Jacques Audiard: In the crisis, instinct prevails

The French director of the film "Body to Body", of a love story in a time of crisis, it talks about its contradictions and the golden ratio between quality and commercialism

"Don't call me an artist!» shouts Jacques Audiard. "It's a very difficult word and I can't define it. For’ that's why I prefer the term “creative”, word more tangible and specific. The creator constructs something, what exactly does the artist do?;». Writer Craig Ferguson and I sit in a room at the Carlton Hotel in Cannes a few days after the world premiere of Audiard's latest film Body to Body last May. There the wonderful Marion Cotillard plays a whale trainer who loses her legs after an accident but finds the will to live again after meeting a lonely sidewalk boxer (Matias Senerts), who circulates on the French Riviera with his minor son.
Although the term "artist" does not like Odyar, "Body to Body" is an artistic film. I point out to him that at the press conference the day before he had referred to cinema using the phrase "art form". "You're right," he replies immediately. "What should I do?, I am full of contradictions! But when I hear them call me a poet… what can i say; I'm not a poet. Rimbaud and Verlaine were poets, me not".
For "Body to Body" Odyar and Ferguson used many scattered ideas from the latter's collection of short stories. "I was interested in telling a love story in a crisis situation," says Jacques Audiard, whose previous film, "The Prophet", liked it a lot in Greece. "Crisis at all levels, not only the economic one. People who eat from the garbage, people who have lost their legs, children growing up without a family. In the novel “They kill the horses when they get old” of Horace McCoy, which refers to the period of the great crisis of '29, people had to dance themselves to the death in order to survive. Today they will have to fight until the end on the road. But they still kill the horses when they get old, it is not so; In a crisis man's only weapon is his physical strength. In a crisis instinct again prevails".
For Jacques Audiard cinema is a very democratic art but it still remains an industry. A film critic he holds in high esteem once told him that there are two doors you can walk through to enter the world of cinema: one big and pop and one small, better quality. "The ideal is to enter a little bit of both. You have to think about the audience when you write, not just yourself.  For me, fer’ they said, when you decide to end a tragic movie with a tragedy, you suffer from a lack of imagination".

When & where:
The movie "Body to Body" is shown in theaters from 29 November distributed by Seven Films.

Source : tovima.gr

Πωλείται η «αγωνιστική ιστορία» της Garelli

Στο «σφυρί» σπάνιες μοτοσυκλέτες GP, ανάμεσά τους και οι πρωταθλήτριες των Lazzarini, Nuvolari

Σχεδόν δύο ντουζίνες μοτοσυκλέτες Garelli Grand Prix βγαίνουν όλες μαζί σε δημοπρασία στο Παρίσι. Αποτελούν ιδιοκτησία ενός και μοναδικού συλλέκτη που ως τώρα φυλάγονταν σε ένα ιδιωτικόπαρεκκλήσι, προφανώς ως «ιερά» αντικείμενα που είναι!

Ανάμεσά τους υπάρχουν κάποια προπολεμικά μοντέλα, αλλά και αρκετά από τη δεκαετία του ’80, όταν η Garelli βρισκόταν στο ζενίθ της αγωνιστικής της επιτυχίας. Πωλείται δηλαδή η αγωνιστική ιστορία της Garelli.

Από τα σημαντικότερα συλλεκτικά τεμάχια, είναι ένα Garelli 50 κυβικών του 1963 που κατείχε το παγκόσμιο ρεκόρ ταχύτητας και εκτιμάται από 48 as 60.000 euro. Επίσης το αγωνιστικό 50άρι του Eugenio Lazzarini (1983) με το οποίο η Garelli πήρε τον Τίτλο Κατασκευαστή εκείνη τη χρονιά (εκτιμάται από 12-18.000 euro).

End, ένα αντίτυπο του δίχρονου δικύλινδρου GP125 που στη δεκαετία του ’80 κέρδισε έξι Τίτλους Αναβατών και 4 Κατασκευαστών (εκτιμάται από 6 – 10.000 euro).

Μέρος της ίδιας συλλογής είναι και δύο αγωνιστικές μοτοσυκλέτες που δεν προέρχονται από την Garelli: η Honda RC30 του Fred Merkel την οποία οδήγησε ο αμερικανός Παγκόσμιος Πρωταθλητής SBK στη σαιζόν 1989-90 (εκτιμάται στα 17.000 – 30.000 euro) και η Yamaha TZ250W που οδήγησε ο Γάλλος αναβάτης Jean-François Baldé κατά την τελευταία του χρονιά στα Grand Prix, the 1989 (εκτιμάται στα 3.000 – 3.500 euro).

Η δημοπρασία διεξάγεται από τον Οίκο Bonhams στο Grand Palais του Παρισιού, at 6 February 2013.

Source : newsbeast.gr

Jacques Audiard: In the crisis, instinct prevails

The French director of the film "Body to Body", of a love story in a time of crisis, it talks about its contradictions and the golden ratio between quality and commercialism

"Don't call me an artist!» shouts Jacques Audiard. "It's a very difficult word and I can't define it. For’ that's why I prefer the term “creative”, word more tangible and specific. The creator constructs something, what exactly does the artist do?;». Writer Craig Ferguson and I sit in a room at the Carlton Hotel in Cannes a few days after the world premiere of Audiard's latest film Body to Body last May. There the wonderful Marion Cotillard plays a whale trainer who loses her legs after an accident but finds the will to live again after meeting a lonely sidewalk boxer (Matias Senerts), who circulates on the French Riviera with his minor son.
Although the term "artist" does not like Odyar, "Body to Body" is an artistic film. I point out to him that at the press conference the day before he had referred to cinema using the phrase "art form". "You're right," he replies immediately. "What should I do?, I am full of contradictions! But when I hear them call me a poet… what can i say; I'm not a poet. Rimbaud and Verlaine were poets, me not".
For "Body to Body" Odyar and Ferguson used many scattered ideas from the latter's collection of short stories. "I was interested in telling a love story in a crisis situation," says Jacques Audiard, whose previous film, "The Prophet", liked it a lot in Greece. "Crisis at all levels, not only the economic one. People who eat from the garbage, people who have lost their legs, children growing up without a family. In the novel “They kill the horses when they get old” of Horace McCoy, which refers to the period of the great crisis of '29, people had to dance themselves to the death in order to survive. Today they will have to fight until the end on the road. But they still kill the horses when they get old, it is not so; In a crisis man's only weapon is his physical strength. In a crisis instinct again prevails".
For Jacques Audiard cinema is a very democratic art but it still remains an industry. A film critic he holds in high esteem once told him that there are two doors you can walk through to enter the world of cinema: one big and pop and one small, better quality. "The ideal is to enter a little bit of both. You have to think about the audience when you write, not just yourself.  For me, fer’ they said, when you decide to end a tragic movie with a tragedy, you suffer from a lack of imagination".

When & where:
The movie "Body to Body" is shown in theaters from 29 November distributed by Seven Films.

Source : tovima.gr