp, on the border with Iraq and collect mines, playing a perpetual Russian roulette of death or dismemberment, while the music belonging to Gobadi's great loves, stars both in the movie 'Half Moon' (2006), as in "Who's Afraid of Persian Cats" (2009), which comments on the fact that even today Western music is banned in Iran.

End, the least known in our country but one of the most distinguished representatives of the new generation of German filmmakers, the East German Andreas Dresen always focuses on people through small everyday stories of interpersonal relationships that surprise with their strength and sensitivity. Characteristic films of the: «Cloud 9» (2008, "A Certain Look" category award at the Cannes Film Festival), "Whiskey with Vodka" (2009, directing award at the Karlovy Vary festival), «Grill Point» (2002) and his latest 'Stopped on Track' which won last year's award in the 'A Certain Look' category.

Source : tovima.gr

Test: Suzuki Swift 1,3 DDiS

Suzuki takes advantage of its partnership with Fiat and endows Swift with the 1,300-horsepower diesel engine from Italy, aiming for even better economy.

The release of diesel in the two major urban centers gave the possibility of commercial existence in our country in many new models. One of them is the diesel Suzuki Swift, which now in addition to pleasant road features and flexibility in the city, promises even more fuel economy.

The Swift engine is of Italian origin and specifically comes from Fiat. With performance 75 horses, this engine meets Euro5 specifications with C02 emissions in 109 gr / km. for the five-door version (106 gr / km. for the three-door). Swift may not be exempt from fees, but contributes to the payment of minimum fees (98,1 euros per year).

It remains enjoyable

The Swift remains pleasant on the road since its proportions, the direct steering system, the sturdy frame and the properly adjusted suspension, give it sporty features. It's a little slower than that 1,2 gasoline (0,5 δλ), but extremely faster in reruns (4,1 δλ. στα 60-100 km / h with 4th and 11,2 δλ. στα 80-120 km / h with 5th). Combined with the flexibility of the model and the relative comfort of the suspensions, the diesel Swift manages to elicit flattering comments about the overall image on the road..

The price of Swift 1,3 DDiS in the most popular 5-door body starts from 13.690 euro, for the GL version with a satisfactory level of equipment. The immediately richer GLX version costs 14.890 euro. However, the price for the three-door version of Swift is 13.190 euro (GL). The difference with the corresponding one (GL) 3petrol door version is 1,700 euros.

Motor

THE 1.248 κ.εκ. The diesel engine that drives the Swift Golf is a 4-cylinder, 16valve with turbo, common supply line system and direct injection, while performing 75 horses and especially 190 Nm of torque, from just 1.750 rpm. In practice it shows a low heart rate, but after 1.900 turns has a strong pull, as a result, the driver does not have to resort to the easy-to-use selector 5 gears. However, the noise is felt even at idle, but the vibrations are limited. The engine offers fast accelerations on the go, but also from a standstill, however the big trump card is the low consumption of just 4,2 lt./100 km.

Source : autotriti.gr

Rug: From the "Port of Havris", in the… Port of Thessaloniki

He directed one of the greatest films of recent years, the "Port of Le Havre" which achieved not only artistic but also commercial success. No introduction needed. For many years now, Finnish director Aki Kaurismäki is rightfully so, one of Europe's leading filmmakers. Along with the award-winning, of Kurdish origin Bahman Gobadi and the German Andreas Dresen, Karourismaki composes a very good triplet of guests for the upcoming 53rd Thessaloniki Film Festival, as announced on Tuesday at noon, has planned tributes to their work.
 
The humanistic, Kaurismaki's minimalist cinema began to be heard in his decade 1980 through the "proletariat trilogy" – "Shadows in Paradise" (1986), "Ariel" (1988) and "The Woman with the Matches" (1990)- where he spoke in a comic-tragic mood about the working class of his homeland. The trilogy of losers followed – "Clouds fly away" (1996), "The Man Without a Past" (2002), "Lights at Dusk" (2006)- where Kaurismaki found reserves of courage and solidarity through stories of misfortune and pain. And of course, at the "Port of Le Havre", his masterpiece, touched with his, abstract but so direct way the problem of illegal immigration.

Subtly combining realism and myth, the layered cinema of Bahman Ghobadi(former assistant to Abbas Kiarostami) it is a cry for justice and freedom. Gobadi made his feature debut with Drunken Horses (2000), the first Kurdish film in the history of Iranian cinema, which won the Camera d'Or at the Cannes Film Festival. Four years later with "And turtles fly" he penetrated the daily life of a group of children living in a Kurdish refugee camp, on the border with Iraq and collect mines, playing a perpetual Russian roulette of death or dismemberment, while the music belonging to Gobadi's great loves, stars both in the movie 'Half Moon' (2006), as in "Who's Afraid of Persian Cats" (2009), which comments on the fact that even today Western music is banned in Iran.

End, the least known in our country but one of the most distinguished representatives of the new generation of German filmmakers, the East German Andreas Dresen always focuses on people through small everyday stories of interpersonal relationships that surprise with their strength and sensitivity. Characteristic films of the: «Cloud 9» (2008, "A Certain Look" category award at the Cannes Film Festival), "Whiskey with Vodka" (2009, directing award at the Karlovy Vary festival), «Grill Point» (2002) and his latest 'Stopped on Track' which won last year's award in the 'A Certain Look' category.

Source : tovima.gr