An international spiral has vandalized Picasso's paintings

Among the questions raised by yesterday's theft of Picasso's work from the National Gallery, the possible involvement of robbers with an international network that "specializes" in specific thefts are also reasonable.

Since the theft of important works of art has increased worldwide—as has the demand for specific paintings and signatures—it is only natural that suspicions turn to the international milieu.. Suffice it to say that just last summer the thief of the famous "Woman's Head" - by tragic coincidence the painting stolen from the Gallery is titled "Woman's Head" - that was stolen from a San Francisco gallery was arrested.

It should be noted that the perpetrator who was released after his arrest posted bail 5 millions of dollars without anyone ever questioning their origin! Equally paradoxical was the attempt made to disassociate the name of the robber in question from an international network of art smugglers.

Two years before the San Francisco robbery there had also been a major robbery at the Picasso Museum, noon day, by two armed robbers. The robbers had then escaped with two large ones, expensive and valuable Picasso works under dispute, the: “The painter and the model” (1963) and “Minotaur, drinker and women” (1933) as well as a pad with drawings by the Spanish painter. Suffice it to note that the Picasso Museum is located in the bustling Marais area of ​​Paris, in narrow and difficult alleys - which are not suitable for such escapes.

However, the biggest heist of Picasso's works, had noted the 1993 from the Stockholm Museum of Modern Art,  where they had, among others, eight are stolen (;) works by Picasso and one by the French cubist Georges Braque, value 40 million dollars. Some of them were found, some others remain unclaimed, like so many others bearing the signature of the famous Spanish artist. Be that as it may, in times of crisis, Picasso's name remains high on the international art market, and it is natural that it is at the center of experienced - and not only - art robbers.

The scenarios that the Police are considering

From their side, the security police have come up with two possible scenarios for what really happened in the early hours of yesterday at the National Gallery. Given that the perpetrators "struck" in just seven minutes, they knew details and possibly even had insider information about the big job, these lead to the conclusion that they are professional burglars who have been planning the trick for a long time.

Absolutely valid information states that the first scenario wants:

–    The perpetrators are members of an international ring, "bad works of art", who after stealing the paintings, they dump them on the black market. After all, all over the world and especially in Russia, China and America there are avid collectors who would pay a lot of money to acquire a Picasso, even through underground black market connections.

"We have already informed the international security authorities about this particular one and the other two that took flight", stresses to protothema.gr a ​​police officer dealing with the case and adds: “Indeed, we are trying through informants to find out if there is specific information on the specific paintings in the black markets of art".

–    The theft was made to order. That is, a collector made a deal with mice for a large sum to enter the National Gallery and disappear the works. In this case, the work of the Police is more difficult, as the three stolen paintings and especially the only Picasso that existed in Greece will not go under the hammer.

Either scenario is ultimately verified, The work of the Police is particularly difficult, as the perpetrators left little traces behind them…

Source : protothema.gr

The most expensive photo in the world

Reading this title, you would definitely expect to see something impressive and original (ate famous nude). And yet things are a little different…
You will tell me, what everyone considers art and point of view is completely subjective and vague. However, it is a bit difficult to digest how -and officially- moreexpensive photo of all time is just a beautiful and well-balanced photo of the river Rhine.
Yes, his photoAndreas Gursky with Title "Rhine II”Was sold by Christie’s auction house in New York for $4,3 millions or to be exact against$4,338,500 (the previous photo record had cost $3,9 million).The owner who bought it, if nothing else serene, The work of art is from Germany and for obvious reasons remained anonymous. The impressions are yours.
By Aris Vourvoulias
Source : pkool.gr

Ava Galanopoulou – Bessie Malpha :"Infidelity is charged to both"

Shortly before they met again on the stage of the Lambeti Theater, in the political review Long live Greek children, they are photographed together for OK! and they talk about marriage and infidelity.
You would forgive infidelity;
Ava: I don't believe in ownership. I had been cheated on in the past and I knew it. I had been told by my partner that he would stay at home, but my instincts told me that he was cheating on me. The next day we went out to eat and I told him: “Because I know you cheated on me, if you admit to me that you did it you will be a jerk. If you lie to me, we will break up". He makes the mistake and tells me the truth. So I get up too and leave and I had him running after me and yelling at me: “You're not okay. You said if I admit it you'll forgive me"! We have remained friends with this particular person.
Bessie: One is not led to infidelity alone. For me it is charged to both, that's why I have to forgive two people. I have not realized that I have been cheated, but it's not something I'm even looking for, because I'm not jealous.
That is, if your husband Gerasimos Skiadaresis told you he cheated on you would you forgive him;
Bessie: I might have lowered the notes of my voice a bit and spoken to him in the "Epidaurian" voice I use when I argue with my son, I wish I had kept his face for a while. What unites two people cannot be broken on the whim of a moment. The important are far more powerful than the unimportant, therefore infidelity should not be treated as a monstrous act that will define your life, but as an event.
Ava, why are you not married yet?;
(He chokes and knocks on wood). Oh bye bye! I'm sorry that some people think that way, because marriage is something completely temporary. Man has fought for years to maintain his freedom. What they do next and get stuck in a marriage; Most married people are deeply unhappy or lead double – if not triple – lives. Marriage in our time is completely passé. Even the "forever" they used to say, once upon a time it made sense because back then people died in their forties.
Bessie, you agree that marriage traps people;
Ava may be right, but my own life proves otherwise. It depends on how one understands the concept of freedom. For me the most important freedom is the freedom of the spirit and I consider that I have it secured.
More on OK! which circulates.
Source : yupi.gr

Υβριδικό Volvo XC60 plug-in

Κείμενο του Δημήτρη Μπαλή

Προ ημερών έγραψα ότι η Volvo θα ξεκινήσει εντός του 2012 πωλήσεις στην Ευρώπη του πρώτου της υβριδικού V60 plug-in. Διαθέτει κινητήρα πετρελαίου και ηλεκτρικό μοτέρ που φορτίζεται από πρίζα.

However, η σουηδική μάρκα που καινοτομεί σε πολλούς τομείς, θα παρουσιάσει σε λίγες ημέρες στη Διεθνή Έκθεση Αυτοκινήτου του Ντιτρόιτ, μια πρωτότυπη εφαρμογή – ωστόσο πολύ κοντά στο να γίνει μοντέλο παραγωγής – σε SUV αμάξωμα.

Θα είναι η τρίτη μάρκα, μετά την Porsche που διαθέτει υβριδικό Cayenne, και την BMW με την ActiveHybrid Χ6, που θα έχει υβριδικό SUV, όπως είναι το XC60, αλλά αυτό θα ξεχωρίζει επειδή θα φορτίζεται και από πρίζα.

Innovation

Το XC60 Plug-in Hybrid διαθέτει τρία προγράμματα λειτουργίας. Στο Pure mode το όχημα κινείται μόνο ηλεκτρικά με αυτονομία περίπου 45 km. Στο Hybrid mode που είναι και η βασική λειτουργία του οχήματος, ο κινητήρας βενζίνης και το ηλεκτρικό μοτέρ συνεργάζονται προσφέροντας φυσιολογική οδηγική ευχαρίστηση με αυτονομία 960 km. – σε αυτή τη λειτουργία η μέση κατανάλωση είναι μόλις 2,3 λίτρα βενζίνης ανά 100 km. και οι εκπομπές διοξειδίου του άνθρακα 53 gr / km.

Στο δε Power mode, η ρύθμιση τής από κοινού λειτουργίας των δύο κινητήρων είναι τέτοια που εκτοξεύει τις επιδόσεις. Ο τετρακύλινδρος κινητήρας βενζίνης των 280 hp με ροπή 380 Nm, συνεργάζεται με το ηλεκτρικό μοτέρ των 70 hp με 200 Nm of torque, χαρίζοντας επιτάχυνση 6,1 sec. στα 0-100 km / h!

Εν συντομία…

Ανακυκλώσιμα μέρη, νέος κινητήρας, ελαφρύτερος και 35% πιο οικονομικός. Χωρίς συμβατική μίζα και εναλλάκτη τάσης. Με ολοκληρωμένη μίζα και γεννήτρια (ISG) η οποία προσφέρει επιπλέον 45 hp στην επιτάχυνση, ενώ φορτίζει την μπαταρία στο φρενάρισμα. Ο κινητήρας βενζίνης παρέχει κίνηση στον μπροστινό άξονα και το ηλεκτρικό μοτέρ στον πίσω (τετρακίνηση).

Η κατανομή της ροπής στους δύο άξονες ρυθμίζεται με διακόπτη. Πίσω είναι και η μπαταρία 12 kWh. Φορτίζεται πλήρως από πρίζα 220V σε 3,5 by Dimitra Papanastassopoulou is published by Dioptra Publications. Αν είναι άδεια, εν κινήσει φορτίζεται από τη γεννήτρια, πατώντας το διακόπτη Save.

Source : sport-fm.gr

Εντυπωσιάζει το νέο VW E-Bugster Concept

Hλεκτρικό και με πολύ έντονη προσωπικότητα, το νέο μικρομεσαίο κουπέ πρωτότυπο E-Bugster της Volkswagen δείχνει τις προθέσεις της γερμανικής φίρμας να επενδύσει σε κάτι πολύ ιδιαίτερο.
Το αυξημένο ενδιαφέρον της έκθεσης αυτοκινήτου του Ντιτρόιτ που διεξάγεται αυτές τις ημέρες αναμένεται να συγκεντρώσει το πρωτότυπο E-Bugster της VW. Πρόκειται για μια ιδιαίτερη πρόταση από πλευράς της γερμανικής φίρμας που βασίζεται στη νέα γενιά του Beetle για να δημιουργήσει ένα αυτοκίνητο με ξεχωριστή προσωπικότητα.
Το μεγαλύτερο ενδιαφέρον εντοπίζεται προφανώς στο κουπέ τελείωμα της οροφής του μοντέλου η οποία είναι και σημαντικά χαμηλότερη σε σχέση με αυτό στο κανονικό New Beetle. Nouns, το σπορτίφ αυτό μοντέλο θυμίζει έντονα το επίσης πρωτότυπο Ragster που παρουσίασε η VW 6 χρόνια πριν και ποτέ δεν μπήκε στην παραγωγή. On the contrary, αυτό το νέο πρωτότυπο αναμένουμε πως θα το δούμε κάποια στιγμή στην παραγωγή ως η πλέον σπορ έκδοση του καινούριου «Σκαραβαίου». Ως πρωτότυπο βέβαια, φέρει ηλεκτρικό μοτέρ ισχύος 116 horsepower and torque 270 Nm. Η μπαταρία του βρίσκεται στο πίσω άκρο του αμαξώματος και για να φορτίσει σε ποσοστό 80% χρειάζεται 30 minutes.
Source : autotriti.gr

Harlem Swing – Aint’ Misbehavin: Musical at the Badminton Theatre

TheBadminton Theatretransforms intoCotton Club and everyone swing dances to his heartHarlem! TheAin’t Misbehavin’is aMusical in a scriptMurray Horwitzand Richard Maltby Jr. andmusic by Thomas Wright "Fats" Waller. From the famous song he wrote himself 1929, after all, got the work and its name. It is a tribute to the African-American musicians of the 20s and 30s who were part of the so-called Harlem Renaissance (Harlem Renaissance), a time of growing creativity, cultural awareness and national pride.
It was a time when Manhattan's legendary nightclubs, such as the Cotton Club and Savoy Ballroom,  and Lenox Avenue set the tone for high society entertainment, filled with pianists who were rocking the town with a 'new' beat, she was teaching the city her first steps in swing. Five performers present a noisy, "lewd" night, with humorous songs, a night that makes the audience feel like they've booked a table at the Cotton Club and just handed the wardrobe their hat and gloves.
TheAin’t Misbehavin’ premiered on February 1st 1978 in a small New York cabaret and until 5 June of the same year had won several awards in the musical category (Tony, New York Drama Critics, Outer Critics Circle, Drama Desk Award, Obie), while Richard Maltby Jr. (Is, Song and Dance, Baby, Miss Saigon) wins a Tony Award for Best Director and Nell Carter a Tony Award for her performance and the show's original music album received a Grammy Award. A year later, five troupes were already formed that toured the United States, while London and Paris soon surrendered to his magic. So did the rest of the world on all six world tours that have taken place to date, while now it seems completely normal that there isn't a day that Ain't Misbehavin' isn't being played somewhere in the world.
When it was first presented at the Manhattan Theater Club cabaret, one could discover the young singer Irene Cara in its cast (years later he would "shine" through the soundtrack of the hit Fame. Soon the Broadway production under the direction of Maltby, directed and choreographed by Arthur Faria, uploaded on 9 of May 1978 at the Longacre Theatre, while later he was in Plymouth and Belasco filling in at 21 of February 1982 1604 representations. The original cast included Nell Carter, Andre DeShields, Armelia McQueen, Ken Page to Charlayne Woodard.
Luther Henderson adapted Waller's score and was also the pianist for the production. Some of the replacements in the later shows were Debbie Allen, Yvette Freeman, Adriane Lenox and Alan Weeks. The West End production of the play in London premiered on 22 March of 1979 at Her Majesty's Theatre, while his revival the 1995. A Broadway revival with the same director, the same choreographer and the same cast as the first production ten years ago, premiered on 15 August 1988, at the Ambassador Theater in New York where it remained for 176 representations. The 2009 Aint Misbehavin turned thirty (30) χρόνια και στην επετειακή παράσταση συμμετείχαν ο νικητής του American Idol Ruben Studdard και οι διαγωνιζόμενοι Frenchie Davis και Trenyce Cobbins.
Στη συγκεκριμένη παράσταση που θα φιλοξενηθεί στο Θέατρο Badmiton πρωταγωνιστούν αστέρια της Αμερικής, όπως η Yvette Monique Clark που είχε διαπρέψει στα Hairspray, Crowns, Chicago κ.ά., η υποψήφια για βραβείο Grammy Patricia Covington, o Milton Nealy (Dreamgirls, The Full Monty, Jesus Christ Superstar, La Cage Aux Folles), η Rebecca Covington (Mamma Mia, Thoroughly Modern Millie) και το τηλεοπτικό αστέρι Wayne Pretlow (The Good Wife, Law & Order),  πλαισιωμένοι από ένα ταλαντούχο καστ τραγουδιστών και χορευτών.
Τη μουσική διεύθυνση υπογράφει οWilliam Foster McDaniel, ενώ τη σκηνοθεσία ο Richard E. Maltby, Jr. και τη χορογραφία οArthur Faria.
• Tο πρώτο μιούζικαλ του Broadway που ανέβηκε με θέμα το έργο και τη ζωή γύρω από έναν τραγουδοποιό /καλλιτέχνη, τον Thomas Wright «Fats» Waller.
• Tο πρώτο μιούζικαλ στο είδος του που κέρδισε βραβείο Tony.
• To πρώτο μιούζικαλ στο είδος του που έγινε παγκόσμια επιτυχία.
• Το πρώτο μιούζικαλ στο είδος του που κέρδισε κάθε είδους θεατρικό βραβείο της Νέας Υόρκης.
• Το πρώτο μιούζικαλ «βιογραφίας» με το οποίο συγκρίνονται όλα τα υπόλοιπα.
 Source: culturenow.gr